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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
Contrasting Cultural Landscapes and Spaces in Peter Weir's Film Picnic At
Coolabah, No.11, 2013, ISSN 1988-5946, Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona Contrasting cultural landscapes and spaces in Peter Weir’s film Picnic at Hanging Rock (1975), based on Joan Lindsay’s 1967 novel with the same title 1 Jytte Holmqvist Copyright©2013 Jytte Holmqvist. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: The following essay explores the relationship between contrasting cultures and cultural spaces within a rural Australian, Victorian, context, with reference to the narrated cultural landscape in Joan Lindsay’s novel Picnic at Hanging Rock (1967) and in the film based on the novel, by Peter Weir (1975). In the analysis of the five first scenes of the film, the focus will be on the notion of scenic- and human- beauty that is at once arresting and foreboding, and the various contrasting and parallel spaces that characterise the structure of book and film. The article will draw from a number of additional secondary sources, including various cultural readings which offer alternative methodological approaches to the works analysed, and recorded 1970s interviews with the author and the filmmaker. *** This essay explores the relationship between contrasting cultural spaces within a rural Australian context, with reference to Joan Lindsay’s 1967 novel Picnic at Hanging Rock and in Peter Weir’s film based on the novel (1975). The original novel may or may not be based on the real disappearance of three young girls in the Macedon area in 1867. -
Every Moment an Amazing Story MESSAGE from the CHAIRMAN, DR GRAEME L BLACKMAN OAM
VICTORIA ISSUE 1 FEB/MAR/APR 2015 National Trust of Australia (Victoria) AUS:$7.00 9 772204 397002 > Every moment an amazing story MESSAGE FROM THE CHAIRMAN, DR GRAEME L BLACKMAN OAM Welcome to our fi rst issue of National Trust, heralding a new look for our fl agship membership publication which has grown to refl ect our vision for the Trust as a leader and innovator in the custodianship and interpretation of heritage places. As well as featuring stories from the Trust showcasing our fascinating properties, collections and programs, National Trust includes new contributors bringing you stories from the rich world of history and heritage in Victoria and beyond. In 2015 Australia begins a four-year commemoration of the Centenary of Anzac, during which the National Trust will off er a number of public programs and tell some of the incredible wartime stories from our properties. Our National Trust Heritage Festival, themed Confl ict and Compassion (see pages 6–9), will highlight some of these stories, with an exhibition at Como exploring the impact of World War I on the Armytage family (see page 11). One of my personal highlights of 2014 was participating in the fi rst commemorative planting for the Gallipoli Oaks project at the Royal Botanic Gardens by the Governor General Sir Peter Cosgrove in November (see p 21). From now until 2018, the Trust will be delivering Gallipoli Oak saplings with an accompanying education kit to over 500 schools across Victoria to provide a new generation with a living link to Gallipoli. I hope that you are able to join us at a National Trust Heritage Festival event this year. -
About the Book 2 About the Author 2 Conversation Starters 3 for Reference 4 Also by Michelle De Kretser 4 If You Liked This Book
About the book 2 About the author 2 Conversation starters 3 For reference 4 Also by Michelle de Kretser 4 If you liked this book ... 4 Welcome to Allen & Unwin’s Book Group Guide for The Life to Come the dazzling new novel from Michelle de Kretser, author of Questions of Travel, bestseller and winner of the Miles Franklin Award. About the book Set in Sydney, Paris and Sri Lanka, The Life to Come is a mesmerising novel about the stories we tell and don’t tell ourselves as individuals, as societies and as nations. It feels at once firmly classic and exhilaratingly contemporary. Pippa is a writer who longs for success. Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka but blots out the memory of a tragedy from that time. Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people. Profoundly moving as well as wickedly funny, The Life to Come reveals how the shadows cast by both the past and the future can transform, distort and undo the present. This extraordinary novel by Miles Franklin-winning author Michelle de Kretser will strike to your soul. ‘...one of those rare writers whose work balances substance with style. Her writing is very witty, but it also goes deep, informed at every point by a benign and far-reaching intelligence.’ Kerryn Goldsworthy, Sydney Morning Herald About the author Michelle de Kretser was born in Sri Lanka and emigrated to Australia when she was 14. -
