College of Engineering--Fall 2020 Dean's Honor List Page 1 Amirah
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THE CLASS of of the City University of New York May 28, 2020 2020 1
Herbert H. Lehman College THE CLASS OF of The City University of New York May 28, 2020 2020 1 Dear Class of 2020: As I write this, I am reflecting on the 2018 Winter Olympics. I remember being impressed by the vignettes highlighting the personal sacrifice and commitment that led some of the most admired and talented athletes in the world to the medal stand. Those traits – sacrifice and commitment – came to mind when I thought about your graduating class of more than 3500 students. Though you did not have the privilege those Olympic athletes enjoyed to devote themselves completely to just one thing, you have shown, especially in the months leading up to this moment, that you share the same kind of commitment and sacrifices needed to help you take your place among champions. While studying, many of you have worked several part-time jobs, caring for children and relatives, commuting many hours to and from classes. Without the benefit of a financial safety net, you have also now managed to complete the disrupted term of spring term, often with inadequate internet access and with multiple challenges compounded by stay-at-home restrictions. What you have achieved would be admirable in any context but in the context of 2020, it is phenomenal. Nearly 40 percent of you have lost your jobs and critical income this spring. Some of you have battled COVID-19 yourselves, and far too many of you have friends and loved ones coping with COVID-19. It grieves me to say that at least two of your peers lost the fight with coronavirus, with the Bronx being one of the counties hardest-hit by the pandemic in the country. -
7052=Case by Public Defender 8-30.Pdf
JJ IIIIII SSSSSS 0000 3333 555555 888 EEEEEE JJ IIIIII SS SS 0 00 3 3 5 8 8 EE JJ II SSS 0 0 0 33 55555 888 EEEEE JJ JJ II SSS 0 0 0 3 5 8 8 EE JJJJJJ IIIIII SS SS 00 0 3 3 5 8 8 EEEEEE JJJJ IIIIII SSSSSS 0000 3333 55555 888 EEEEEE JJ 0000 0000 0000 555555 3333 3333 555555 JJ 0 00 0 00 0 00 5 3 3 3 3 5 JJ 0 0 0 0 0 0 0 0 0 55555 33 33 55555 JJ JJ 0 0 0 0 0 0 0 0 0 5 3 3 5 JJJJJJ 00 0 00 0 00 0 5 3 3 3 3 5 JJJJ 0000 0000 0000 55555 3333 3333 55555 * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * * START RMTSCPE SC7052 FR SCBI ROOM C11A 06.17.29 AM 30 AUG 2021 * *2 J0005335 JIS0358E TPSCPE H111 ACCTNG PR17 JIS0358E J0005335 2* BMIRRPT CITY & COUNTY OF SAN FRANCISCO COURT MANAGEMENT SYSTEM REPORT # 7052 RUN 08/29/21 @ 11:35 PAGE 1 *------------------------------------------------------------------------------- (CC7052. -
Paper Title (Use Style: Paper Title)
International Academic Workshop on Social Science (IAW-SC 2013) Grotesque and Gaudy World of Music, Indispensable Narrative Pen Study on The Narrative Strategy of Modern Chinese Pop Songs’ Lyrics Chunjing Zhang College of Applied Technology Southwest University Chongqing,China [email protected] Abstract—Since the 1990s, the creation of pop songs’ lyrics has symbol presents "conation ", which promotes recipient to undergone a lot of changes, transforming from the past take action. According to Jacobsen’s brilliant analysis, lyrics emphasis on inner expression to frequent use of narration. appear to be more emotional or strongly conative. Therefore, Thus, the grotesque and gaudy world of music, concentrating the lyrics have a strong tendency of appealing. Answering is on creators ’narrative pen, unfolds vividly. Some important the basic trend of the lyrics, narrative strategy of “I tell you" narrative strategy has gradually taken shape, including basic is the most fundamental sending mode of lyrics. The narrative strategy of “I tell you” and public participation in appearance of subject expressing is an important “telling a story”, Demonstration of details and fragments in life characteristics of the lyrics. of whole narration and defamiliarization on narration. There are too many examples that we cannot cite them all. Keywords-lyrics; pop songs; narration According to the study of the highest search volume of 100 new songs lyrics on Baidu MP3 search, the author find that 95% of the lyrics comprise the basic strategy of "I tell you", I. INTRODUCTION including "I", "you" or slightly distorted "I" and "you", even No matter what kinds of art form, story-telling is the if starting in the fashion of third person and through the most attractive method. -
