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Leah Goldberg
“Something About the Critic's Taste”: Leah Goldberg's Cultural and Literary Critiques in Davar Leyeladim Ayelet Gil-Rone
Leah Goldberg's Lady of the Castle and Shulamith
Landscapes of Israel
Idiom by Rachel (1926)
The Heartache of Two Homelands…’: Ideological and Emotional Perspectives on Hebrew Translingual Writing
Yehoyada Amir
Ibsen and Israeli Modernist Writers
Russian Translation and Hebrew Foundations
The Naughty Boy / by Leah Goldberg Gad Tries So Hard to Be Polite and To
Dr. Habil. Szilvia Peremiczky, Phd Leah Goldberg: a Kastély Úrnője
In Three Landscapes: Leah Goldberg's Early
Modern Hebrew Poetry Throughout the Ages
A Hebrew Liederabend an Evening of Hebrew Song Tuesday, June 4, 2019
A Small Town in Germany: Leah Goldberg and German Orientalism in 1932 YFAAT WEISS
Generations in Modern Hebrew Poetry
'Choose a Language Like a Wedding Ring': Polysystems, Norms and Pseudotranslation in Lea Goldberg’S Poetry & Prose
Construction of Identity in Anglophone Israeli Literature
A Modern (Jewish) Woman in a Café: Leah Goldberg and the Poetic Space of the Coffeehouse
Top View
Bi-Rooted Mind-Set in the Poems of Rachel Bluwstein and Leas Goldberg
Sovereignty and Melancholia: Israeli Poetry After 1948
Leah Goldberg's “Tel Aviv 1935”
Modes Home/Exile Binary in Leah Goldberg's Poetry
The Rise of Israeli Women's Fiction
Yona Wallach, “A Man Accumulates Memories” 5
Teach Me by Leah Goldberg