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El Museo Del Barrio 50Th Anniversary Gala Honoring Ella Fontanals-Cisneros, Raphael Montañez Ortíz, and Craig Robins
FOR IMMEDIATE RELEASE EL MUSEO DEL BARRIO 50TH ANNIVERSARY GALA HONORING ELLA FONTANALS-CISNEROS, RAPHAEL MONTAÑEZ ORTÍZ, AND CRAIG ROBINS For images, click here and here New York, NY, May 5, 2019 - New York Mayor Bill de Blasio proclaimed from the stage of the Plaza Hotel 'Dia de El Museo del Barrio' at El Museo's 50th anniversary celebration, May 2, 2019. "The creation of El Museo is one of the moments where history started to change," said the Mayor as he presented an official proclamation from the City. This was only one of the surprises in a Gala evening that honored Ella Fontanals-Cisneros, Craig Robins, and El Museo's founding director, artist Raphael Montañez Ortiz and raised in excess of $1.2 million. El Museo board chair Maria Eugenia Maury opened the evening with spirited remarks invoking Latina activist Dolores Huerta who said, "Walk the streets with us into history. Get off the sidewalk." The evening was MC'd by WNBC Correspondent Lynda Baquero with nearly 500 guests dancing in black tie. Executive director Patrick Charpenel expressed the feelings of many when he shared, "El Museo del Barrio is a museum created by and for the community in response to the cultural marginalization faced by Puerto Ricans in New York...Today, issues of representation and social justice remain central to Latinos in this country." 1230 Fifth Avenue 212.831.7272 New York, NY 10029 www.elmuseo.org Artist Rirkrit Travanija introduced longtime supporter Craig Robins who received the Outstanding Patron of Art and Design Award. Craig graciously shared, "The growth and impact of this museum is nothing short of extraordinary." El Museo chairman emeritus and artist, Tony Bechara, introduced Ella Fontanals-Cisneros who received the Outstanding Patron of the Arts award, noting her longtime support of Latin artists including early support Carmen Herrera, both thru acquiring her work and presenting it at her Miami institution, Cisneros Fontanals Art Foundation (CIFO). -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Nazi-Confiscated Art Issues
Nazi-Confiscated Art Issues Dr. Jonathan Petropoulos PROFESSOR, DEPARTMENT OF HISTORY, LOYOLA COLLEGE, MD UNITED STATES Art Looting during the Third Reich: An Overview with Recommendations for Further Research Plenary Session on Nazi-Confiscated Art Issues It is an honor to be here to speak to you today. In many respects it is the highpoint of the over fifteen years I have spent working on this issue of artworks looted by the Nazis. This is a vast topic, too much for any one book, or even any one person to cover. Put simply, the Nazis plundered so many objects over such a large geographical area that it requires a collaborative effort to reconstruct this history. The project of determining what was plundered and what subsequently happened to these objects must be a team effort. And in fact, this is the way the work has proceeded. Many scholars have added pieces to the puzzle, and we are just now starting to assemble a complete picture. In my work I have focused on the Nazi plundering agencies1; Lynn Nicholas and Michael Kurtz have worked on the restitution process2; Hector Feliciano concentrated on specific collections in Western Europe which were 1 Jonathan Petropoulos, Art as Politics in the Third Reich (Chapel Hill: The University of North Carolina Press). Also, The Faustian Bargain: The Art World in Nazi Germany (New York/Oxford: Oxford University Press, forthcoming, 1999). 2 Lynn Nicholas, The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War (New York: Alfred Knopf, 1994); and Michael Kurtz, Nazi Contraband: American Policy on the Return of European Cultural Treasures (New York: Garland, 1985). -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
When Honor Will Not Suffice: the Need for a Legally Binding International Agreement Regarding Ownership of Nazi-Looted Art
