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Extreme cinema
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Metropolis Filmelméleti És Filmtörténeti Folyóirat 20. Évf. 3. Sz. (2016/3.)
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
An Abstract of the Thesis Of
Audiences and Receptions of Sexual Violence in Contemporary Cinema
Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
Ethics and Politics in New Extreme Films
Review Article the End of Extreme Cinema Studies
Walker Tosubmit
Gender and Contemporary Horror in Film Emerald Studies in Popular Culture and Gender
Introduction: Transnational Film Remakes
The New French Extremity: Bruno Dumont and Gaspar Noé, France's Contemporary Zeitgeist
Japanese Cinema As Mass Art: an Export of Mass Cinema
Female Transcendence: Approaching the “Expérience Extrême” in Contemporary French Horror Cinema
Extreme Cinema
Hardcore Horror: Challenging the Discourses of ‘Extremity’
Il Cinema Di Tsukamoto Shin'ya
Extremity and Excess: Proceedings of the 2011 University of Salford College of Arts and Social Sciences Postgraduate Research Conference
Top View
Film Studies 2020 Film Studies
SHINYA TSUKAMOTO Poeta Y Guerrillero Del Cinematógrafo
The Historical Origins of the New Japanese Extremity A
European Nightmares Horror Cinema in Europe Since 1945
Horror to the Extreme: Changing Boundaries in Asian Cinema
Contextualizing Transgression in French Cinema at the Dawn of the Twenty-First Century
Genre Trouble and Extreme Cinema
Ritgerð Til Extreme Horror and the Extremely Horrifying
2011 National Conference Program
Transnational Cult Film Fandom and the Exoticist Assumption
Phd-Thesis-Zubair-Shafiq.Pdf
British Audiences and Asian Extreme Films
Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 232 Filmography
BLOOD, SPERM, and TEARS in EXTREME CINEMA: a Phenomenological Study in Hegemonic Masculinity Through Gaspar Noé’S Love from a Psychoanalytic Perspective
Guilherme Malo Maschke
Contemporary Extremism