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Electronic art
Painting in a Digital World: I Told You So
Cyberarts 2018
COMPUTER ART As a WAY of LIFE
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Nailing Down Bits: Digital Art & Intellectual Property
From Multimedia to Software Art Installations
Claudia X. Valdes
Education 1990 1984 1983 Teaching / Visiting Faculty Positions / Endowed Chair and Center Leadership Teaching Visiting Critic
A Companion to Digital Art WILEY BLACKWELL COMPANIONS to ART HISTORY
Creating Continuity Between Computer Art History and Contemporary Art
Zula Zzulakovetska Universitty, of Qu.F
The Working of Aural Being in Electronic Music Gerry Stahl Gerry
The Practice of Art and AI
E U N S U K A
San Way of Knowing That Is Abstract, Analytical, Rationalist and Thus
Rematerialized Tendencies in Media Art? from Silicon to Carbon-Based Art
E D W a R D a . S H a N K E N
Contemporary Art and New Media: Hybrid Discourse Or Digital Divide?
Top View
New Media Art: the Artist's Perspective in Museum Acquisitions
Bio Art: from Genesis to Natural History of the Enigma
Generative Art Theory Philip Galanter
Scoping Study for a National New Media/Electronic Arts Network
Inventaire Presskit-UK-21Dec-Vf.Pdf
Contemporary Art and New Media: Digital Divide Or Hybrid Discourse
The Artistic Contribution of Electrographic Practices to the Archaeology of Electronic Art 2019
Cyberarts 2019
5. NEW MEDIA ART: ALIGNING ARTISTIC CREATIVITY and TECHNOLOGICAL MEDIA 205 Cătălin Soreanu
228 Conclusion: Toward an Art History of New Media
Telepresence & Bio Art : Networking Humans, Rabbits & Robots
Tech As Art: Supporting Artists Who Use Technology As a Creative
Boris Magrini Paper: Should Generative Art Be Political? The
Bioart, Digital Media, Installations & Copyleft
1 Survey-Dada
Art, Biotechnology and the Culture of Peace
` Copyright by Edward A. Shanken 2001
What Is Generative Art?
REWIND a Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980
MAJA PETRIĆ
[email protected]
Final Published Version
Concepts and Approaches of Material and Immaterial in New Art Media
Transactions Editor: Ernest Edmonds
Analysis of Digital Art Audiences: Literature Review and Methodology
The Engagement of Digital Art with Contemporary Art
TECH AS ART Supporting Artists Who Use Technology As a Creative Medium FRONT COVER
The Machine As Artist • Frederic Fol Leymarie, Juliette Bessette and G.W
Longevity of Electronic Art Howard Besser '*' (*) UCLA, School of Education and Information Studies, Los Angeles (CA)
Bioart Bridge(MA): Harvard University Press
New Media Art - Introduction
New Media Art Links
When the Machine Made Art INTERNATIONAL TEXTS in CRITICAL MEDIA AESTHETICS
MAJA PETRIĆ
[email protected]
Adam Zaretsky Artist / Lecturer / Teacher / Art and Science Researcher
Aesthetics of Adaptive Behaviors in Agent-Based Art