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Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 232 Filmography

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Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 232 Filmography FILMOGRAPHY Ascher, Rodney. 2012. Room 237. Bertolucci, Bernardo. 1971. Last Tango in Paris. Bigelow, Katheryn. 1995. Strange Days. Breillat, Catherine. 1976. A Real Young Girl. ———. 1988. 36 fllette. ———. [1996] 2001. Perfect Love. Winstar Video. DVD. ———. 1999. Romance. ———. [2001] 2011. Fat Girl. The Criterion Collection. Blu-ray. ———. [2001] 2004. Brief Crossing. Wellspring Media. DVD. ———. [2002] 2005. Sex is Comedy. Metro-Goldwyn-Mayer. DVD. ———. 2004. Anatomy of Hell. ———. [2007] 2008. The Last Mistress. Métropole Film Distribution. DVD. ———. [2009] 2010. Bluebeard. Strand Releasing. DVD. Campion, Jane. 1993. The Piano. Cuarón, Alfonso. 2013. Gravity. Warner Brothers. Blu-ray. Damiano, Gerard. 1972. Deep Throat. De Van, Marina. 2002. In My Skin. Denis, Claire. 2001. Trouble Every Day. Despentes, Virginie and Coralie Trinh Thi. 2000. Baise Moi. Dreyer, Carl. Th. 1928. The Passion of Joan of Arc. Eisenstein, Sergei. [1924] 2011. Strike. Kino Video. Blu-ray. ———. 1928. October: Ten Days that Shook the World. Gibert, Pierre-Henri. [2010] 2013. The Essence of Forms, in A Man Escaped. Dir. Robert Bresson. The Criterion Collection. Blu-ray. Grandrieux, Philippe. 2002. La Vie nouvelle. Guiraudie, Alain. 2013. Stranger by the Lake. © The Editor(s) (if applicable) and The Author(s) 2017 231 T. Bordun, Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 232 FILMOGRAPHY Haneke, Michael. 1989. The Seventh Continent. ———. 1992. Benny’s Video. ———. 1997. Funny Games. ———. [2009] 2010. The White Ribbon. Sony Pictures Classics. DVD. ———. 2012. Amour. Hitchcock, Alfred. 1958. Vertigo. ———. 1959. North by Northwest. Kaplan. Jonathan. 1988. The Accused. Kechiche, Abdellatif. [2013] 2014. Blue is the Warmest Color. The Criterion Collection. Blu-ray. Leigh, Julia. 2011. Sleeping Beauty. McQueen, Steve. 2011. Shame. Oshima, Nagisa. [1976] 2009. In the Realm of the Senses. The Criterion Collection. DVD. Ozon, François. 2013. Young and Beautiful. Pasolini, Pier Paolo. 1975. Salò. Renoir, Jean. Rules of the Game. 1939. Reygadas, Carlos. 2002. Japón. Tartan Video. DVD. ———. [2005] 2009. Battle in Heaven. Palisades Tartan. DVD. ———. [2007] 2008. Silent Light. eOne Films. DVD. ———. [2012] 2013. Post Tenebras Lux. Strand Releasing. Blu-ray. Seidl, Ulrich. 2003. Jesus, You Know. Van Sant, Gus. 2002. Gerry. Von Trier, Lars. 2014. Nymph()maniac. Wagoner, Bryce. 2010. After Porn Ends. Warhol, Andy. 1963. Blow Job. ———. 1965. Sleep. Winterbottom, Michael. 2004. Nine Songs. Zarchi, Meir. 1978. I Spit on Your Grave. BIBLIOGRAPHY Anderson, Jeffrey M. n.d. Plump Chump. Combustible Celluloid. http://www. combustiblecelluloid.com/2001/fatgirl.shtml. Accessed 17 June 2013. Austin, Guy. 2004. The Amateur Actors of Cannes 1999: A Shock to the (Star) System. French Cultural Studies 15 (3): 251–263. Badt, Karin. 2009. The Disturbing Vision of Director Carlos Reygadas: ‘Life is Magic!’. Huffngton Post, 28 July, n.p. http://www.huffngtonpost.com/ karin-badt/the-disturbing-vision-of_b_243802.html. Accessed 25 Apr 2014. Barker, Martin. 