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Marsden Hartley
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Marsden Hartley on Cape Ann : Hartley’S 16 Year Relationship with Cape Ann Lecture Transcript
Cubism in America
The Influence of Gertrude Stein on Marsden Hartley’S Approach to the Object Portrait Genre Christal Hensley
The Alterity of the Readymade: Fountain and Displaced Artists in Wartime
AMERICAN MODERNIST MASTERWORKS PROVIDE a DISTINCT FOCUS THIS DECEMBER at CHRISTIE's NEW YORK Important American Paintings
Hartley, Marsden (1877-1943) by Ken Gonzales-Day
RESOURCE GUIDE American Moderns, 1910-1960: from O’Keeffe to Rockwell Was Organized by the Brooklyn Museum
Marsden Hartley: the German Paintings 1913–1915 on View: August 3–November 30, 2014 Location: BCAM, Level 2
University of Florida Thesis Or Dissertation Formatting
Hartley, Marsden American, 1877 - 1943
How Do YOU Spotlight? Spotlight 2015–16 Marsden Hartley, Portrait Arrangement
Marsden Hartley Correspondence Marsden Hartley 1877-1943
Marsden Hartley Portrait Arrangement, 1914 Marsden Hartley Key Dates
Landscape No. 5
Western Painting and Sculpture (Albuquerque, 13-17.02.03)
Marsden Hartley: from Maine to Dogtown and Back Again Lecture Finding Aid & Transcript
Marsden Hartley Ng Fund, 73.2 I Tch a on M I T a N Found a West Freem a Se Through the Ell Creating New Memories
Top View
A Modernist Masterpiece and an Important Collection of American Western Art Leads Christie’S Spring 2008 American Paintings Auction
Marsden Hartley
The Michael Scharf Family Collection Leads Christie's
Hartley, Marsden American, 1877 - 1943
Marsden Hartley's Second Coming
Marsden Hartley's Maine, Exh
Three Centuries of Still Lifes
On the Subject of Nativeness: Marsden Hartley and the New England Regionalism
Hartley Bio Sheet3
Modernism American
Marsden Hartley and Charles Kuntz in Aix-En-Provence, the Exhibition Explores the Lasting Impact of One of the Greatest American Modernist Artists
In the American Grain: Dove, Hartley, Marin, O’Keeffe and Stieglitz
Helen Stein Papers Relating to Marsden Hartley
MARSDEN HARTLEY's TRIBAL ESTHETICS by Virginia Witte Miller a Thesis Submitted to the Faculty of the DEPARTMENT of ART in Partia
American Moderns, 1910–1960: from O'keeffe to Rockwell
Marsden Hartley in Provincetown