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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
Contrasting Cultural Landscapes and Spaces in Peter Weir's Film Picnic At
Coolabah, No.11, 2013, ISSN 1988-5946, Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona Contrasting cultural landscapes and spaces in Peter Weir’s film Picnic at Hanging Rock (1975), based on Joan Lindsay’s 1967 novel with the same title 1 Jytte Holmqvist Copyright©2013 Jytte Holmqvist. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: The following essay explores the relationship between contrasting cultures and cultural spaces within a rural Australian, Victorian, context, with reference to the narrated cultural landscape in Joan Lindsay’s novel Picnic at Hanging Rock (1967) and in the film based on the novel, by Peter Weir (1975). In the analysis of the five first scenes of the film, the focus will be on the notion of scenic- and human- beauty that is at once arresting and foreboding, and the various contrasting and parallel spaces that characterise the structure of book and film. The article will draw from a number of additional secondary sources, including various cultural readings which offer alternative methodological approaches to the works analysed, and recorded 1970s interviews with the author and the filmmaker. *** This essay explores the relationship between contrasting cultural spaces within a rural Australian context, with reference to Joan Lindsay’s 1967 novel Picnic at Hanging Rock and in Peter Weir’s film based on the novel (1975). The original novel may or may not be based on the real disappearance of three young girls in the Macedon area in 1867. -
Every Moment an Amazing Story MESSAGE from the CHAIRMAN, DR GRAEME L BLACKMAN OAM
VICTORIA ISSUE 1 FEB/MAR/APR 2015 National Trust of Australia (Victoria) AUS:$7.00 9 772204 397002 > Every moment an amazing story MESSAGE FROM THE CHAIRMAN, DR GRAEME L BLACKMAN OAM Welcome to our fi rst issue of National Trust, heralding a new look for our fl agship membership publication which has grown to refl ect our vision for the Trust as a leader and innovator in the custodianship and interpretation of heritage places. As well as featuring stories from the Trust showcasing our fascinating properties, collections and programs, National Trust includes new contributors bringing you stories from the rich world of history and heritage in Victoria and beyond. In 2015 Australia begins a four-year commemoration of the Centenary of Anzac, during which the National Trust will off er a number of public programs and tell some of the incredible wartime stories from our properties. Our National Trust Heritage Festival, themed Confl ict and Compassion (see pages 6–9), will highlight some of these stories, with an exhibition at Como exploring the impact of World War I on the Armytage family (see page 11). One of my personal highlights of 2014 was participating in the fi rst commemorative planting for the Gallipoli Oaks project at the Royal Botanic Gardens by the Governor General Sir Peter Cosgrove in November (see p 21). From now until 2018, the Trust will be delivering Gallipoli Oak saplings with an accompanying education kit to over 500 schools across Victoria to provide a new generation with a living link to Gallipoli. I hope that you are able to join us at a National Trust Heritage Festival event this year. -
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
Dancing on Coral Glenda Adams Introduced by Susan Wyndham The
Dancing on Coral Drylands Glenda Adams Thea Astley Introduced by Susan Wyndham Introduced by Emily Maguire The True Story of Spit MacPhee Homesickness James Aldridge Murray Bail Introduced by Phillip Gwynne Introduced by Peter Conrad The Commandant Sydney Bridge Upside Down Jessica Anderson David Ballantyne Introduced by Carmen Callil Introduced by Kate De Goldi A Kindness Cup Bush Studies Thea Astley Barbara Baynton Introduced by Kate Grenville Introduced by Helen Garner Reaching Tin River Between Sky & Sea Thea Astley Herz Bergner Introduced by Jennifer Down Introduced by Arnold Zable The Multiple Effects of Rainshadow The Cardboard Crown Thea Astley Martin Boyd Introduced by Chloe Hooper Introduced by Brenda Niall classics_endmatter_2018.indd 1 4/07/2018 5:20 PM A Difficult Young Man Diary of a Bad Year Martin Boyd J. M. Coetzee Introduced by Sonya Hartnett Introduced by Peter Goldsworthy Outbreak of Love Wake in Fright Martin Boyd Kenneth Cook Introduced by Chris Womersley Introduced by Peter Temple When Blackbirds Sing The Dying Trade Martin Boyd Peter Corris Introduced by Chris Wallace-Crabbe Introduced by Charles Waterstreet The Australian Ugliness They’re a Weird Mob Robin Boyd Nino Culotta Introduced by Christos Tsiolkas Introduced by Jacinta Tynan The Life and Adventures of Aunts Up the Cross William Buckley Robin Dalton Introduced by Tim Flannery Introduced by Clive James The Songs of a Sentimental Bloke The Dyehouse C. J. Dennis Mena Calthorpe Introduced by Jack Thompson Introduced by Fiona McFarlane Careful, He Might Hear -
