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- Keventsidou.Pdf
- Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought
- A Neo-Riemannian Approach to Jazz Analysis Sara B.P
- The Evolution of Max Reger's Piano Works
- W. Niemann PIANO MUSIC SONATAS NOS
- 1990: Oakland
- MTO 11.2: Harrison, Review of Hugo Riemann and the Birth of Modern Musical Thought
- Frank Lehman Schubert's Slides: Tonal (Non-)Integration of A
- Tocc0521booklet.Pdf
- HUGO RIEMANN's CONCEPT of TONALITY Tara Tachovsky a Thesis Submitted to the Faculty of the University of North Carolina At
- Moritz Hauptmann: Ein Haupt Mann in Nineteenth Century Music Theory
- Walter Georgii's Klaviermusik, Part II: a Translation and Commentary
- 570034Bk Hasse 24/3/11 9:21 PM Page 8
- Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music
- Riemann and Melodic Analysis: Studies in Folk-Musical Tonality
- Karl Hasses Karriere Als Musikwissenschaftler in Tübingen Und Die (Um-)Habilitation Seines Assistenten Otto Zur Nedden
- David Adams Diss II
- Richard Cohn, "Introduction to Neo-Riemannian Theory: a Survey and a Historical Perspective,"
- Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations Author(S): Richard Cohn Source: Journal of Music Theory, Vol
- History of Music Theory from Rameau and Rousseau to Schenker And
- GERMAN & AUSTRIAN SYMPHONIES from the 19Th
- Hugo Riemann, German Psychology, and Kantian Epistemology
- 570034Bk Hasse
- Hugo Riemann and the Birth of Modern Musical Thought
- Preliminary Program Abstracts
- Theories of Musical Rhythm in the Eighteenth and Nineteenth Centuries
- Triadic Music in Twentieth-Century Russia
- Klein-Bottle Tonnetze
- Neo- Riemannian Theory at the Movies
- Max Reger's Telemann Variations, Op.134: Analysis
- Journal of the American Viola Society Volume 12 No. 3, 1996
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