CELEBRATION of CREATIVITY PICKS up Beijing Dance Troupe
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Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 L4Trif iÏLK m BEGINNINGS 0 ne warm summer night in 1991, I was sitting in my apartment on the 11th floor of a gray, rather depressive building on the outskirts of Amsterdam, when a documentary on Chinese rock music came on the TV. I was struck by the provocative poses of Cui Jian, who blindfolded himself with a red scarf - stunned by the images of the crowds attending his performance, images that were juxtaposed with accounts of the student protests of June 1989; and puzzled, as I, a rather distant observer, always imagined China to be a totalitarian regime with little room for dissident voices. -
新加坡e 乐大赏singapore Entertainment Awards 2014 人气奖项投选
新加坡 e 乐大赏 Singapore Entertainment Awards 2014 人气奖项投选名单 Most Popular Categories (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 毕书尽 Bii 2 胡夏 Hu Xia 3 林俊杰 JJ Lin 4 杨宗纬 Aska Yang 5 萧敬腾 Jam Hsiao 6 罗志祥 Show Luo 7 黄鸿升 Alien Huang 8 周杰伦 Jay Chou 9 王力宏 Wang Lee Hom 10 严爵 Yen-J B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 A-Mei 2 蔡健雅 Tanya Chua 3 白安 Ann 4 戴佩妮 Penny Tai 5 丁当 Della Ding Dang 6 蔡依林 Jolin Tsai 7 孙燕姿 Stefanie Sun 8 杨丞琳 Rainie Yang 9 何韵诗 Denise Ho 10 田馥甄 Hebe Tien 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 孙燕姿 Stefanie Sun 2 蔡淳佳 Joi Chua 3 乔毓明 Ming Bridges 4 何维健 Derrick Hoh 5 黄义达 Huang Yida 6 蔡健雅 Tanya Chua 7 麦克疯 MICappella 8 插班生 The Freshman 9 Olivia Ong Olivia Ong 10 林俊杰 JJ Lin D. e 乐人气乐团 Most Popular Band 1 飞儿乐团 F.I.R 2 旺福 Won Fu 3 苏打绿 sodagreen 4 五月天 Mayday 5 MP 魔幻力量 Magic Power E. e 乐人气组合 Most Popular Group 1 Popu Lady Popu Lady 2 EXO-M EXO-M 3 Super Junior-M Super Junior-M 4 动力火车 Power Station 5 S.H.E S.H.E 2 F. e 乐人气华语 MV Most Popular Music Video (C-pop) 歌名 歌手 1 渺小 田馥甄 2 Come Back To Me Bii 毕书尽 3 其实都没有 杨宗纬 4 纯属意外 戴佩妮 5 再遇见 苏打绿 6 天使之翼 杨丞琳 7 黑暗骑士 林俊杰 8 爱投罗网 罗志祥 9 恋爱元气弹 Popu Lady 10 超有感 黄鸿升 G. -
Marriott's Oceana Palms |Singer Island, Riviera Beach, Florida
Marriott’s Oceana Palms | Singer Island, Riviera Beach, Florida Week 2020 Check-In Days 2021 Check-In Days Season No. Thursday Friday Saturday Sunday Thursday Friday Saturday Sunday 1 Jan 2 – Jan 9 Jan 3 – Jan 10 Jan 4 – Jan 11 Jan 5 – Jan 12 Jan 7 – Jan 14 Jan 1 – Jan 8 Jan 2 – Jan 9 Jan 3 – Jan 10 2 Jan 9 – Jan 16 Jan 10 – Jan 17 Jan 11 – Jan 18 Jan 12 – Jan 19 Jan 14 – Jan 21 Jan 8 – Jan 15 Jan 9 – Jan 16 Jan 10 – Jan 17 3 Jan 16 – Jan 23 Jan 17 – Jan 24 Jan 18 – Jan 25 Jan 19 – Jan 26 Jan 21 – Jan 28 Jan 15 – Jan 22 Jan 16 – Jan 23 Jan 17 – Jan 24 PLATINUM 4 Jan 23 – Jan 30 Jan 24 – Jan 31 Jan 25 – Feb 1 Jan 26 – Feb 2 Jan 28 – Feb 4 Jan 22 – Jan 29 Jan 23 – Jan 30 Jan 24 – Jan 31 5 Jan 30 – Feb 6 Jan 31 – Feb 7 Feb 1 – Feb 8 Feb 2 – Feb 9 Feb 4 – Feb 11 Jan 29 – Feb 5 Jan 30 – Feb 6 Jan 31 – Feb 7 6 Feb 6 – Feb 13 Feb 7 – Feb 14 Feb 8 – Feb 15 Feb 9 – Feb 16 Feb 11 – Feb 18 Feb 5 – Feb 12 Feb 6 – Feb 13 Feb 7 – Feb 14 PLATINUM PLUS 7 Feb 13 – Feb 20 Feb 14 – Feb 21 Feb 15 – Feb 22 Feb 16 – Feb 23 Feb 18 – Feb 25 Feb 12 – Feb 19 Feb 13 – Feb 20 Feb 14 – Feb 21 PRESIDENTS DAY 8 Feb 20 – Feb 27 Feb 21 – Feb 28 Feb 22 – Feb 29 Feb 23 – Mar 1 Feb 25 – Mar 4 Feb 19 – Feb 26 Feb 20 – Feb 27 Feb 21 – Feb 28 9 Feb 27 – Mar 5 Feb 28 – Mar 6 Feb 29 – Mar 7 Mar 1 – Mar 8 Mar 4 – Mar 11 Feb 26 – Mar 5 Feb 27 – Mar 6 Feb 28 – Mar 7 10 Mar 5 – Mar 12 Mar 6 – Mar 13 Mar 7 – Mar 14 Mar 8 – Mar 15 Mar 11 – Mar 18 Mar 5 – Mar 12 Mar 6 – Mar 13 Mar 7 – Mar 14 11 Mar 12 – Mar 19 Mar 13 – Mar 20 Mar 14 – Mar 21 Mar 15 – Mar 22 Mar 18 – Mar 25 Mar 12 – -
Please Join These Inspirational Women and Many More As Part of the Campaign to Reduce Maternal Mortality
