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- University of Cincinnati
- The Walls of the Confessions: Neo-Romanesque Architecture, Nationalism, and Religious Identity in the Kaiserreich by Annah Krieg
- Volume 37 , Number 2
- Meyerbeer's Africana and Municipal
- The Tortuous Story of Gustav Klimt's Nazi
- The Total Art of Stalinism: Avant-Garde, Aesthetic
- Study Guide 2019-2020 Season
- The Total Artwork and the Aesthetics of Chance Danielle Follett
- An Oxford College and the Eighteenth-Century Gothic Revival
- The Gesamtkunstwerk of a Reunifying Metropolis: Berlinâ•Žs Kunsthaus
- Information About Gustav Klimt's Beethoven Frieze
- Runge Und Ossian. Kunst, Literatur, Farbenlehre
- MEDIA SCORES a Framework for Composing the Modern-Day Gesamtkunstwerk
- Kreuzer, Gundula. 2018. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera
- Giacomo Meyerbeer: a Discography of Vintage Recordings 1889 - 1955
- (Un)Loved Modern 2 AUSTRALIA ICOMOS HISTORIC ENVIRONMENT
- Acknowledgements
- David Thorpe
- The Romantic Period
- Ornament and the Vienna Secession: a Study of the 1902 Beethoven Exhibition
- “Only Connect”: Music's Role in Forster's a Room with a View
- Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol
- From Gesamtkunstwerk to Music Drama
- Neue Zeitschrift Für Musik (Leipzig, 1845-1868) Introduction by Peter Sühring and Alexander Staub
- Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
- Gesamtkunstwerk, the “Total Work of Art”
- Gesamtkunstwerk As a Formula for Creating Artistic Character in Architecture by Volodymyr Pokrovsky
- Cinderella Opera in Two Acts by Gioachino Rossini
- A Companion to Contemporary Art Since 1945
- Memory and Hypnotism in Wagner's Musical Discourse
- The Futurist Conception of Gesamtkunstwerk and Marinetti’S Total Theatre
- Gesamtkunstwerk'*
- University International
- Student Study Outline Chapter 39: Opera
- Present Constructed from the Past
- ”Arpeggione” Sonata
- 1. Richard Wagner Derived from 19Th Century German Philosophers Who Favored A
- Introduction 2