2010. ‘Typically French?’: Mediating Screened Rape to British Audiences, In Rape in Art Cinema, ed. Dominque Russell, 145–158. New York and London: Continuum. Blackwelder, Rob. n.d. Is there a shrink in the house? Spliced Wire. http:// splicedwire.com/01reviews/fatgirl.html. Accessed 17 June 2013. Bordun, Troy. 2015. Mexico is Bleeding: The Films of Carlos Reygadas. http:// www.vimeo.com/troybordun. Butler, Eleri. 2012. Catherine Breillat: Anatomy of a Hard-Core Agitator. In Peep Shows: Cult Film and the Cine-Erotic, ed. Xavier Mendik, 57–69. London and New York: Wallfower. Carter, Angela. [1979] 2000. Polemical Preface: Pornography in the Service of Women. In Feminism and Pornography, ed. Drucilla Cornell, 527–539. Oxford: Oxford University Press. Deren, Maya. [1960] 2011. Cinematography: The Creative Use of Reality. In Critical Visions in Film Theory, 144–156. Ellis, John. [1980] 2006. On Pornography. In Pornography: Film and Culture, ed. Peter Lehman. New Brunswick, NJ and London. Rutgers University Press. © The Editor(s) (if applicable) and The Author(s) 2017 233 T. Bordun, Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 234 BIBLIOGRAPHY Frey, Mattias. 2012. Tuning Out, Turning In, and Walking Off: The Film Spectator in Pain. In Ethics and Images of Pain, ed. Asbjørn Grønstad and Henrik Gustafsson, 93–111. New York and London: Routledge. Grønstad, Asbjørn. 2011. On the Unwatchable. In The New Extremism in Cinema: From France to Europe, ed. Tanya Horeck and Tina Kendall, 192–204. Edinburgh: Edinburgh University Press. Gunning, Tom. [1989] 2011. The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde. In Critical Visions in Film Theory: Classic and Contemporary Readings, ed. Timothy Corrigan, Patricia White, & Meta Mazaj, 69–77. Boston and New York: Bedford/St. Martin’s. Heath, Stephen. 1981. Questions of Cinema. Bloomington: Indiana University Press. Hilderbrand, Lucas. n.d. Fat Girl. Pop Matters. http://www.popmatters.com/ pm/review/fat-girl/. Accessed 18 June 2013. Keathley, Christian. 2006. Cinephilia and History, or The Wind in the Trees. Bloomington and Indianapolis: Indiana University Press. Lane, Jim. n.d. Idiotic Girl. News Review. http://www.newsreview.com/ sacramento/idiotic-girl/content?oid 10728. Accessed 17 June 2013. = Marquis, Elizabeth. 2013. Conceptualizing Documentary Performance. Studies in Documentary Film 7 (1): 45–60. Merleau-Ponty, Maurice. [1948] 2005. The World of Perception, trans. Oliver Davis. London and New York: Routledge. Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington and Indianapolis: Indiana University Press. Ontario Bans flm Fat Girl. n.d. CBC. http://www.cbc.ca/archives/categories/ arts-entertainment/visual-arts/artists-busted-censorship-in-canada/ontario- bans-flm-fat-girl.html. Accessed 10 Sept 2014. Perusse, B. 2003. Tedium: Then the End. In The Gazette, 21 March, n.p. http://search.proquest.com/docview/433919862?accountid 14391. = Accessed 14 Jan 2013. Quintin. For and Against: Carlos Reygadas. Sight & Sound 23 (4): 75. Rayns, Tony. 2013. Post Tenebras Lux. Sight & Sound 23 (4): 101. Reygadas, Carlos. 2009. Interview with Director Carlos Reygadas and Actress Anapola Mushkadiz. In Battle in Heaven. Palisades Tartan. DVD. Reygadas, Carlos, and Demetrios Matheou. 