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Melody type
I. the Term Стр. 1 Из 93 Mode 01.10.2013 Mk:@Msitstore:D
Subdividing the Beat: Auditory and Motor Contributions to Synchronization
Indo-Caribbean "Local Classical Music"
Mode Classification and Natural Units in Plainchant
Luther's Hymn Melodies
Scale Structure and Similarity of Melodies Author(S): James C
The Learning Trajectory of Musical Memory: from Schematic Processing of Novel Melodies to Robust Musical Memory Representations
Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments
Melodic Contour Typology Author(S): Charles R
A Historic Overview of Oriental Solmisation Systems Followed by an Inquiry Into the Current Use of Solmisation in Aural Training at South African Universities
Music Theory Contents
Music of a Thousand Years a New History of Persian Musical Traditions
The "Arabian Influence" Thesis Revisited
The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay Peter G
Pitch-Frequency Histogram-Based Music Information Retrieval for Turkish Music
The Processes of Creation and Recreation in Persian Classical Music
Davranış Araştırmaları Dergisi Journal of Organizational Behavior Research Cilt / Vol.: 4, Sayı / Is.: S2, Yıl/Year: 2019, Kod/ID: 91S2707
Folklore. Electronic Journal of Folklore Folklore 6 1998 ESTONIAN FOLK
Top View
An Analysis of Persian Music and the Santur Instrument
Flamenco Music and Its Computational Study
Stm1967bengtsson.Pdf
Santur, Showing Playing Position 447
The Xinjiang Piano Suites of Shi Fu D. M. A. Document
Melodic Function and Modal Process in Gregorian Chant
Familial Similarity Between Melodic Contours of Different Cardinalities
Oideion 2 (1995)
Melodic Contour and Mid-Level Global Features Applied to the Analysis of Flamenco Cantes
Closure in Classical Themes: the Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence Mark Richards
The Role of Recurrent Melismas in the Alleluias of the St Gall Cantatorium
10347.Ch01.Pdf
Musical Change Deafness: the Inability to Detect Change in a Non-Speech Auditory Domain
Musical Expertise and Melodic Structure in Memory for Musical Notation
Automatic Species Counterpoint Composition by Means of the Dominance Relation