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Fictional location
Fictional Tellers: a Radical Fictionalist Semantics for Fictional Discourse
Shs1202
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Chronotope in Western Role-Playing Video Games
Sound Intermittences Complete
Game Fiction: Playing the Interface in Prince of Persia: the Sands of Time and Asheron’S Call
Unit-1 the SHORT STORY: AS a MINOR FORM of LITERATURE DEVELOPMENT, ELEMENTS and CHARACTERISTICS
Exploring the Role of Interior in 3 Short Films
Politics, Poetry and the Legacy of Black and White Photography Come Together in Shannon Ebner's Explorations of Language and S
The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures
Baring the Windigo's Teeth: the Fearsome Figure in Native
Native Americans in Charles De Lint's the Wind in His Heart
Ludic Dysnarrativa: How Can Fictional Inconsistency in Games Be Reduced? by Rory Keir Summerley
(In)Authenticity of the Prairie: Elsewhereness and Insideness in Margaret Laurence's Manawaka Series
Thomas More's Utopia As Cultural Brand
A Scenario Modeling Pipeline for COVID-19 Emergency Planning
Film Websites: a Transmedia Archaeology
Bouchercon 88 87 90 Victim: Donald Penn, His First Novel, the Thriller “As Catch Can,” Was Also Set 5 a Frustrated Writer Upstate
Top View
Art-Mimesis and Political Reality in Juan Carlos Tabío's El Elefante Y La
Game Fiction
NATHAN ZUCKERMAN, the UNIVERSITY of CHICAGO, and PHILIP ROTH's NEO-ARISTOTELIAN POETICS by DANIEL PAUL A
BA Thesis Order, Duration, and Frequency
View, and the Ethics of Empathy
Counterfactual Historical Fiction and Possible Worlds Theory
Narrative Trickery
Orgf.2021.28101 ISSN 1335-0668 (Print)
Theater As Metaphor
Proquest Dissertations
The Spatio-Temporal Dimensions of Mark Z. Danielewski's House Of
Did You Really Get a Mushroom?: Players' Fictional Actions in Videogame Playing
Game Fiction
Mapping Literature: the Prototype of “A Literary Atlas of Europe”
UC Santa Cruz Electronic Theses and Dissertations
Evaluating Pop Culture Museum Engagements: Pedagogies Of, About, and with Harry Potter
Sameness and Difference in Narrative Modes and Narrative Sense Making: the Case of Ramsey Campbell’S “The Scar”
Genre in the Works of Benjamín Jarnés: El Género Intermedio by Sandra L
Foundation Review of Science Fiction 122 Foundation the International Review of Science Fiction
A Creative Works Ontology for the Film and Television Industry
An Emotional Compass