1 Subjective Experience and Military Masculinity at the Beginning of The
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What Is FOP? a Guidebook for Families)
What is FOP? Fibrodysplasia Ossifi cans Progressiva A Guidebook for Families © International FOP Association (IFOPA) • Winter Springs, Florida Th ird Edition, 2009 Editor: Sharon Kantanie Medical Editors: Patricia L.R. Delai, M.D., Frederick S. Kaplan, M.D., Eileen M. Shore, Ph.D. ii r This book is dedicated to all of the families who live with FOP every day. iii About the cover The painting on the cover of this book is called ‘‘The Circle of Life.’’ I had a number of reasons for picking this title for my butterfly painting. The butterfly to me is a symbol of hope and new beginnings. It is a subject that everyone can relate to, and everyone has seen a butterfly. Showing the cycle of the monarch butterfly tells of the changes in life which also occur with FOP. I picked the detailed work of a butterfly in watercolor to show what can be done after my adapting to FOP. I was a right handed painter until two years ago when my right elbow locked, forcing me to now do most of my painting with my left hand. This painting was the first time I had painted an open-winged monarch butterfly using my left hand. I consider this one of the more difficult butterflies to paint. Through my artwork, I also want to show with my painting that people with FOP can have productive lives. It’s important to have a special interest such as painting is to me. Jack B. Sholund Bigfork, Minnesota 1995 (for the first edition of What is FOP? A Guidebook for Families) iv Contents Foreword ....................................................... -
Osric: Waterfly, Lapwing, Chough, and Claudius's Final Instrument Osric Is
Osric: Waterfly, Lapwing, Chough, and Claudius’s Final Instrument Osric is a late-entering character, like the Gravediggers and Fortinbras, but like the latter, he is crucial to the play’s finale. He does not show his face until most of the king’s tools—the meddlesome Polonius as well as Rosencrantz and Guildenstern— have found out that “to be too busy is some danger.” Osric’s entry takes audiences by surprise, and it is only after a good deal of distractingly amusing repartee with Hamlet that he mentions Laertes, the fencing match, or the king’s “wager.”1 But audiences know that Osric’s business is somehow connected with the mousetrap that the king and Laertes have elaborately fashioned for Hamlet, and they are acutely aware that it is Laertes himself, at his own request to be Claudius’s “instrument,” who will be physically wielding the instrument of premeditated murder. Osric, then, seems a shadow-Laertes, a figure with his own agenda of advancement who is also being used by Claudius to lure Hamlet into the final duel. Though a minor character, a mere court functionary satirized as the apotheosis of courtly decadence, Osric is the last and surely the most idiosyncratic and puzzling in a long line of those whom the king has used for his deadly purposes—and the only survivor. There are different emphases and opinions about details of Osric’s ostentatious “words, words, words” and of Shakespeare’s grander design in sending such an emissary from the king, but there is little critical disagreement about the basic character of Osric—his buffoonish sycophancy and its comic/satirical ramifications—as he makes his first appearance in 5.2. -
The Rover by Aphra Behn
By Shailesh Ranjan Assistant Professor Dept. of English, Maharaja College, Ara. About the Author Aphra Behn was one of the first English professional writers wrote plays, poetry, short stories and novels. Little information is known about her early life. She was born in about 1640 near Canterbury, England.Her family were Royalists, connected with powerful catholic families and the court. She may have been raised Catholic and educated in a convent abroad. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II , who employed her as a spy in Antwerp. •After her return to London she started her writings. •She wrote under the pastrol pseudonym Astrea. •A staunch supporter of the Stuart Line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. •She died shortly after. Her grave is not included in the Poets Corner but lies in the East Cloister near the steps to the church. •Virginia Woolf writes about her in her famous work ‘A Room of One’s Own’ - “ All women together ought to let flowers fall upon the tomb of Aphra Behn which is , most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.” • She challenged with expressing herself in a patriarchal system that generally refused to grant merit to women’s views.Women who went against were in risk of being exiled from their communities and targeted to be involved in witch hunts. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
