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Han Sanming
Master for Quark6
A Reconsideration of Still Life Dai Jinhua Translated by Lennet Daigle
Mountains May Depart
Time in Liu Xiaodong's Hotbed No.1 and Three Gorges
Realismo Sensório No Cinema Contemporâneo Erly Vieira Jr Realismo Sensório No Cinema Contemporâneo Erly Vieira Jr
The Individual and the Crowd in Jia Zhangke's Films Jung Koo Kim A
Das Narrativas De Fundação Às Narrativas De Dissolução. a Questão Da Identidade Nacional No Cinema Contemporâneo
©2016 Tara Coleman ALL RIGHTS RESERVED
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Images/Files/78/78063679-28A3-4423
Mainstream Culture Refocused
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The Sentimental in Chinese Cinema Since the 1990S
Liu, Anmeng Final Phd Thesis.Pdf (2.793Mb)
THE EERIE in the FILMS of JIA ZHANGKE Sarah Dodd
A Study on the Narrative Style of Environmental Space in the Films Directed by Jia Zhangke from the Perspective of Still Life
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Top View
Remaking a European, Post-Catastrophic Atmosphere in 2000S China: Jia Zhangke's Still Life, Iconology and Ruins
Space and Intermediality in Jia Zhang-Ke's Still Life Cecília Mello1
SURFACE, WORK and the PRODUCTION of SPACE: a TEXUAL ANALYSIS of THREE JIA ZHANGKE DOCUMENTARIES Will Linhares Stacey Woelfel
Universidade Federal De Minas Gerais
Chronotope and Regional Chinese Independent Films
Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
University of Reading Thesis Cover
Realisms Within Conundrum the Personal and Authentic Appeal in Jia Zhangke’S Accented Films
Jia Zhangke – Dialects in His Films
UNIVERSIDADE DE SÃO PAULO Departamento De Cinema, Rádio E
Sanxia Haoren)
Press Contact: Clemence Taillandier Adam Walker, Film Forum Tel: 201-736-0261 Tel: 212-627-2035, X 306
[email protected]
[email protected]
The “Documentary-Ness” of Still Life (Jia Zhangke, 2006)
Love and Home:Metaphors in Still Life
From Slowness to Stillness in the Cinema of Jia Zhangke
Still Life - Movie - Review - New York Times 1/18/08 5:10 PM
Il Cinema Indipendente in Cina