‘WIVES AND HUSBAND OF G8 LEADERS’ Laura Bush, Svetlana Medvedev, Laureen Harper, Veronica Lario, Kiyoko Fukuda, Carla Sarkozy, Sarah Brown, Joachim Sauer A MATTER OF LIFE AND DEATH Dear G8 First Ladies (and First Man), Every minute of every day a woman dies in childbirth. That’s half a million women dying each year - and over 80% of these deaths are avoidable. But here’s the good news – the person with whom you live can help stop this happening. Really. The 26 of us, write to the 8 of you, women to women (and, with respect, also to you Herr Sauer), on behalf of all women... please do what you can to put this issue at the top of the political agenda. We now have the knowledge to crack it – we just need the political will. At this year’s G8, your 7 husbands (and 1 wife) have an opportunity to make history here. There is a real chance. Please do what you can – on behalf of us all. With respect, Emma Thompson Annie Lennox Christiane Amanpour Donna Langley Kirsty Young Lady de Rothschild Claudia Schiffer Wendi Murdoch Elizabeth Edwards Misia Actress, UK Singer, Songwriter, UK CNN Chief President of Broadcaster, CE, LE Rothschild Supermodel, Actress, Chief Strategist, Attourney, Singer, Japan International Production, Presenter, UK LLC Germany Myspace China Campaigner Correspondent, USA Universal Pictures, USA Margaret Fiorella Mannoia Margherita Hack Claudie Haigneré Katja Riemann Elisabeth Murdoch Christy Turlington Christine Ockrent Gwyneth Paltrow Sarah McLachlan MacMillan Singer, Songwriter, Scientist, Italy Astronaut and Actress, Germany Chairman, CEO, CARE Ambassador, COO, France Actress, USA Musician, Canada Historian, USA Italy Advisor to ESA, UK/USA Supermodel, USA France Please join these inspirational women and many more as part of the campaign to reduce maternal mortality. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Double-Edged Sword’
2 | Wednesday, August 25, 2021 HONG KONG EDITION | CHINA DAILY PAGE TWO Music: Internet a ‘double-edged sword’ Supporters attend a pop concert in Jianghan Road in downtown Wuhan, Hubei province, on Oct 31. Online reality shows play a key role in advancing a singer’s career. ZHAO JUN / FOR CHINA DAILY From page 1 theme song for the popular drama A Beijing Native in New York, in 1993, and Heroes’ Although the internet helps showcase Song for the 1997 TV series Shui Hu Zhuan new talent, which connects with fans (The Water Margin). through social media platforms, such plat- He also wrote and performed Asian forms can be a double-edged sword. Mighty Winds, the official theme song for Liu said figures suggest the music scene in the 1990 Asian Games in Beijing, and You China is booming. The 2021 International and Me, the theme song for the 2008 Bei- Federation of the Phonographic Industry jing Olympics, which he performed with annual Global Music Report ranked the British singer Sarah Brightman. nation as the seventh-largest music market It is not the first time that Liu has voiced last year. his concerns about the music scene. In 2019, According to the year-end report on Chi- when he appeared on Hunan Satellite TV’s na’s music market released by domestic reality show Singer, he said the pop music online music entertainment platform Ten- industry in China was in crisis and he called cent Music Entertainment Group, or TME, for domestic singer-songwriters to produce more than 748,000 new songs were written “good original music”. -
College of Engineering--Fall 2020 Dean's Honor List Page 1 Amirah