A Study of the Philosophical Thought and Background in Hamlet
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1954 A Study of the Philosophical Thought and Background in Hamlet Thomas E. Porter Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Porter, Thomas E., "A Study of the Philosophical Thought and Background in Hamlet" (1954). Master's Theses. 1211. https://ecommons.luc.edu/luc_theses/1211 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1954 Thomas E. Porter A STUDY OF THE PHILOSOPHICAL THOUGH'!' AID BACKGROUND .. III HAMLE'l b,. Thoma, E. Poptep. S.J. A The.l, Submitted to the Faculty of the Graduate School ot Loyola UId"'epslt)" 1n Panla1 Fult11lment of the Requirements ot the Degree of lIa.ter ot Al'ts LIPB Thomas B. Porter, 5.J. was born at Cleveland, Ohio on the 13th ot Janua1"J. 1928. He gJl'aeluate4 tPem St. Joseph's Semlna1'7. Cleveland, in 1941 and enteNel St. Ignatiwa Hlgh School, Cleveland, 1n the same ,.eaJl'. Upon graduation 1n 194$, he entered the Soolet7 ot Jesus at Mlltord Novltiate, MIlford, Ohio. Here he was enrolled 1n the College of Arts ot Xavler University, 01noinnati, Ohio. In Sept.mber ot 1949 he trans terred to west Baden College ot Loyola University, where he re celved the Bachelor ot Art. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit “Gender Relations in Selected Restoration Comedies in the Mirror of Sociological Role Theory“ Verfasserin Johanna Holzer, Bakk. angestrebter akademischer Grad Magistra der Philosophie (Mag.phil) Wien, 2012 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuer: Univ.-Prof. Dr. Ewald Mengel 2 to <3 3 Contents 1 Introduction ............................................................................................................. 5 2 Role Theory ............................................................................................................ 9 2.1 Introduction & Definition .................................................................................... 9 2.2 Role-play ........................................................................................................ 11 2.3 Self-monitoring ................................................................................................ 12 2.4 Inner Nature .................................................................................................... 14 2.4.1. Asides ........................................................................................................ 14 2.4.2. Body Language and Reactions .................................................................. 15 3 Restoration Comedy ............................................................................................ -
Black Adder II: “Bells”
Black Adder II: “Bells” UK TV sitcom: 1985 : dir. : BBC : ? x ? min prod: : scr: Richard Curtis & Ben Elton : dir.ph.: ……….…………………………………………………………………………………………………… Rowan Atkinson; Miranda Richardson; Stephen Fry; Rik Mayall Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5659 1 0 0 453 No April 2002 In successive seasons this sitcom followed the fortunes of the Blackadder dynasty at different epochs of British history, the second (and best) series set at the court of Elizabeth I (Miranda Richardson). Blackadder himself (Atkinson) is a callous, world-weary courtier with a dungheap of a personal servant, Baldrick, and a witless aristocratic sidekick. In this episode a young woman comes to seek service with him disguised as a boy, rather than turn to prostitution to prevent her aged parent being turned onto the streets. Blackadder finds himself uncomfortably drawn to this page boy, “Bob”, seeks medical help and finally consults an old mystic woman for a cure. Nothing will mitigate his lust for the lad, but his masculinity is salvaged when “Bob” finally comes out to him as female. Ecstatic, he makes wedding plans at once, only to have his bride snatched away at the altar by a hellraising sea captain and ladykiller (Rik Mayall). This might as easily have been written for Frankie Howerd’s bawdy “Up Pompeii” series, except that in the intervening decade it had ceased to be kosher to make lewd fun out of men screwing boys. In the seventies “Monty Python” contained frequent risqué allusions to pederasty without anyone raising a disapproving voice, but by 1985 it had become a topic decidedly off-limits to humour. -
