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Hector Feliciano
Nazi-Confiscated Art Issues
When Honor Will Not Suffice: the Need for a Legally Binding International Agreement Regarding Ownership of Nazi-Looted Art
Gutmann Heirs and Daniel Searle
Petropoulos on Feliciano, 'The Lost Museum: the Nazi Conspiracy to Steal the World's Greatest Works of Art'
Hereinafter “Eizenstat”]
C O M I T É N O V I E M B
Naming Names: 153 an INTERVIEW with HECTOR FELICIANO
Successes and Failures of Self-Regulatory Regimes Governing Museum Holdings of Nazi-Looted Art and Looted Antiquities
Jonathan Petropoulos on the Lost Museum: the Nazi
An Inquiry Into Various Options and Outcomes for Individuals Seeking Recovery of Nazi-Looted Art Sarah K
The Aftermath of Nazi Art Looting in the United States and Europe: the Quest to Recover Stolen Collections
Museum Websites and Restitution: Rediscovering Holocaust-Era Objects in the Digital Age
Holocaust Art: It Isn't Always Finders Keepers, Losers Weepers: a Look at Art Stolen During the Third Reich Emily A
Reconstructing the Record of Nazi Cultural Plunder
The Seattle Art Museum: a Good Faith Donee Injured in the Restoration of Art Stolen During World War II, 34 J
The Restitution of World War II-Era Looted Art: Case Studies In
Puerto Rican Women Authors on the Island and the Mainland
Splitting Images : Shared -Value Settlements in Nazi -Era Art Restitution Claims
Top View
Puertorriqueño...De Alma, Vida Y Corazón
2011 Calendar Journal
011-031 Thursday.Qxd
H:\ILS\ILS Art\Lowenthal 139-157
Leave No Stone Unturned: the Search for Art Stolen by the Nazis and the Legal Rules Governing Restitution of Stolen Art
Have United States Art Museums Become Inadvertent Fences for Stolen Art Works Looted by the Nazis in Word War II?
The Restitution of Holocaust Looted Art And
Supreme Court of the United States
The Legal Landscape of the International Art Market After Republic of Austria V