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Madrigal (Trecento)
Trecento Cacce and the Entrance of the Second Voice
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort
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Multiple Choice
Madrigal, Lauda, and Local Style in Trecento Florence
Revisiting the Origins of the Italian Madrigal Using Machine Learning
Musica Sanat Corpus Per Animam': Towar Tu Erstanding of the Use of Music
Understanding Music Past and Present
Renaissance Terms
Mirrors and Music in the Decameron
Early and Renaissance Music ?
The Renaissance Period (1400 – 1600) a Cappella: the Golden Age
The Medici Court and the Development of Italian Madrigal: a Study of the Contributions of Music Patronage in the 16Th Century
01-08 Prime Pagine
Fourth Annual Italian Madrigal Symposium
Medieval Terms
Contratenor Parts in Polyphonic Songs from the Late Trecento (Italy, Ca
The Madrigal
The Selected Sacred Solo Vocal Motets of Claudio Monteverdi Including Confitebor Tibi, Domine
Top View
The Music of Jacopo Da Bologna
El Madrigal Fenice Fù De Jacopo Da Bologna Enrique Lacárcel Bautista
Interview for Early Music America
Heraldry in the Trecento Madrigal
Music of the Trecento
Representation, Emotion, and the Madrigal in Sixteenth-Century Italy
Un Percorso Didattico Sul Madrigale Del Trecento: «Appress’Un Fiume Chiaro» Di Giovanni Da Cascia ♣
The Musician As Author in the Seventeenth Century
Understanding Music Music of the Renaissance
Historical Periods, Musical Styles, and Principal Genres in Western Music
Some Observations Concerning Baroque and Modern Vibrato Frederick Kent Gable
Parallel and Contrary Motion in the Madrigals of Giovanni Da Cascia
The Italian Experience of the Holy Roman Emperor Charles Iv: Musical and Literary Aspects
Using Corpus Studies to Find the Origins of the Madrigal Julie E