John ASHBERY, Poet (1927–2017)
XXXXX SIZE: 170x170 Cuneiform tablet c. 2050 BCE Southern Mesopotamia (modern-day Iraq) RARES 099 C89 Cuneiform writing, developed by the ancient culture of Sumer, was one of the world’s first scripts. It was written on clay tablets using a wedged stick (cunea is Latin for ‘wedge’); the tablets were then sun-dried or fired. The earliest tablets (c. 3400 BCE) record economic transactions. This tablet records taxes paid in sheep and goats in the tenth month of the 46th year of Shulgi, second king of the Third Dynasty of Ur. BOOKS AND IDEAS ‘[T]he book is an extension of the eye …’ Marshall McLuha n The history of ideas is mirrored in the history of the book. Books have altered the course of history itself, through the dissemination of ideas that have changed how we think about the world and ourselves. In many cultures across different eras, books have played a highly symbolic and iconic role. There was a time when it was thought that the world’s knowledge could be collected between the covers of a book. The information explosion of recent times now makes it impossible to contain the world’s knowledge within one library, let alone in one book, yet books continue to be a powerful means of informing and inspiring new generations. XXXXX SIZE: 170x170 Leaf from an antiphonal showing the Office for Pope Gregory the Great England (?), c. 1400 Gift of Meredith Sherlock RAREP 782.324 C2862O CASE: XX SIZE: 150x 150 Claudius PTOLEMY (c. 100–170 CE) Ptolomaeus Almagestus (Ptolemy’s Greatest Work) Translated from Arabic into Latin by Gerardus Cremonensis Northern Italy, 1200–25 RARES 091 P95A Greek-born scholar Claudius Ptolemy lived in Roman-ruled Egypt, contributing significantly in the fields of philosophy, astronomy, mathematics and geography. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Space, Memory, and Power in Australia: the Case for No Nation
Space, Memory, and Power in Australia: The case for No Nation. Elspeth Tilley Bond University & The University of Queensland Narratives of nation-building, as attempts to their few acres, throw down tenacious roots, and impose "the impossible unity of the nation as a weave a natural poetry into their lives by symbolic force" (Bhabha), contain the seeds of invoking the little gods of creek and mountain. their own destruction. Certain fetishised themes The land has been something to exploit, to tear in Australian non-indigenous literature, for out a living from and then sell at a profit. Our example the vanishing explorer, can be read as settlements have always had a fugitive look, working against any idea of a coherent national with their tin roofs and rubbish-heaps. … Very identity. Vanishing characters undo the colonial little to show the presence of a people with a narrative project's attempts to a) inscribe the common purpose or a rich sense of life." (1942, imaginary landscape with markers of imperial reprinted in Lee, Mead & Murnane, 1990, pp. 7- presence and b) thereby cement both ownership 8). of property and the identity of the coloniser. Two decades later, on the other side of the That the vanishing narrative trope persists in world, Frantz Fanon penned a sentence that contemporary literature indicates not only that serves as a useful reply: the discursive annexation of Australian space continues, but that questions about ownership of If you really wish your country land are not confined to landrights battles in the to avoid regression, or at best courts. -
Media Release