COMMENTS WHEN HONOR WILL NOT SUFFICE: THE NEED FOR A LEGALLY BINDING INTERNATIONAL AGREEMENT REGARDING OWNERSHIP OF NAZI-LOOTED ART KELLY ANN FALCONER* 1. INTRODUCTION The casualties of the Second World War were not limited to the human victims. Along with the millions of lives lost during the Holocaust, millions of works of art fell victim to the Nazi Regime.1 Although the capture of art and cultural property dur- ing a war is an ancient practice, the Nazis systematically looted Europe's art during World War II on an unprecedented scale.2 The theft of this art was not simply a case of the victors claiming the spoils. For Hitler, both the acquisition and cleansing of art * J.D. Candidate, 2000, University of Pennsylvania Law School;B.A., 1996, University of Virginia. I would like to thank my family for their uncondi- tional love and support. I would also like to thank Karen Hook for casually mentioning THE LOST MUSEUM and thereby providing me with a wonderfu comment topic. Lastly, I would like to thank my father, Russell Falconer, for his generosity and encouragement over the last three years. This Comment is dedicated to my mother, Carol Falconer, because even after three years of law school I still do not know how to begin to thank her. 1 See Lynn H. Nicholas, World War Il and the Displacement ofArt and Cul- tural Property, in THE SPOILS OF WAR 39, 39 (Elizabeth Simpson ed., 1997); Stephen K. Urice, World War II and the Movement of CulturalProperty: An In- troduction and BriefBibliographyfor the Museum Administrator,SC40 ALI-ABA 1, *4 (1998), availablein 'WESTLAW. -
ABSTRACT AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES and EXPECTATIONS by Anas Askar April, 2017 Director of Thesi
ABSTRACT AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES AND EXPECTATIONS by Anas Askar April, 2017 Director of Thesis: Dr. Lee Maril Department of Sociology This inductive, exploratory study seeks to understand in detail the personal perspectives and career paths that American born Imams experience as they become religious leaders. In doing so, this study will examine their objectives and goals for the religious communities in which they reside and are integrally related. More specifically, this study analyzes the responsibilities and expectations with which imams must contend on a daily basis. Symbolic interactionism frames these issues and, at the same time, is the driving force behind an understanding of the imams’ experiences as well as those of other important actors in Muslim communities. Employing structured and in-depth interviews, this convenience sample of American born imams addresses key questions which inductively give rise to three major themes: imams currently receive inadequate training for their positions as religious leaders in their communities; the relationship between the mosque board and an imam can directly reinforce or mitigate against problems within the religious community; and certain fundamental advantages along with disadvantages emerge for imams who are American born. AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES AND EXPECTATIONS A Thesis Presented to the Faculty of the Department of Sociology East Carolina University In Partial Fulfillment of the Requirements for the Degree Master -
Senado De Puerto Rico Diario De Sesiones Procedimientos Y Debates De La Decimocuarta Asamblea Legislativa Septima Sesion Ordinaria Año 2004 Vol
SENADO DE PUERTO RICO DIARIO DE SESIONES PROCEDIMIENTOS Y DEBATES DE LA DECIMOCUARTA ASAMBLEA LEGISLATIVA SEPTIMA SESION ORDINARIA AÑO 2004 VOL. LII San Juan, Puerto Rico Miércoles, 23 de junio de 2004 Núm. 61 A las doce y treinta y tres minutos de la tarde (12:33 p.m.) de este día, miércoles, 23 de junio de 2004, el Senado inicia sus trabajos bajo la Presidencia del señor Rafael Rodríguez Vargas, Presidente Accidental. ASISTENCIA Señores: Modesto L. Agosto Alicea, Luz Z. Arce Ferrer, Eudaldo Báez Galib, Norma Burgos Andújar, Juan A. Cancel Alegría, Norma Carranza De León, José Luis Dalmau Santiago, Antonio J. Fas Alzamora, Velda González de Modestti, Sixto Hernández Serrano, Rafael Luis Irizarry Cruz, Pablo Lafontaine Rodríguez, Fernando J. Martín García, Kenneth McClintock Hernández, Yasmín Mejías Lugo, José Alfredo Ortiz Daliot, Margarita Ostolaza Bey, Migdalia Padilla Alvelo, Orlando Parga Figueroa, Sergio Peña Clos, Roberto L. Prats Palerm, Miriam J. Ramírez, Bruno A. Ramos Olivera, Jorge A. Ramos Vélez, Julio R. Rodríguez Gómez, Angel M. Rodríguez Otero, Cirilo Tirado Rivera, Roberto Vigoreaux Lorenzana y Rafael Rodríguez Vargas, Presidente Accidental. PRES. ACC. (SR. RODRIGUEZ VARGAS): Hoy, 23 de junio de 2004, a las doce y treinta y tres (12:33) del día, se reanudan los trabajos. INVOCACION El Diácono José A. Morales, miembro del Cuerpo de Capellanes del Senado de Puerto Rico, procede con la Invocación: DIACONO MORALES: Buenas tardes a todos. Leemos de la Carta del Apóstol San Pedro, la Primera Carta del Apóstol San Pedro: “Sed humildes unos con otros porque Dios resiste a los soberbios, pero da su gracia a los humildes. -
Gutmann Heirs and Daniel Searle
