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Falsetto

  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

  • Falsetto Head Voice Tips to Develop Head Voice

    Falsetto Head Voice Tips to Develop Head Voice

  • Perception of Singing

    Perception of Singing

  • A Countertenor's Reference Guide to Operatic Repertoire

    A Countertenor's Reference Guide to Operatic Repertoire

  • Common Opera Terminology

    Common Opera Terminology

  • Using Bel Canto Pedagogical Principles to Inform Vocal Exercises Repertoire Choices for Beginning University Singers by Steven M

    Using Bel Canto Pedagogical Principles to Inform Vocal Exercises Repertoire Choices for Beginning University Singers by Steven M

  • THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi

    THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi

  • Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara

    Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara

  • Note by Martin Pearlman the Castrato Voice One of The

    Note by Martin Pearlman the Castrato Voice One of The

  • The Evolution of the Heldentenor

    The Evolution of the Heldentenor

  • Singers Success Path

    Singers Success Path

  • Abstract Effects of Training in Vocalises on Singing

    Abstract Effects of Training in Vocalises on Singing

  • The German School of Singing: a Compendium of German Treatises 1848-1965

    The German School of Singing: a Compendium of German Treatises 1848-1965

  • Castrati Singers and the Lost

    Castrati Singers and the Lost "'Cords"9 Meyer M

  • The Castrato. the Englishcounter Tenor. and the Teachings Of

    The Castrato. the Englishcounter Tenor. and the Teachings Of

  • Contemporary Perspectives on the Countertenor: Interviews with Kai Wessel, Corinna Herr, Arnold Jacobshagen, and Matthias Echternach

    Contemporary Perspectives on the Countertenor: Interviews with Kai Wessel, Corinna Herr, Arnold Jacobshagen, and Matthias Echternach

  • Acoustic Measures of Falsetto Voice

    Acoustic Measures of Falsetto Voice

  • The Journal of John Waldie Theatre Commentaries, 1799-1830

    The Journal of John Waldie Theatre Commentaries, 1799-1830

Top View
  • Elements of Music
  • ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
  • Opera in English: Class and Culture in America, 1878–1910
  • The Value of Falsetto in the National Vocal Music Singing and Teaching
  • The Controversy Concerning the Timbre of the Countertenor
  • A Historical Approach to Training the Vocal Registers
  • SINGING SONS: Nurturing Boys' Voices from Six to Sixteen
  • Four Recent Productions of Dido and Aeneas
  • WAGNER NEWS Wagner News Is Published by the TORONTOWAGNER SOCIETY
  • Evolution of the Countertenor
  • Cavalli and the Staging of Venetian Opera - Part One Transcript
  • Vocal Registration: History, Analysis, and Modern Pedagogical Applications Patricia L
  • Head Voice to Young Men Prepared for Virginia Wesleyan College Dr
  • The Singing Voice During the First Two Years of Testosterone Therapy: Working with the Trans Or Gender Queer Voice
  • Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization
  • Salome2011/12 Season Manitoba Opera Gratefully Acknowledges Our Salome Education and Outreach Partners
  • Culture Vs. Science in Voice Pedagogy
  • Identification of the Adolescent Male Voice: Unchanged Vs. Falsetto By


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