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Martin Agricola
Agricola Und Das Verkehrte. Zum Umgang Mit Satztechnischen Idiosynkrasien in Musik Des Späten 15
Michael Praetorius's Theology of Music in Syntagma Musicum I (1615): a Politically and Confessionally Motivated Defense of Instruments in the Lutheran Liturgy
Programm
The Lute Society Microfilm Catalogue Version 2 12/13 the List Is Divided by Instrument. Works for Renaissance Lute with Voice A
The Legacy of Virdung: Rare Books on Music from the Collection of Frederick R
An Interview with Shirley Robbins
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
Miadrilms Internationa! HOWLETT, DERQ
Volume I March 1948
DISCOVERIES South-Central Renaissance Conference News and Notes Volume 17, Number 2 Spring 2000
Franz Washington 0250E 17325.Pdf
MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor
The Trombone in A: Repertoire and Performance
Jan Pıeterszoon Sweelınck´In Toccata´Larının Klasik Gitar Ile Icra
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo’S “Declaracion De Instrumentas Musicales” (1555)
Index of Primary Sources
American Choral Review Journal of the American Choral Foundation, Published by Chorus America | James John, Editor
The History and Development of the Marimba Ensemble in the United States and Its Current Status in College and University Percussion Programs
Top View
Indices to Volumes I Through Xxxx of American Recorder
Stunde Der Kirchenmusik
Instruments of Praise: Sixteenth-Century Pedagogy, Lutheranism, and the 26 Fugae of Johann Walter
Václav Philomathes' Musicorum Libri Quattuor
Robinson, S.E 2017 Vol.1.Pdf
Library Library Perspectives
A Collection of Georg Rhau's Music Editions and Some Previously
The Renaissance Recorder: Resembling the Human Voice
Downloaded for Personal Non-Commercial Research Or Study, Without Prior Permission Or Charge
The Renaissance Musician and Theorist Confronted with Religious Fragmentation : Conflict, Betrayal and Dissimulation Inga Mai Groote, Philippe Vendrix
The Mandore in the 16Th and 17 Th Centuries James Tyler
Theobald Boehm and the History of the Alto Flute Including the Facsimile Edition of His Arrangement of Beethoven's Largo from Th
HARMONIA the Journal of the Graduate Association of Musicologists Und Theorists (Gamut)
The Recorder Consort at the English Court I 54 0 - 1673 Part 2
Jacob Van Eyck's Ultimate Mastery
N O V E M B E R 2 0
From Swiss Flutes to Consorts: History, Music and Playing Techniques of the Transverse Flute in Switzerland, Germany and France Ca
Sounding Wood
The Evolution of the Cello Endpin and Its Effect on Technique And
The Emergence of the Tambourine in Early Renaissance Concerted Music
A HISTORICAL STUDY OF.THE VIOLOHCELLO Tibby Kairian
Identification of the Bass Violin (1535-1635)
1 Musical Instruments in Western European Art an Iconographical
THE RECORDER TUTORS in ‘T UITNEMENT KABINET Jennifer Carpenter, B.M