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Filippo Baldinucci
Women and Masks: the Economics of Painting and Meaning in the Mezza Figura Allegories by Lippi, Dandini and Martinelli
Royal Gallery of the Uffizi at Florence Drawings
Women, Virtue and Visual Imagery During the Counter-Reformation in the Papal States, 1575-1675
The Bel Composto in Gian Lorenzo Bernini's Cornaro Chapel Samantha Landre University of Wisconsin-Milwaukee
The Santissima Annunziata of Florence, Medici Portraits, and the Counter Reformation in Italy
Patron Saint of a World in Crisis: Early Modern Representations of St
From Artist to Audience Would Not Have Been Possible This Elegant and Professional Publication
!Style in the Art Theory of Early Modern Italy
Francesco Furini's "Hylas and the Nymphs"
BERNINI's SANGUE DI CRISTO REDISCOVERED Irving Lavin
University of London Ma in Art History
Bernini's Biographies
John Ruskin's Reception of the Lives of the Most Excellent Painters, Sculpt
Style in the Art Theory of Early Modern Italy'
A. Baldinucci-Ranalli Barocchi, Michelangelo Bartoli Berenson
Bernini's Cornaro Chapel
Filippo Baldinucci
Visible Spirit the Art of Gianlorenzo Bernini Vol. I Irving Lavin
Top View
Michelangelo's Lesson
Valeska Von Rosen the Galleria Degli Autoritratti
The Uffizi Galleries
Journal of Religion & Society Supplement Series
Alois Riegl and His Lecture Notes. a Reconsideration of His Concept of 'Baroque'1
Per Filippo Baldinucci (Florence, 16 Jan 20)