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Guan Tong
A Brief Analysis of the Visual Language Features of Chinese Ink and Wash Landscape Paintings
Kuo-Sung Liu Rebel As Creator
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Shanshui – Chinese Landscape Painting
The Donkey Rider As Icon: Li Cheng and Early Chinese Landscape Painting Author(S): Peter C
The Traditionalist Painter Lu Yanshao (1909-1993) in the 1950S
Wu Zhen's Poetic Inscriptions on Paintings1 - School of Oriental and African Studies
Noelle Giuffrida Provenance Research on Chinese Paintings in American Collections of the 1950S: Sherman E
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Issues of Authenticity in the Field of Chinese Painting: a Critique*
Lecture Notes, by James Cahill Note: the Image Numbers in These Lecture Notes Do Not Exactly Coincide with the Images Onscreen B
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East Meets West: a Comparative Study on the Origin of Landscape Depiction
Top View
Lecture Notes, by James Cahill
The Rediscovery of Ming Yimin Ink Painting in Modern China, 1900-1949
The Image Numbers in These Lecture Notes Do Not Exactly Coincide with the Images Onscreen but Are Meant to Be Reference Points in the Lectures’ Progression