College of Engineering--Fall 2020 Dean’s Honor List Page 1 Amirah Aabed Ethan Almquist Sofia Avrutsky Kate Bartlett Madhav Bhat Zakarya Abada Ibrahim Alnassar Andrew Awad Tyler Bartlett Raghav Bhat Pranav Abbott Susan Alptekin Donovan Awrow Laura Bartz Srikant Bhat Heba Abdallah Lauren Alsgaard Beste Aydin Sara Bashir Aditya Bhatnagar Ahmed Abdelfattah Kathryn Altes Zubin Aysola Lance Bassett Pranav Bhoopala Sinan Abdulhak Taylor Althouse Faizaan Azeem Nick Batarilo Ibtida Bhuiyan Karam Abdullah Jahnavi Amam Michael Azimi Elizabeth Baubkus Subegh Bhullar Samina Abdullah John Ambrose Arez Aziz Hassan Bazzi Duoming Bian John Abernethy Krishan Amin Jonah Azoulay Mason Beaker Max Bickers Jonah Ableman Jared Amman Joshua Azrin Connor Beard Michael Biek Anna Ablove Robert Amori Mohammed Azzouz Matthew Beaubien Kira Biener Jennifer Abraham Mateo Amprimo Sara Azzouz Meghan Beaubien Charles Bienert Kathryn Ackerman Tochukwu Amugo Nicole Baalbaki Ian Beaufait Harrison Biggs Hunter Adams Christopher An Eyad Babtain Dylan Beck Karthik Bijoy Jack Adams Eric An Emily Bachwich Jonathon Becker Nicholas Billovits Lillian Adams Arjun Anand Alexander Backus Henry Beckstein William Binney Paige Adams Ashwin Anandakumar Reid Backus Maxwell Bederman Logan Birchmeier George Adamson Sidharth Anantha Nitya Baddam Zachary Bedewi Ian Birley Kashyap Addanki Jacob Anapolle Yoojin Bae B Yana Beeker Alexander Birnbaum Thomas Adelman Nicholas Anason William Bahssin Justin Beemer Lauryn Bishop Aditya Adimulam Alyssa Anderson Sheng Bai Megan Beemer Shazeen Biviji Nicholas -
The Dakou Generation
Popular Music and Youth in Urban China: The Dakou Generation Jeroen de Kloet ABSTRACT The import of illegal, cut CDs from the West (dakou CDs) in the mid-1990s marked the revitalization of Chinese rock culture. This article analyses the rise of dakou culture in the context of the interrelated processes of globalization and marketization of Chinese culture. Contrary to accounts that proclaim the crisis or death of Chinese rock, this article describes the re-emergence of rock since the mid-1990s. It presents an overview on three different scenes, part of the dakou culture among Chinese youth. The fashionable bands are inspired by a cosmopolitan aspiration, the underground bands signify the return of the political and the urban folk singers express a nostalgic longing. All three scenes attest to the current diversity of popular music cultures in China, and are interpreted as sonic tactics employed by Chinese youth to carve out their own space amidst an increasingly commercialized and globalized society. The scene was rather familiar to me: the punk boys sitting outside the bar “Nameless highland” (Wuming gaodi) in Beijing, drinking Nanjing beer from the shop nearby to save money. It was a warm summer evening, 19 June 2004. Today’s concert included four bands, all contracted by the local “indie” label Modern Sky.1 Apart from the Chinese audience, a few foreigners – students, researchers, journalists and, though less so, expats – watched the performance. The scene reminded me of my earlier research trips, when the audience also consisted generally of a mixture of young, hip and predominantly male Beijing youths and curious foreign- ers.2 The vocalist of the band Half Man Half Fish (Renyu), a band that labels its style as “new industrial metal” (xin gongye jinshu), raised his arm, screamed, in English, “I am a Nazi!” and then, to confirm his outcry, pointed at himself. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
NP/NEWS/PAGES<NPS-013>
