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Geeta Kapur
TIARA Research Final-Online
Raja Ravi Varma 145
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
Postcolonial Pirate Domain." Postcolonial Piracy: Media Distribution and Cultural Production in the Global South
The Cinema of Satyajit Ray Between Tradition and Modernity
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
A Fragile Inheritance
Maya, Tradition and Modernity in Shaji Karun's Vaanaprastham
Department of Visual Arts
UCLA Electronic Theses and Dissertations
Cinema at the End of Empire: a Politics of Transition
The Exile of Maqbool Fida Husain
Postcolonial Piracy THEORY for GLOBAL AGE
Who Is Afraid of Shah Rukh Khan? Neoliberal India’S Fears Seen Through a Cinematic Prism
UCLA Electronic Theses and Dissertations
The Discourse and Practice of Radicalism in Contemporary Indian Art 1960-1990
Bombay/Mumbai 1992-2001’ Co-Curated by Geeta Kapur and Ashish Rajadhyaksha, in Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, 2001
SOME PORTRAITS Curated by Devika Daulet Singh, Photoink
Top View
A Fragile Inheritance: Radical Stakes in Contemporary Indian
Nationalist Hindi Cinema
Vivan Sundaram Share 1 2 3 4 5 6 7 8 9 10 by Natasha Ginwala
Five Exhibitions Curated by Geeta Kapur
When Was Modernism?
Mythic Material in Indian Cinema
The Melodramatic Public
Chapter Four
Gender Mobility
Nationhood, Authenticity and Realism in Indian Cinema: the Double Take of Modernism in the Work of Satyajit Ray1
The Art Critic and the Politics of Memory
Reference Usa 1987 2 4/27/1992 2 Gwinn Robert P(Director) Britannica : Guide to the Britannica Reference Usa 1985 3 4/27/1992 3 Gwinu , Robert
Mantras of the Metropole: Geo-Televisuality and Contemporary Indian Cinema
Secularism in the Postcolonial Indian Novel
A Conversation with Geeta Kapur
Mythologies of the Artist in Modern India: Cinema, Melodrama and Ravi Varma Niharika Dinkar Boise State University