John ASHBERY, Poet (1927–2017)
XXXXX SIZE: 170x170 Cuneiform tablet c. 2050 BCE Southern Mesopotamia (modern-day Iraq) RARES 099 C89 Cuneiform writing, developed by the ancient culture of Sumer, was one of the world’s first scripts. It was written on clay tablets using a wedged stick (cunea is Latin for ‘wedge’); the tablets were then sun-dried or fired. The earliest tablets (c. 3400 BCE) record economic transactions. This tablet records taxes paid in sheep and goats in the tenth month of the 46th year of Shulgi, second king of the Third Dynasty of Ur. BOOKS AND IDEAS ‘[T]he book is an extension of the eye …’ Marshall McLuha n The history of ideas is mirrored in the history of the book. Books have altered the course of history itself, through the dissemination of ideas that have changed how we think about the world and ourselves. In many cultures across different eras, books have played a highly symbolic and iconic role. There was a time when it was thought that the world’s knowledge could be collected between the covers of a book. The information explosion of recent times now makes it impossible to contain the world’s knowledge within one library, let alone in one book, yet books continue to be a powerful means of informing and inspiring new generations. XXXXX SIZE: 170x170 Leaf from an antiphonal showing the Office for Pope Gregory the Great England (?), c. 1400 Gift of Meredith Sherlock RAREP 782.324 C2862O CASE: XX SIZE: 150x 150 Claudius PTOLEMY (c. 100–170 CE) Ptolomaeus Almagestus (Ptolemy’s Greatest Work) Translated from Arabic into Latin by Gerardus Cremonensis Northern Italy, 1200–25 RARES 091 P95A Greek-born scholar Claudius Ptolemy lived in Roman-ruled Egypt, contributing significantly in the fields of philosophy, astronomy, mathematics and geography. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Space, Memory, and Power in Australia: the Case for No Nation
Space, Memory, and Power in Australia: The case for No Nation. Elspeth Tilley Bond University & The University of Queensland Narratives of nation-building, as attempts to their few acres, throw down tenacious roots, and impose "the impossible unity of the nation as a weave a natural poetry into their lives by symbolic force" (Bhabha), contain the seeds of invoking the little gods of creek and mountain. their own destruction. Certain fetishised themes The land has been something to exploit, to tear in Australian non-indigenous literature, for out a living from and then sell at a profit. Our example the vanishing explorer, can be read as settlements have always had a fugitive look, working against any idea of a coherent national with their tin roofs and rubbish-heaps. … Very identity. Vanishing characters undo the colonial little to show the presence of a people with a narrative project's attempts to a) inscribe the common purpose or a rich sense of life." (1942, imaginary landscape with markers of imperial reprinted in Lee, Mead & Murnane, 1990, pp. 7- presence and b) thereby cement both ownership 8). of property and the identity of the coloniser. Two decades later, on the other side of the That the vanishing narrative trope persists in world, Frantz Fanon penned a sentence that contemporary literature indicates not only that serves as a useful reply: the discursive annexation of Australian space continues, but that questions about ownership of If you really wish your country land are not confined to landrights battles in the to avoid regression, or at best courts. -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Contributors Antipodes Editors
