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Fist of Fury

Do You Know Bruce Was Known by Many Names?
Kung-Fu Cowboy to Bronx B-Boys: Heroes and the Birth of Hip Hop
Historicizing Martial Arts Cinema in Postcolonial Hong Kong: the Ip Man Narratives
Bruce Lee As Method Daryl Joji Maeda
Bruce Lee and Post-DVD Textuality
Kung Fu Cultural Revolution and Japanese Imperialism
BRUCE LEE, KUNG FU, and the EVOLUTION of CHINESE AMERICA Darcy Coover Clemson University, [email protected]
The Cinema of Hong Kong History, Arts, Identity
Spectres of Bruce Lee
A Look Into the Globalization of the Film Industries Through the Lens of Kung Fu Films Duolai Xing University of California at Los Angeles, USA Abstract
Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity) Reinventing Chinese Kung Fu in Donnie Yen’S Ip Man Series (2008-2015) WAYNE WONG
Representations of Masculinity and the Influence of Bruce Lee in Film
It Seems the World Still Can't Get Enough of Bruce Lee. on the Eve Of
Fist of Fury Or Drunken Master: Masculinity, National Identity, and Contemporary China Peter Benson SUNY Geneseo
A Comparison of the Portrayal of the Japanese in Chinese and Hong Kong Martial Arts Cinema in the 1970S and 1990S
Inmedia, 3 | 2013 the Multiple Facets of Enter the Dragon (Robert Clouse, 1973) 2
Focus on Chinastudies Thesis Counselor: Drs. AS Keijs
Bruce Lee in the Time of Cyberpunk and Coronavirus

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The Big Boss, Fist of Fury, Distributor Mediumrare the Way of the Dragon and Game of Death
From Fact to Fiction: the Wuxia Experience and the Wushu Practice
“Chinese Connection” in Diasporic Nationalism - an Analysis of Fist of Fury As a National Allegory
The Martial Arts and American Popular Media A

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