THE NEW PAPER Tuesday, June 28 2016 news 13 With a smile & a Song Student wins tickets to Descendants HEART-THROB: (Inset) Descendants Of The Sun star Song Joong Ki. (Above) Miss Cindy Ng (right) won two tickets to the fan meet and took her friend Goh Puay Ling. Of The Sun star’s fan meet in Taiwan PHOTOS: FACEBOOK.COM Report by TRACY LOW “He did a special performance of (Taiwan- and Running Man cast member) Lee Kwang Soo [email protected] ese singer) Hebe Tien’s song A Little Happiness because he attended a previous fan meeting in from the (2015 Taiwanese) movie Our Times. Hong Kong. Miss Cindy Ng started becoming a fan of “I feel that he did beyond what an artist “You Are My Everything is my favourite song South Korean heart-throb Song Joong should do and it was very touching. I could feel from the soundtrack. It was just so unbelieva- Ki only after watching his recent hit that he is very sincere and appreciates his fans ble to hear her sing live. Her singing was real- drama Descendants Of The Sun, which a lot. ly very good.” aired from February to April this year. “Even when he was leaving the venue, he left I feel that he This is the first time Kaplan Singapore has or- But the Kaplan Singapore student was the lucky by the main door and was waving and giving did beyond ganised a contest with such an attractive prize one chosen to win a four-day, three-night all- fans high fives.” what an artist and is one of its most successful social media expense paid trip to Taiwan, and VIP tickets to Five fans were chosen by Song, who drew campaigns. -
Press Release
PRESS RELEASE United Nations Secretary-General appoints the Japanese singer MISIA as Honorary Ambassador for the 2010 United Nations Biodiversity Conference Montreal, 1 March 2010. United Nations Secretary-General Ban Ki-moon has appointed the Japanese female singer and songwriter, MISIA, as the Honorary Ambassador for the forthcoming tenth meeting of the Conference of the Parties to the Convention on Biological Diversity, which will be held from 18 to 29 October 2010 in Nagoya, Aichi Prefecture, Japan. In her honorary role, MISIA will help raise awareness of the continuing depletion of biological resources and inform the public on the sustainable use of biodiversity. “In this International Year of Biodiversity, we must counter the perception that people are disconnected from our natural environment. We must increase understanding of the implications of losing biodiversity,” said Secretary-General Ban Ki-moon. Referring to Honorary Ambassador MISIA, the Secretary-General said she could “help highlight our common struggles for protecting life on Earth and the actions we can take to slow down biodiversity loss.” Throughout her successful career, MISIA has been an advocate of sustainable development. Through her performances, she has worked to raise public awareness on the United Nations Millennium Development Goals and, in 2008, she established a voluntary organization, Child AFRICA, to support education in Africa. This honorary appointment will help bring much needed attention to the importance of biodiversity and the urgent need for progress to meet the three objectives of the Convention on Biological Diversity (CBD). On learning of her appointment, MISIA said, “While travelling to different parts of the world, I have realized that our life and culture vary a lot and this diversity has been nurtured by the rich natural environments of different regions. -
7052=Case by Public Defender 8-30.Pdf
JJ IIIIII SSSSSS 0000 3333 555555 888 EEEEEE JJ IIIIII SS SS 0 00 3 3 5 8 8 EE JJ II SSS 0 0 0 33 55555 888 EEEEE JJ JJ II SSS 0 0 0 3 5 8 8 EE JJJJJJ IIIIII SS SS 00 0 3 3 5 8 8 EEEEEE JJJJ IIIIII SSSSSS 0000 3333 55555 888 EEEEEE JJ 0000 0000 0000 555555 3333 3333 555555 JJ 0 00 0 00 0 00 5 3 3 3 3 5 JJ 0 0 0 0 0 0 0 0 0 55555 33 33 55555 JJ JJ 0 0 0 0 0 0 0 0 0 5 3 3 5 JJJJJJ 00 0 00 0 00 0 5 3 3 3 3 5 JJJJ 0000 0000 0000 55555 3333 3333 55555 * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * *2 J0005335 JIS0358E TPSCPE H111 ACCTNG PR17 JIS0358E J0005335 2* BMIRRPT CITY & COUNTY OF SAN FRANCISCO COURT MANAGEMENT SYSTEM REPORT # 7052 RUN 08/29/21 @ 11:35 PAGE 1 *------------------------------------------------------------------------------- (CC7052.