THE ROVER; OR, the Banish’D Cavaliers
THE ROVER; OR, THE Banish’d Cavaliers. A COMEDY, As it is Now Acted by His MAJESTY’s Servants. Written by Mrs. BEHN. LONDON, Printed for JOHN DARBY, ARTHUR BETTESWORTH, and FRANCIS CLAY. in Trust for RICHARD, JAMES and BETHEL WELLINGTON. M.DCC.XXIX. (Price Is.) PROLOGUE, Written by a Person of Quality. WITS, like Physicians, never can agree, When of a different Society; And Rabel’s Drops were never more cry’d down By all the Learned Doctors of the Town, Than a new Play, whose Author is unknown; Nor can those Doctors with more Malice sue (And powerful Purses) the dissenting Few, Than those with an insulting Pride, do rail At all who are not of their own Cabal. If a Young Poet hit your Humour right, You judge him then out of Revenge and Spite, So amongst Men there are ridiculous Elves, Who Monkeys hate for being too like themselves; So that the Reason of the Grand Debate, Why Wit so oft is damn’d, when good Plays take, Is, that you censure as you love or hate. Thus, like a learned Conclave, Poets sit, Catholick Judges both of Sense and Wit, And damn or save, as they themselves think fit. Yet those who to others Faults are so severe, Are not so perfect, but themselves may err. Some write correct indeed, but then the whole (Bating their own dull Stuff i’th’Play) is stole: As Bees do suck from Flowers their Honey-Dew, So they rob others, striving to please you. Some write their Characters genteel and fine, But then they do so toil for every Line, That what to you does easy seem, and plain, Is the hard issue of their labouring Brain. -
William Wycherly's the Gentleman Dancing-Master
WILLIAM WYCHERLY'S THE GENTLEMAN DANCING-MASTER: A THESIS PRODUCTION FOR THE ARENA STAGE by MARY JEAN THOMAS B. S., Fort Hays Kansas State College, 1955 A THESIS submitted in partial fulfillment of the requirements for the degree MASTEK OF SCIENCE Department of Speech KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1958 2(j,&f ii ' TH IIS"? c .2_ TABLE OF CONTENTS £)ocurA*>^TS INTRODUCTION 10 RESTORATION COMEDY 1 ANALYSIS OF THE HISTORICAL PERIOD IN WHICH THE PLAY WAS WRITTEN. 9 Reviev; of Important Historical Events Leading to the Restoration ..... ....9 Political, Religious, and Social Atmosphere of England after the Restoration 13 The Author and His Place in Restoration Society 18 THE STAGING OF RESTORATION COMEDIES 21 Theatrical Developments from 1600 to 1660 21 Early Theaters 21 Scenes and Machines 23 The Closing of the Theaters 25 Theatrical Facilities after the Restoration 27 The Theaters 2? Onstage and Backstage 28 Box, Pit, and Gallery 30 Stage History and Criticism of The Gentleman Dancing-Master . .32 PHILOSOPHY AND PROBLEMS OF PRODUCTION J>k Directorial Concept and Approach JM General 3^ Direction 36 Acting 'tO Analysis of the Play ¥* Summary of the Action by Acts ^9 Technical Concept and Approach. 57 General 37 Setting 57 ill Lighting 58 Costuming 61 Problems of Production 64 Description of Scenery and Its Construction 64 Lighting Plots and Effects 69 Description and Construction of Costumes • 70 Properties and Miscellaneous Effects .... 80 Casting, Rehearsals, Special Problems, and Performance . .84 EVALUATION AND CONCLUSIONS 87 BIBLIOGRAPHY 90 ACKNOWLEDGMENTS 95 APPENDICES 96 INTRODUCTION TO RESTORATION COMEDI In turning over the pages of the best comedies, we axe almost transported to another world, and escape from this dull age to one that was all life, and whim, and mirth, and humour. -
QI: Advanced Banter Free Ebook
