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Mass (Stravinsky)
Four Twentieth-Century Mass Ordinary Settings Surveyed Using the Dictates of the Motu Proprio of 1903 As a Stylistic Guide
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
Stravinsky Oedipus
Toward a Theory of Formal Function in Stravinsky’S Neoclassical Keyboard Works
Modern Art Music Terms
1. Charles Ives's Four Ragtime Dances and “True American Music”
Perceptual and Semantic Dimensions of Sound Mass
The Late Choral Works of Igor Stravinsky
Notes on the Oedipus Works
Theory of Music-Stravinsky
An Analysis of Tonal Conflict in Stravinsky's
Boston Symphony Orchestra Concert Programs, Season 59,1939-1940, Trip
Truth and Lies in the Stravinskyan Sense: Oedipus Rex
INFORMATION to USERS This Manuscript Has Been Reproduced
THE STRUCTURE and SYNTAX of STRAVINSKY's NEOCLASSICAL CADENTIAL LANGUAGE by Aaron Templin Copyright
Part A, Mass, Keynote
Polarities: Apollo Vs
Igor Stravinsky Symphony of Psalms Franz Joseph
Top View
Boston Symphony Orchestra Concert Programs, Season 89, 1969
Not Just a Pretty Voice: Cathy Berberian As Collaborator, Composer and Creator Kate Meehan Washington University in St
Glossary of Musical Terms
Hylton and Stravinsky's Mavra at the Paris Opéra
2017-2018 UIL Music Memory Study Guide
Common Misconceptions in the Performance of Igor Stravinsky's
Stravinsky's Ikons: the Influence of Seventeenth-Century Russian
An Analysis of the Bassoon and Its Literature
Summergarden 1990 PROGRAM This Year the Museum of Modern Art's SUMMERGARDEN Program Is Devoted Exclusively to the Music of Igor Stravinsky (1882-1971)
Arvo Pärt's “Berliner Messe”
Preparatory-Study-Of-Stravinsky-S-Symphony-Of-Psalms.Pdf
“The Flood.” by Hannah Dübgen
An Analysis of and Performance Guide to Lou Harrison's Suite for Piano
Chicago Symphony Orchestra Riccardo Muti Zell Music Director
Polypropylene and the Future of the Bassoon by Toan Tran a Research
Copyright by Laura Christine Amos 2007
Stravinsky 11/27/06 11:11 AM Page 16
STRAVINSKY Oedipus Rex Les Noces Edward Fox • Soloists • Simon Joly Chorale Tristan Fry Percussion Ensemble • Philharmonia Orchestra Robert Craft
Philharmonia Orchestra Esa -P Ekka Salonen Principal Conductor and Artistic Advisor T E L L a B
Exploring the Multi-Generational Influence of American Ragtime Music Through the Works of Charles Ives, William Walton and William Bolcom
RAGTIME and NOVELTY XYLOPHONE PERFORMANCE PRACTICES by Randall Eyles 3 Plete Comprehension
Program Notes
Four Twentieth-Century Mass Ordinary Settings Surveyed Using the Dictates of the Motu Proprio of 1903 As a Stylistic Guide
Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season
Twelve Tone Serialism
Stravinsky ‘The Serialist’ Against Music Criticism
Bruckner Mass in E Minor Stravinsky Mass
Igor Stravinsky Philippe Herreweghe
Stravinsky's Sideward Glance: Neoclassicism, Dialogised Structures and the Reflected Discourse of Bach Dr Nicholas P. Mcka
Schoenberg, Serialism and Cognition: Whose Fault If No One Listens? Philip Ball Address for Correspondence: 18 Hillcourt Road Ea
Stravinsky's Svadebka (1914-23) As the "Direct Quotation of Popular – I.E
Istanbul Technical University Graduate School of Arts and Social Sciences the Percussion Usage of Igor Stravinsky in His
An Overview of the History and Current State of Bassoon Music in Mexico D.M.A. DOCUMENT Presented in Partial Fulfillment Of
BSW Dissertation 2016-05-05
Stravinsky's Sketches for the Great Chorale David H. Smyth and Don