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Johann Caspar Kerll
Johann Kaspar Kerll Missa Non Sine Quare
Harald Vogel
Requiem Aeternam –Terequiem Aeternam –Requiem Aeternam Decethymnus ( Domine Jesu –Quam Olim –Sedsignifer Abrahae Christe
PLAYING from OPEN SCORE No. 2: KERLL's RICERCATA for a BARREL ORGAN Terence Charlston, Harpenden Kerll's Ricercata Is Offere
Orgel Spiele Gross Munster
Music for the Cimbalo Cromatico and the Split-Keyed Instruments in Seventeenth-Century Italy," Performance Practice Review: Vol
Rezensionen Für
Press Info: MUSIKPRODUKTION
Kusser (1626–1695): a Hungarian Émigré in Seventeenth-Century Stuttgart
The Harpsichord: a Research and Information Guide
Handel's Recorder
New • Nouveaute • Neuheit
Baroque Music Guide
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Printed Program
Toccata 16 Prelude 20 Toccata 17 Prelude 21 Toccata 18 Prelude 23 Toccata 19 Prelude 24 Toccata 20
June 2 - 20, 2021
Current Review
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Choir of Gonville & Caius College
The Italian Keyboard Canzona and Its Migration North
Mozart Concertos (M/J 2008)
Westfield Center & Christ Church Cathedral William Porter
Musicians' Mobilities and Music Migrations in Early Modern Europe
Information to Users
Music for a While a Concert Celebrating Central’S New Harpsichord
ASCENDO AD PATREM MEUM Organ Works of Renaissance and Baroque
Music Via Correspondence: a List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch*
Introduction
95623-Pachelbel-Booklet.Pdf
29-Apr-2019 12:01 AM Johann Christian Bach (1735-1782) Quintet in F Major for Flute, Oboe, Violin, Viola and Continuo (Op.11
The Emergence of the Independent Prologue and Chorus in Jesuit
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Colin Timms: Did Steffani Compose a »Confitebor« in 1709? Schriftenreihe Analecta Musicologica
AMS/SMT Seattle 2004: Abstracts
A Critical Edition of Johann Caspar Kerll's Missa a Tre Chori
Index to Ascending Cadence Gestures