ST/LIFE/PAGE<LIF-005>
| FRIDAY, MAY 15, 2020 | THE STRAITS TIMES | happenings life C5 GIGS Boon Chan Assistant Life Editor recommends The Show Goes On... Line: Eli Hsieh In this February 2017 concert, Picks Taiwanese singer-songwriter Eli Hsieh, winner of Best New Artist at the 2016 Golden Melody Awards, performed a selection of originals Music from his debut album, Progress Reports. Presented at Huayi Chinese Festival of Arts under in::music, the arts centre’s platform for up-and-coming Chinese singer-songwriters. WHERE: Watch it at esplanade.com/ offstage/arts/eli-hsieh Ash Grunwald Lockdown Gig Australian blues musician Ash Grunwald is holding an online concert where he will perform original tunes and take song requests from viewers. He will also host a 10-minute Zoom meeting with viewers. WHEN: Tomorrow, 6 - 8pm ADMISSION: A$20 (S$18, concert only), A$55 (concert & Zoom meeting) INFO: bit.ly/3fLF4sx Marquee – First Anniversary AARON KWOK’S ONLINE CONCERT masks, he performed Mandarin and Cantonese hits, such In celebration of its first anniversary, Hong Kong pop star Aaron Kwok’s (above) hour-long as Loving You Forever and Para Para Sakura, on the rooftop the club will stream performances energetic Cheer Up And Dance gig, which was of shopping complex Harbour City in Hong Kong. by DJs Nicky Romero, Steve Aoki livestreamed on Saturday last week, has chalked up more The singer-actor also paid tribute to his late mother, to and Andrew Rayel over platforms than two million views on YouTube. whom he was known to be close. such as Zoom and Twitch. -
Live Nation Drops Fees Luna Chica Launches
page 1 Wednesday, June 2, 2010 Table of Contents Live Nation Luna Chica 1 Live Nation Drops Fees 1 Luna Chica Launches Drops Fees Launches 3 Del Casino Law Open by Sarah Skates New independent 3 Fontanel Adds Dudney Concert promoter Live Nation is record label, Luna Chica 4 ACM News 5 LifeNotes trying to boost tickets sales by nixing its Records International, has officially own service opened its doors in Nashville under the Respect Intellectual Property: fees during day-to-day leadership of General MusicRow transmissions in email and file form plus online passwords, are the month of Manager/A&R Director Brenda intended for the sole use of active June. The Cline. She is the former owner of artist subscribers only and protected under the copyright laws of the United States. promotion development company Artist Concepts, Resending or sharing of such intellectual will eliminate and management/development company property to unauthorized individuals and/or groups is expressly forbidden. service fees on nearly 8 million tickets, NashRock Entertainment. MusicRow Publications, Inc. reserves and more than 700 shows at all 50 Live Signed to the label founded by the right to cancel, without refund, the account of any subscriber found to be Nation owned and operated Colorado businessman and music in violation of this policy. amphitheaters. Upcoming concerts by entrepreneur Paige Cofrin are Country/ Music Row Communications, LLC Brad Paisley, Sugarland, Brooks & Americana outfit Burrito Deluxe, hard 1231 17th Ave. S., Nashville, TN 37212 Dunn, Tim McGraw, Toby Keith, and rock band Hip Kitty, Contemporary NEW: 615-349-2171 Rascal Flatts will be included. -
Themaryland Bulletin
The Maryland MarylandBulletin School for the Deaf—www.msd.edu The Maryland Bulletin Volume CXXXIII, No. 1 Fall 2012 Table ofContents 1 Updates on the Common Core at MSD 2 Why The Daily 5? 4 Fiji Engage. Challenge. Achieve. Editor Around MSD James E. Tucker 5 [email protected] 19 The Junior Bulletin Managing Editor & Graphic Designer Larry Newman 21 Sportscope [email protected] 30 Community News Columbia Campus Liaison Jenny Ballard [email protected] 31 MSD Alumni Profile—Mark Edward Richmond, ‘67 Copy Editor Alumni News Nan Cronk-Walker 32 [email protected] 34 MSD Flashback—Edward P. Gale: MSD’s Unsung Teacher ON THE COVER STUDENTS SHOWING THEIR ARTWORK DONE IN BILL POND’S ART CLAss—first row Autumn Boyer, 4th grade; Ta’Nayah Waller, 5th grade second row Bobga Tete, 8th grade; Madison Jackson, 1st grade third row Matthew Brillant, 3rd grade; Lai’Yonea Branch, 7th grade The Maryland Bulletin (USPS 331-660) is published three times a year. Subscription price is $10.00 per year by Maryland School for the Deaf, 101 Clarke Place, FREDERICK CAMPUS (MSD-FC) COLUMBIA CAMPUS (MSD-CC) Frederick, MD 21705-0250. 101 Clarke Place, P.O. Box 250 Route 108 & Old Montgomery Rd., P.O. Box 894 Postmaster: Send address Frederick, Maryland 21705-0250 Columbia, Maryland 21044-0894 changes to The Maryland (301) 360-2000 (Voice) • (301) 360-2001 (TTY) (410) 480-4500 (Voice) • (410)-480-4501 (TTY) (240) 575-2966 (Videophone/Voice) (240) 575-2966 (Videophone/Voice) Bulletin, 101 Clarke Place, (301) 360-1400 (Fax) (410) 480-4506 (Fax) Frederick, MD 21705-0250. -