FREEQI: ADVANCED BANTER EBOOK John Lloyd,John Mitchinson | 448 pages | 03 May 2015 | FABER & FABER | 9780571323883 | English | London, United Kingdom Advanced Banter: The QI Book of Quotations QI: Advanced Banter Paperback – March 5, by John Lloyd (Author) › Visit Amazon's John Lloyd Page. Find all the books, read about the author, and more. - Buy Qi: Advanced Banter book online at best prices in India on Read Qi: Advanced Banter book reviews & author details and more at Free delivery on qualified orders. QI: Advanced Banter - Kindle edition by Lloyd, John, Mitchinson, John. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading QI: Advanced Banter. Charge Delivered in St. Michael's Cathedral, Bridgetown, Barbados - Book QI: Advanced Banter. 'The Worcestershire Sauce of conversation. John Lloyd, John Mitchinson, 7. Mind of a Mad Black Man: The Thoughts, Views. Advanced Banter: The QI Book of Quotations, known as If Ignorance Is Bliss, Why Aren't There More Happy People? in the United States, is the third title in a series of books based on the intellectual British panel game QI, written by series-creator John Lloyd and head- researcher John Mitchinson. It is a book of "quite interesting" quotations. Book Description. QI: Advanced Banter is a compendium of crisp one- liners, hilarious jokes and inspirational quotes of truth and beauty, collected by John Lloyd. Meaning of "banter" in the English dictionary QI: Advanced Banter. John Lloyd and John Mitchinson. AUD $ Quantity: Download cover. Brilliant quotes for every occasion chosen by the QI team. -
Pentland Place-Names: an Introductory Guide
Pentland Place-Names: An introductory guide John Baldwin and Peter Drummond TECTIN PRO G & G, E IN N V H R A E N S C I N N O G C Green Hairstreak butterfly on Blaeberry painted by Frances Morgan, Member of Friends of the Pentlands F R S I D EN N DS LA of the PENT Published by: The Friends of the Pentlands, Edinburgh, Scotland www.pentlandfriends.plus.com Registered Scottish Charity, No: SC035514 First published 2011 Copyright © Individual contributors (text) and Friends of the Pentlands (format/map) 2011 All rights reserved. No part of this publication may be reproduced stored in or introduced into a retrieval system or transmitted in any form or by any means (electronic, digital, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher and copyright holders. Acknowledgements: The Friends of the Pentlands (FoP) would like to acknowledge the work of John Baldwin (University of Edinburgh) and Peter Drummond (University of Glasgow) in compiling this booklet. Without them, the project would never have happened. The authors are particularly grateful to Simon Taylor (University of Glasgow) for many helpful comments. Remaining errors, over-simplifications or over-generous speculations are theirs alone! The Friends of the Pentlands much appreciate the cartographic skills of David Longworth and wish to acknowledge the financial support of Scottish Natural Heritage and South Lanarkshire Council. Cover Photograph: View of the Howe, Loganlee Reservoir and Castlelaw by Victor Partridge. Designed and printed -
THE COUNTRY WIFE. William Wycherly
THE COUNTRY WIFE. William Wycherly Indignor quidquam reprehendi, non quia crasse Compositum illepideve putetur, sed quia nuper: Nec veniam antiquis, sed honorem et præmia posci Horat. The Country Wife was written, according to its author's own statement, about the year 1671 or 1672. Its production upon the stage was subsequent to that of The Gentleman Dancing-Master, to which allusion is made in the prologue, and antecedent to that of the earlier-written Plain Dealer, in the second act of which the author inserted some critical observations upon The Country Wife. The first performance of The Plain Dealer, as will afterwards appear, admits not of a later date than that of March, or the very beginning of April, 1674; it follows then that The Country Wife was brought forward some time between the early spring of 1672 and that of 1674. It was acted by the King's Company, established during these two years at the theatre in Portugal Street, Lincoln's Inn Fields, and was published in the year 1675. If we can overlook the immorality which, in this play, is more offensive and pronounced than in any of Wycherley's other dramas, we shall find in The Country Wife a brilliantly written and skilfully constructed comedy, superior to either of the preceding dramas from the same pen, and surpassed, among comedies of the Restoration, only by its author's own masterpiece, The Plain Dealer. The plot of The Country Wife is partly based upon two comedies by Molière—L'Ecole des Femmes and L'Ecole des Maris.