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Gogmagog (giant)
Church Bells Vol 7 (Bells and Bell Ringing)
Trojans at Totnes and Giants on the Hoe: Geoffrey of Monmouth, Historical Fiction and Geographical Reality
Of Danes and Giants: Popular Beliefs About the Past in Early Modern England1 Among the Popular Beliefs That One Is Likely To
Nicholas M. Railton Gog and Magog: the History of a Symbol
This Work Has Been Submitted to NECTAR, the Northampton
Concealed Criticism: the Uses of History in Anglonorman Literature
John Cowper Powys's Porius: a Reader's Companion
Robert Graves the White Goddess
1 J. S. Mackley Abstract When Geoffrey of Monmouth Wrote The
The Matter of Britain
Passage 3 Introductory Paragraph: Geoffrey of Monmouth Was Born Around 1100, Likely in the Southeast Part of Wales
British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to Including King Leir
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
Shifting Symbols in Sir Gawain and the Green Knight
Playing Merlin: Authorship from Geoffrey of Monmouth to Neomedievalisms
Wolf Hall 2/24/09 6:44 PM Page I
Sources and Transmission of the Celtic Culture Trough the Shakespearean Repertory Celine Savatier-Lahondès
Natune No. 1667, Vol
Top View
From the Romans to the Normans on the English Renaissance Stage
Gendered Magic and Arthurian Sovereignty
A Companion to Geoffrey of Monmouth Brill’S Companions to European History
Just a Short Walk, but the Story Lingers On
Gogmagog's Leap1
Brut Y Brenhinedd Cotton Cleopatra Version
GOG, MAGOG, CHIMERAS and the SECOND INCURSION “Extraordinary Claims Require Extraordinary Evidence.” — Carl Sagan
Sin, Sanctity, and the Heroics of Devotion in Late-Medieval English Literature
“To Make Books of Nothing”: Brutan Drama in Early Modern England
From the Romans to the Normans on the English Renaissance Stage
Brill's Companions to European History
The Latin Reception of the De Gestis Britonum
Translating Troy Provincial Politics in Alliterative Romance
A Dictionary of English Folklore
Nativism and Orientalism in the Literature of Wales, 1300-1600
Upper Ground Floor
Gigantic Encounters in Two Works of the Alliterative Revival