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Eric Blore
GSC Films: S-Z
“Can't Help Singing”: the “Modern” Opera Diva In
London Musicals 1920-1924.Pub
File Stardom in the Following Decade
Information to Users
Eric Blore Eric Blore Spillede I 1939 En Af Sine Få Hoved- Roller I Den Engelske Film a G E N Tle M a N S G E N Tle M a N
Torrance Herald
Gangsters, Fessos, Tricksters, and Sopranos: the Historical Roots of Italian American Stereotype Anxiety Jonathan J
On the Beat Can’T Buy Me Love Originated
The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau
Mark Sandrich TOP HAT (1935, 100 Min)
Specialist Autograph Auction Saturday 12 July 2014 11:00
Revue 1890-1920
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
Among My Souvenirs
Bemerkungen Zu “Swing Time”
Sex and the Storyworld: Narrativizing Desirability in the Early Films of Fred Astaire Nora Gilbert
Coti[[· N This E
Top View
The Abcs of Top Hat (1935) Allison Witcofski University of Nebraska at Kearney
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Margaret Rutherford, Alistair Sim, Eccentricity and the British
Choreography, Masculinity, and the American Film Musical Amy Weintraub
Summer Classic Film Series Kicks Off with a Major Milestone: the 75Th Anniversary of Our Beloved Annual Opener, CASABLANCA
Barbara Stanwyck ~ 84 Films and More
Vintage Movie Posters Featuring the Ira Resnick Collection Monday November 20,2017 New York
AMERICAN MASCULINITY in the FILMS of FRED ASTAIRE Oren