Antipodes Volume 29 | Issue 1 Article 16 2020 Contributors Antipodes Editors Follow this and additional works at: http://digitalcommons.wayne.edu/antipodes Recommended Citation Editors, Antipodes (2020) "Contributors," Antipodes: Vol. 29: Iss. 1, Article 16. Available at: http://digitalcommons.wayne.edu/antipodes/vol29/iss1/16 CONTRIBUTORS Luma Balaa is Assistant Professor of English Studies in the Department of English at the Lebanese American University of Beirut. Her research interests include fairytales, Anglophone Lebanese Australian writers, women’s writing, feminism, and representations of women in Cinema. Her scholarship has been published in Antipodes, Hawwa: Journal of Women of the Middle East and the Islamic World, and Australian Feminist Studies. Gillian Bouras is an expatriate Australian writer who has written several books, stories, and articles, many of them dealing with her experiences as an Australian woman in Greece. John Carmody is a retired academic physiologist (UNSW) and lively music critic and author. In 1978, he became the writer on opera and concert music for the National Times and subsequently wrote for the Australian Financial Review and the Sun-Herald. He has contributed extensively to the Australian Dictionary of Biography and a number of other encyclopedias and reference publications. He has broadcast frequently on ABC radio, notably on music, religion, history, and medicine. Julie Chevalier lives in western Sydney and teaches poetry and short story workshops for New South Wales Writers’ Centre, South Coast Writers’ Centre, Central Coast Poetry Group, Gloucester Poetry Group, and the Sydney WEA. Eileen Chong is a Sydney poet. Her work has been shortlisted for the Anne Elder Award, the Peter Porter Prize, and the Prime Minister’s Literary Awards, amongst others. -
51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
Northeast Modern Language Association 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA Local Host: Boston University Administrative Sponsor: University at Buffalo SUNY 1 BOARD OF DIRECTORS President Carole Salmon | University of Massachusetts Lowell First Vice President Brandi So | Department of Online Learning, Touro College and University System Second Vice President Bernadette Wegenstein | Johns Hopkins University Past President Simona Wright | The College of New Jersey American and Anglophone Studies Director Benjamin Railton | Fitchburg State University British and Anglophone Studies Director Elaine Savory | The New School Comparative Literature Director Katherine Sugg | Central Connecticut State University Creative Writing, Publishing, and Editing Director Abby Bardi | Prince George’s Community College Cultural Studies and Media Studies Director Maria Matz | University of Massachusetts Lowell French and Francophone Studies Director Olivier Le Blond | University of North Georgia German Studies Director Alexander Pichugin | Rutgers, State University of New Jersey Italian Studies Director Emanuela Pecchioli | University at Buffalo, SUNY Pedagogy and Professionalism Director Maria Plochocki | City University of New York Spanish and Portuguese Studies Director Victoria L. Ketz | La Salle University CAITY Caucus President and Representative Francisco Delgado | Borough of Manhattan Community College, CUNY Diversity Caucus Representative Susmita Roye | Delaware State University Graduate Student Caucus Representative Christian Ylagan | University -
COLLOQUY Text Theory Critique
COLLOQUY text theory critique issue 20, december 2010 Editorial Committee: Editorial Board: Nathaniel Avery Bill Ashcroft Geoff Berry Andrew Benjamin David Blencowe Andriana Cavarero Conall Cash Joy Damousi Timothy Chandler Alex Düttmann Sam Cuff Jürgen Fohrmann Gene Flenady Sneja Gunew Rachel Funari Kevin Hart Ohad Kozminsky Susan K. Martin Eleonora Morelli Steven Muecke Isabella Ofner Paul Patton Stephen Palmer Georg Stanitzek Catherine Ryan Terry Threadgold Sophie Suelzle Advisory Board: Axel Fliethmann Brett Hutchins Alison Ross COLLOQUY text theory critique 20 (2010). © Monash University. www.colloquy.monash.edu.au/issue20.pdf ISSN: 13259490 Issue 20, December 2010 Editorial 2 ARTICLES Not a Bush Flâneur? The Convergent Topographies of Recreational Bushwalking, Floristic Appreciation and Human Embodiment in the Southwest of Western Australia John Ryan 5 Fear and Loathing in the Australian Bush: Gothic Landscapes in Bush Studies and Picnic at Hanging Rock Kathleen Steele 33 Yves Klein and Hysterical Marks of Authority Oliver Watts 57 Monstrous Fairytales: Towards an Écriture Queer Dallas J Baker 79 The Times They Are A-Changin’: The Passage of Time as an Agent of Change in Zack Snyder’s Film Adaptation of Watchmen Daniel Wood 104 The Hearing Trumpet: Leonora Carrington’s Feminist Magical Realism Gabriel García Ochoa 121 POETRY Blood John Ryan 145 BOOK REVIEWS Simon During. Exit Capitalism: Literary Culture, Theory, and Post-Secular Modernity. London: Routledge, 2010. Mark Fisher. Capitalist Realism: Is There No Alternative? Ropley, UK: Zer0 Books, 2010. Conall Cash 148 COLLOQUY text theory critique 20 (2010). © Monash University. www.colloquy.monash.edu.au/issue20/contents.pdf Editorial Issue 20 of Colloquy: text, theory, critique is a general issue, which pre- sents research on a diverse selection of themes.