2003. A Good Place to Die (interview). Sight & Sound 13 (2): 10–12. Sullivan, Dan. 2013. Post Tenebras Lux. Film Comment 49 (2): 67. Tibbals, Chauntelle Anne. 2014. Gonzos, Trannys, and Teens – Current Trends in US Adult Content Production, Distribution, and Consumption. Porn Studies 1 (1–2): 127–135. Vincendeau, Ginette. 2007. The New French Extremism. In The Cinema Book, ed. Pam Cook, 3rd ed., 205. London: BFI. BIBLIOGRAPHY 235 Waugh, Thomas. 2011. The Right to Play Oneself: Looking Back on Documentary Film. Minneapolis and London: University of Minnesota Press. Williams, Linda. 1995. Corporealized Observers: Visual Pornographies and the ‘Carnal Density of Vision’. In Fugitive Images: From Photography to Video, ed. Patrice Petro. Bloomington and Indianapolis: Indiana University Press. Wollen, Peter. [1969/1972] 1981. The auteur theory (extract). In Theories of Authorship: A Reader, ed. John Caughie, 138–151. London and New York: Routledge. INDEX A Artaud, Antonin, 30 Abuse of Weakness (Breillat), 222, 223, Art cinema, 1, 8, 10, 23, 25, 29, 60, 225, 227 69, 80, 82, 90, 95, 108, 158, Accused, The (Kaplan), 156 177, 219 Acevedo, Natalia, 35 sexually explicit images in, 9, 33, Acting. See Performance 102, 108, 159, 180 Affect Aspect ratio, 53–55 Breger on, 157, 169, 176 Autofction, 24, 180, 186, 212, 223 Brinkema on, 11, 118, 133, 141, Avant-garde, 1, 3, 10, 29–32, 34, 42, 155, 157, 168, 169, 171, 176, 49, 54, 69, 96, 166, 218 177, 184, 186, 193, 206 Affective bleed, 184, 194, 211, 218 Affective fallacy, 170, 176, 193, 204 B After Porn Ends (Wagoner), 111 Badiou, Alain, 111 Altman, Rick, 1, 4, 5, 7, 9, 12, 24, Baise Moi (Despentes and Trinh Thi), 100–103, 219 137 Amour (Haneke), 226 Barker, Jennifer, 6, 16, 20–22, 24, 56, Anal sex, 45, 78, 124, 128, 140 61, 154, 175, 204–207, 209 Anatomy of Hell (Breillat), 107, 110, musculature, 20, 22, 53, 54 115–119, 125, 136, 149, 191 skin, 20, 21, 204 Animals, 37, 50, 67, 70, 80 viscera, 8, 20, 33 in Japón, 69, 76, 83 Barker, Martin, 114, 119, 136, 138, in Post Tenebras Lux, 34, 35, 37, 140, 147, 153, 154, 158 38, 46, 47, 49, 60, 78, 83, 85, Bataille, Georges, 22, 99, 100, 150, 89, 158 159, 191 Arnheim, Rudolf, 21, 40, 56 © The Editor(s) (if applicable) and The Author(s) 2017 237 T. Bordun, Genre Trouble and Extreme Cinema, DOI 10.1007/978-3-319-65894-0 238 INDEX Battle in Heaven (Reygadas), 25, Bresson, Robert, 29, 165 29, 35, 37, 52, 68, 69, 71, 76, Brief Crossing (Breillat), 109, 110, 87, 111, 166, 167, 171–174, 187–189 177–179, 182, 189, 190, 193, Brinkema, Eugenie, 118, 140, 144, 213, 213, 217 146, 151, 154, 155, 158, 169, Bazin, André, 31, 85, 93, 111, 114, 171, 176, 177, 179, 184, 186, 149, 153, 158, 185, 186, 194 204 Benjamin, Walter, 210, 212, 214 on Breillat, 105, 108, 115, 118, Benny’s Video (Haneke), 155, 185 138, 140–142, 144, 147, 195, Bergson, Henri, 175, 210, 214 199 Best, Victoria, and Martin Crowley, on Haneke, 154, 155, 158 106 Brooks, Peter, 172 Beugnet, Martine, 1, 3, 6, 7, 9, 21, Burgin, Victor, 200, 205, 208–210 25, 31, 36, 48, 89, 100, 101, Butler, Judith, 9, 101 106, 115, 118, 134, 141, 159, 207 Bigelow, Katheryn, 156 C Bluebeard (Breillat), 149 Carel, Havi, 224, 226, 227 Blue is the
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