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Jessica Dismorr
Intangible Heritage(S): an Interplay of Design, Social and Cultural Critiques of the Built Environment
Sheila Watson Fonds Finding Guide
'We Discharge Ourselves on Both Sides': Vorticism: New Perspectives
“Uproar!”: the Early Years of the London Group, 1913–28 Sarah Macdougall
KARL HAGEDORN Rhythmical Expressions This Catalogue Is Published on the Occasion of the Exhibition
The Interwar Years,1930S
Alan Munton Replies to a Review in Art History I Don't Like Having My
Argunov 40-49
London, Modernism, and 1914 (2010)
'To Suffragettes. a Word of Advice…'. Blast, Gender and 'Art Under Attack'
Beneath Wyndham Lewis's Praxitella – the Rediscovery of a Lost Vorticist
2017 Sussex Modernism Catal
University of Huddersfield Repository
A Vital Little BLAST: the War Number As a Key to Wyndham Lewis’S Thought Ivan Phillips, University of Hertfordshire
Six Women Artists
Technicities of Deception
REVOLT, THEY SAID. 1 a Project by Andrea Geyer
Casting Spells: the Vortex and the Absence of a British Avant-Garde
Top View
William Roberts: Portraiture of the 1920S
Storm from the North”
Modernist Art in the Magazines, 1893-1922 This Talk Is Meant to Be
The Vorticists: Rebel Artists in London and New York, 1914-1918
English Impressionism Was Influenced by Jules Bastien-Lepage
1 Lawrence Atkinson, Sculpture, and Vorticist Multimediality Seven Years
Beyond London & The