Fop
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- Generic and Economic Instability in Love's Last Shift
- The Rake and the Fop in the English Comedy Between 1662 and 1728
- 1 Subjective Experience and Military Masculinity at the Beginning of The
- Downloaded From: Version: Accepted Version Publisher: Bloomsbury Publishing
- Such an Idiot
- Macaroni Men and Eighteenth- Century Fashion Culture ‘The Vulgar Tongue’
- Achilles and the Batman on the Plane of Immanence: Deconstructing Heroic Models
- Colley Cibber - Poems
- Victimization of Female Characters in William Wycherley’S the Country Wife
- 1 Visualising Politeness and Patriotism
- Affecting Manhood: Masculinity, Effeminacy, and the Fop Figure in Early Modern English Drama
- Reading the Material Culture and the Poetics of Superfluity in the Man of Mode
- Cannibalizing and Carnivalizing: Reviving Aphra Behn's "The Rover" Author(S): Susan Carlson Source: Theatre Journal , Dec., 1995, Vol
- The Mercurian : : a Theatrical Translation Review Volume 4, Number 3
- Stepping out with the Fop: Literacies of Embodiment and Becoming in Youth Drama Treavor Bogard University of Dayton, [email protected]
- The Fops of the Restoration Comedy
- The Roles of Servant Characters in Restoration Comedy, 1660 - 1685
- An Introduction to Colley Cibber's Love's Last Shift