P a g e | 1 Anne Laure Bandle, Alessandro Chechi, Marc-André Renold February 2017 Case Landscape with Smokestacks – Gutmann Heirs and Daniel Searle Friedrich Gutmann – Daniel Searle – Artwork/œuvre d’art – Nazi-looted art/spoliations nazies – Judicial claim/action en justice – Negotiation/négociation – Settlement agreement/accord transactionnel – Ownership/propriété – Repurchase/rachat – Co-ownership/co-propriété The heirs of Holocaust victims Friedrich and Louise Gutmann, Nick and Simon Goodman and Lili Gutmann, filed a claim against the art dealer Daniel Searle. Searle was the owner of the painting “Landscape with Smokestacks” by Edgar Degas and was a Trustee of the Art Institute of Chicago, where the painting was on loan. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting. The Gutmann heirs’ interest in the ownership was bought by the Art Institute of Chicago. I. Chronology; II. Dispute Resolution Process; III. Legal Issues; IV. Adopted Solution; V. Comment; VI. Sources. ART-LAW CENTER – UNIVERSITY OF GENEVA PLATEFORM ARTHEMIS [email protected] – https://unige.ch/art-adr This material is copyright protected. P a g e | 2 I. Chronology Nazi-looted art - 1932: The wealthy art collectors Friedrich and Louise Gutmann acquire the painting by Edgar Degas, “Landscape with Smokestacks” (1890), from a French collector.1 Their collection comprises artworks by renowned artists such as Degas, Renoir, Botticelli and Franz Hals. - 1939: Friedrich Gutmann sends the painting to the Parisian dealer Paul Graupe to be put in storage for safekeeping. - During World War II: Massive confiscations by the Nazis target Jewish art collectors. -
Senado De Puerto Rico Diario De Sesiones Procedimientos Y Debates De La Decimocuarta Asamblea Legislativa Quinta Sesion Ordinaria Año 2003 Vol
SENADO DE PUERTO RICO DIARIO DE SESIONES PROCEDIMIENTOS Y DEBATES DE LA DECIMOCUARTA ASAMBLEA LEGISLATIVA QUINTA SESION ORDINARIA AÑO 2003 VOL. LII San Juan, Puerto Rico Jueves, 20 de marzo de 2003 Núm. 21 A la una y dieciocho minutos de la tarde (1:18 p.m.) de este día, jueves, 20 de marzo de 2003, el Senado reanuda sus trabajos bajo la Presidencia del señor Antonio J. Fas Alzamora. ASISTENCIA Senadores: Modesto L. Agosto Alicea, Luz Z. Arce Ferrer, Eudaldo Báez Galib, Norma Burgos Andújar, Juan A. Cancel Alegría, José Luis Dalmau Santiago, Velda González de Modestti, Sixto Hernández Serrano, Rafael L. Irizarry Cruz, Pablo Lafontaine Rodríguez, Fernando J. Martín García, Kenneth McClintock Hernández, Yasmín Mejías Lugo, José Alfredo Ortiz-Daliot, Margarita Ostolaza Bey, Migdalia Padilla Alvelo, Orlando Parga Figueroa, Sergio Peña Clos, Roberto L. Prats Palerm, Miriam J. Ramírez, Bruno A. Ramos Olivera, Jorge Alberto Ramos Vélez, Cirilo Tirado Rivera, Roberto Vigoreaux Lorenzana y Antonio J. Fas Alzamora, Presidente. SR. PRESIDENTE: Se reanuda la Sesión. INVOCACION La senadora Migdalia Padilla Alvelo, procede con la Invocación. SRA. PADILLA ALVELO: En tono de reverencia, vamos en la tarde de hoy a invocar la presencia del Señor ante este honorable Cuerpo: "La tempestad calmada. Un día subió Jesús a una barca con sus discípulos. Les dijo: “Pasemos a la otra orilla del lago” y ellos remaron mar adentro. Mientras navegaban, Jesús se durmió. De repente una tempestad se desencadenó sobre el lago, y la barca se fue llenando de agua a tal punto que peligraban. Se acercaron a El y lo despertaron. -
Like Someone in Love
1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others. -
San Diego Public Library New Additions June 2009
San Diego Public Library New Additions June 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABRAMS Abrams, Douglas Carlton. The lost diary of Don Juan FIC/ADDIEGO Addiego, John. The islands of divine music FIC/ADLER Adler, H. G. The journey : a novel FIC/AGEE Agee, James, 1909-1955. A death in the family [MYST] FIC/ALBERT Albert, Susan Wittig. The tale of Briar Bank : the cottage tales of Beatrix Potter FIC/ALBOM Albom, Mitch, 1958- The five people you meet in heaven FIC/ALCOTT Alcott, Louisa May The inheritance FIC/ALLBEURY Allbeury, Ted. Deadly departures FIC/AMBLER Ambler, Eric, 1909-1998. A coffin for Dimitrios FIC/AMIS Amis, Kingsley. Lucky Jim FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth [MYST] FIC/ARRUDA Arruda, Suzanne Middendorf The leopard's prey : a Jade del Cameron mystery [MYST] FIC/ASHFORD Ashford, Jeffrey, 1926- A dangerous friendship [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon FIC/ATKINS Atkins, Charles. Ashes, ashes [MYST] FIC/ATKINSON Atkinson, Kate. When will there be good news? : a novel FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/BAGGOTT Baggott, Julianna. Girl talk [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel [MYST] FIC/BAIN Bain, Donald, 1935- A vote for murder : a Murder, she wrote mystery : a novel [MYST] FIC/BAIN Bain, Donald, 1935- Margaritas & murder : a Murder, she wrote mystery : a novel FIC/BAKER Baker, Kage.