Media Release Sofie Laguna named winner of Miles Franklin Award 2015 Award has supported Australian authors with close to $1 million in philanthropic funds distributed 23 June 2015 Perpetual, as Trustee of the Miles Franklin Literary Award, today announced Sofie Laguna as the winner of the 2015 award for her novel, The Eye of the Sheep. The Miles Franklin Literary Award, recognised as Australia’s most prestigious literary prize, was established in 1954 through the Will of My Brilliant Career author, Stella Maria Sarah Miles Franklin, to encourage and support writers of Australian literature. Ms Laguna will receive $60,000 in prize money with her novel strongly presenting “Australian Life in any of its phases” and judged to be of the “highest literary merit”, in line with the criteria set out by Miles Franklin. Since moving away from careers in law and acting, Melbourne-based Ms Laguna has written for a wide readership, from picture books for very young children to series for older readers. Her debut novel for adults, One Foot Wrong, was long-listed for the Miles Franklin Literary Award in 2009. The Eye of the Sheep was selected from a short list of powerful Australian voices depicting unforgettable characters, including authors Joan London, Sonya Hartnett, Christine Piper and Craig Sherborne. Commenting on behalf of the judging panel, State Library of NSW Mitchell Librarian, Richard Neville, said that the power of Ms Laguna’s finely crafted novel lies in the “raw, high-energy and coruscating language” which describes the world of central character, young Jimmy Flick. “Jimmy Flick is a character who sees everything, but his manic x-ray perceptions don’t correspond with the way others see his world. -
Lifestyle Features Monday, May 4, 2020
Established 1961 15 Lifestyle Features Monday, May 4, 2020 Artist Reem Ali Adeeb works in her studio apartment in Los Angeles, California. Artist Reem Ali Adeeb gestures while pointing out the Netflix produc- Artist Reem Ali Adeeb works in her studio apartment. —AFP photos tion of “Green Eggs and Ham” on which she worked, in her studio apartment in Los Angeles. t was during a phone conversation with her sister is to make their screen time interactive and inspiring to be able to hold work meetings online without being UNICEF in Lebanon. Iback in Qatar that the idea clicked for Hollywood by drawing with them, reading them a story or doing interrupted or just have some time for themselves. In a “Suddenly their own world has disappeared — no animation artist Reem Ali Adeeb. Like other regions crafts.” region often wracked by war, and where children faced more school, no more play with their friends and no across the world, young children in the Middle East Ali Adeeb said her sister’s 7-year-old son Omar has a harsh reality even before the pandemic, experts say more human interactions except with their family,” she were confined at home because of the COVID-19 pan- even joined in the fun, offering origami tutorials to his such tutorials offer kids a reprieve whether in the com- added. “It’s a lonely reality that makes it difficult to demic, but there was not nearly enough original con- peers. “He’s been the best. He’s done the most among fort of their homes or even in refugee camps. -
Books of the Year
Survey Books of the Year Sarah Holland-Batt in Catherine Lacey’s Pew (Granta), a novel that reads like After years of anticipation, I was thrilled to finally read Jaya Flannery O’Connor penned an episode of The Twilight Zone. Savige’s dazzling third volume, Change Machine (UQP, reviewed In non-fiction, fellow Western Australian Rebecca Giggs’s BOOK YOUR SEASON PACKAGE in ABR, October 2020): an intoxicatingly inventive and erudite Fathoms: The world in the whale (Scribe) left me feeling like I’d collection rife with anagrams, puns, and mondegreens that surfaced from some uncharted deep – breathless, awestruck, ricochets from Westminster to Los Angeles to Marrakesh, re- and brimming with questions. mixing multicultural linguistic detritus into forms of the poet’s own invention. Yet for all the book’s global sweep, it’s the quiet Judith Brett poems about fatherhood that stay with me, especially Savige’s For the past two springs, I have driven from Victoria to the immensely moving elegy for a premature son, ‘Tristan’s Ascen- Flinders Ranges. Not this year, of course. Instead, locked sion’, with its devastating simplicity: ‘Oh, son. You stepped off down in the city, I read Garry Disher’s three novels set in one stop too soon. / Your mother has flown // all the way to South Australia’s dry farming country, where Constable Paul Titan / to look for you.’ I also loved Prithvi Varatharajan’s Hirschman drives up and down the Barrier Highway to solve Entries (Cordite), an introspective and deeply intelligent crimes small and large: Bitter Wash Road, Peace, and the most collection of mostly prose poems whose overriding note is one recent, Consolation (Text). -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements.