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Johannes Kerkorrel

Afrikaansalternative Popular Music 1986 - 1990 : Ananalysi.S of -,,'
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
Gereformeerde’ Musiek in Die Jare 1980 En 1990 in Suid-Afrika
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Deconstructing Popular Afrikaans Music In
“Rocking the Boat”? the “Voëlvry” Music Movement in South Africa: Anatomy of Afrikaans Anti-Apartheid Social Protest in the Eighties
Music to Move the Masses: Protest Music Of
Struggle Music: South African Politics in Song Andra Le Roux-Kemp, City University of Hong Kong
The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
The Afterlife of Voëlvry in Post-Apartheid South Africa
Afrikaner and Countercultural Discourse
Remains of the Social
Reshaping Remembrance
“The Alternative Afrikaans Music Movement” and Afrikaner Identity
Rethinking White Societies in Southern Africa
Commonwealth Essays and Studies, 42.1 | 2019 Breyten Breytenbach’S Revolutionary Aesthetics 2
The London School of Economics and Political Science
Johannes Kerkorrel En Postapartheid- Afrikaneridentiteit

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Afrikaner Identity in the Born-Free Generation
Dark,Dark Country Donker, Donker Land
Breyten Breytenbach's Revolutionary Aesthetics
1 Van Niekerk
Rave New World
Popular Music in Post-Apartheid South Africa
The Rise of Afrikaans Punk Rock Music
A Catalogue of the Dutch Anti-Apartheid Movement Video Archive

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