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Here and Elsewhere
Between Objective Engagement and Engaged Cinema: Jean- Luc
GODARD FILM AS THEORY Volker Pantenburg Farocki/Godard
Farocki/Godard. Film As Theory
Touching the Virgin. on the Politics of Intimacy in Jean-Luc Godard's Hail
Love, Death and the Search for Community in William Gaddis And
Fifteen Lessons with Godard
GODARD and the CINEMATIC ESSAY by Charles Richard Warner
Caspar Stracke (Ed.)
Gender, Image, and Sound in <I>Letter to Jane</I>
The Past Is Never Dead: Amorphous Time in Jean-Luc Godard's <I>Notre Musique</I>
Film Socialisme
Before Our Eyes: Les Mots, Non Les Choses Jean-Luc
Francesco Zucconi Assemblage and Anatopism According to Jean-Luc Godard
Irmgard Emmelhainz. Jean-Luc Godard's Political Filmmaking
Adieu Godard? Selected Filmography the Higher Learning Staff Curate
Ars Poetica. the Filmmaker's Voice
Visions of 1968: Radical Aesthetics in Porcile, WR and Tout Va Bien
Godard Alone?
Top View
Technology Institute at UC San Diego Names First Filmmaker in Residence
Critical Theory and Jean-Luc Godard's Philosophy of the Image