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Dou Wei
Uva-DARE (Digital Academic Repository)
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Double-Edged Sword’
An Ideological Analysis of the Birth of Chinese Indie Music
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
Victoria University Graduation Program May 2016
Chapter 1: Place §1 Chinese Popular Music
Popular Music and Local Youth Identity in the Age of the Internet*
Sex, Gender, and Desire §1 Fantasy 就像你註定是要離開的 Like You Were Destined to Leave
Causal Connectives and Perspective Markers in Chinese: the Encoding and Processing of Subjectivity in Discourse
Graduation Program December 2016
Organizational Loyalty of Young Chinese People: Moral Virtues And
Cut-Out: Music, Profanity, and Subcultural Politics in 1990S China
China Perspectives, 2017/4 | 2017 Yiu-Wai Chu, Hong Kong Cantopop: a Concise History, 2
Redesigned All New QX50 SUV to Spearhead Infiniti's China Growth
Organizing Music
Uva-DARE (Digital Academic Repository)
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke
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Taitung Festival a Slice of Island Life
Uva-DARE (Digital Academic Repository)
Long Vacation in BK
CELEBRATION of CREATIVITY PICKS up Beijing Dance Troupe
Chinese Students, Scholars at Yale Rally in Support of Beijing Olympics 13:17, April 28, 2008
Peking University
What Does Jazz Group Assessment Offer the Undergraduate Music Environment? Diana Blom and John Encarnacao
An Experimental Study of the Quantifier 'Dou'
Conclusion: Voice and Persona
Chapter 2: Genre and Classification
Front Matter Template
Music for Social Justice
Conclusion: Pursuing Film Art in the Era of Reform
487 © the Author(S) 2020 K. J. Wang, Hong Kong Popular Culture, Hong Kong Studies Reader Series
(1-10) by Lienhard