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Joan Lindsay
Contrasting Cultural Landscapes and Spaces in Peter Weir's Film Picnic At
Every Moment an Amazing Story MESSAGE from the CHAIRMAN, DR GRAEME L BLACKMAN OAM
John ASHBERY, Poet (1927–2017)
European Influences in the Fine Arts: Melbourne 1940-1960
Space, Memory, and Power in Australia: the Case for No Nation
SF Commentary 106
July to December 2019
51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
COLLOQUY Text Theory Critique
Biographical Information
International & Australian Posters
Two Kinds of Silence in Joan Lindsay's Picnic at Hanging Rock1
Donald Barrett
The Secret of Hanging Rock
Picnic at Hanging Rock
Daryl Lindsay and the Appreciation of Indigenous Art at the National Gallery of Victoria, Melbourne in the 1940’S: ‘No Mere Collection of Interesting Curiosities’1
Narrative 2020
People Print Paper
Top View
Fear and Loathing in the Australian Bush
The Sentient House in Australian and Canadian Literature, and Five Floors of Basement: a Novel
Rmit Design Archives Journal Vol 9 Nº 2 | 2019 Robin Boyd Redux Robin Boyd Redux
Book Club Kit List
Lost Children and the Australian Ecogothic by Rose Miller
Behind the Scenes Hans Heysen's Art World Networks
SUGGESTED TEXTS for the English K–10 Syllabus
La Trobe Journal 103 Catherine Padmore
Picnic at Hanging Rock
MELBOURNE: SETTLEMENT to GOLD 21,221 Words, 23 May 2012
Judging a Book by Its Cover
For Industry, Taste and Hand-Eye Coordination: Art Education in Sydney from 1850 to 1915
Mark Rubbo's Coronavirus Diary…
2018 Picnic at Hanging Rock PROMPT
Pastoral and Loss in Joan Lindsay's Picnic at Hanging Rock
The Ridge and the River: Adapting a Novel Set in World War Two Into a Screenplay for a Contemporary Australian Film Audience
“A Place of Special Value”: Literary & Artistic Travels in Victoria 2021
Picnic at Hanging Rock