UPCOMING EVENTS at the AUDITORIUM THEATRE Show Listings and Information Through January 14, 2018
Upcoming Events at the Auditorium Theatre View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 60605 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: August 2, 2017 UPCOMING EVENTS AT THE AUDITORIUM THEATRE Show Listings and Information Through January 14, 2018 JUST ANNOUNCED JONATHAN LEE | September 19, 2017 Jonathan Lee (Chung Sheng) is a Taiwanese record producer, singer, and songwriter. Throughout the mid-1980s through the 1990s, he produced countless classic hits and bestselling albums for various artists on Asia’s major independent record label Rock Records. Lee is hailed as one of the godfathers of Taiwanese Mandopop (popular music sung in Mandarin Chinese), producing many of the genre’s most successful albums and writing multiple No. 1 hits. He also produces his own albums on occasion and has recorded duets with many Rock Records artists. Given his iconic status in the Chinese music world, Lee’s songs and meaningful lyrics have influenced singers across Asia. Lee will bring his commanding stage presence to the Auditorium Theatre on September 19, where he’ll serenade the audience with over 30 popular hits in a show that is not to be missed! Performance Information Tuesday, September 19 | 8PM Individual tickets start at $88 and are on sale now by phone at 312.341.2300 or online here. PR Contact: Wendy Chan | [email protected] UPCOMING EVENTS DANCE FOR LIFE | August 19, 2017 Now in its 26th year, Dance for Life Chicago returns to the Auditorium Theatre with a program including Chicago’s premier dance companies – Giordano Dance Chicago, Hubbard Street Dance Chicago, and The Joffrey Ballet. -
Elie a Anna a Adeline Abad Alexandra Abadie Anne
LE PARC ZOOLOGIQUE DE PARIS REMERCIE LES MARRAINES ET LES PARRAINS DES ANIMAUX POUR LEUR GÉNÉROSITÉ ELIE A SARAH ARNAUD TOM BARDOU MANON BERARD LUNA BODECOT BONATO CLAIRE BOUSSEMART SERGE CACALY OCEANE CHABIN ANNA A RAPHAEL ARQUEROS PASCAL BARDOU THIERRY BERARD HUGO BODENES MAEL BOUSSICAULT GREGORY CADEDDU LEA CHABIN ADELINE ABAD LEO ARRIAZA KAREN BAREL LUCE BERARDO ARNAUD BODIN MATTHIEU BOUSSICAUT GUILLAUME CADET CYRIL CHABOISSEAU ALEXANDRA ABADIE JULIETTE ARRIGHI PHILIPPE BARES JEREMIE BERAUD MAEL BODIN SYLVAIN BOUSSINGAULT MATHILDE CADILHAC ALICE CHABOT ANNE ABALAIN LILO ARRONIS MONIQUE BARGY HUGO BERCHON LYDIA PATRICE LAURA BODIN GABIN BOUSSIQUET CELINE CADIOU MORANE CHABOT JACQUES ABAN GARCIA AUBIN ARROUET KLARA BARICEVIC MATHIS BERCHON GRETEAU MELINEE BOUTARIA WEINSTEIN FABRICE CADIOU ELISA CHABOT KAIS ABDALLAH APOLLINE ARTH TANTELY BARITAUD JEANS JOSEPHINE BERDEAUX CELIA BODO GALA BOUTEILLE ROBERTO CADONI SYLVIE CHABOUD NABILA ABDAT SOLENE ARTH EMMA BARLAUD VERONIQUE BERECZ NICOLE BODON LINA BOUTEILLER FLORENCE CADORET ETHAN CHABRIER HENRI JULES ABECASSIS PASCAL ARTIGA NICOLAS BARLET SANDRINE BERESSI JOSHUA BOEGLIN SERENA CHRISTINE BOUTEILLER BASTIEN CADRAN PIERRE CHADEL NOA ABECASSIS DANIELE ARTIGUES JEROME BARMASSE MAREN BERG LOUNA BOHEM MYRIAM BOUTEMEN AURELIEN CADRANEL MARGAUX CHAFFIN ELLA ABECASSIS LOU ARTIS HECTOR BARNABAS MANECH BERG ARTHUR BOHEM CARINE BOUTHEVILLAIN AURORE CADRANEL LEA CHAFFIN LILY ABEGG GREGORY NINIE ARVIS ERNEST BARNABAS REMI BERGE NOEL BOHER LILI BOUTIN JUAN CADRECHA SONIA CHAGNAS EMILIE ABITBOL DIDIER -
Title the Cultural Politics of Introducing Popular Music Into China's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by HKU Scholars Hub The cultural politics of introducing popular music into China's Title music education Author(s) Ho, WC; Law, WW Citation Popular Music And Society, 2012, v. 35 n. 3, p. 399-425 Issued Date 2012 URL http://hdl.handle.net/10722/175532 This is an electronic version of an article published in Popular Music And Society, 2012, v. 35 n. 3, p. 399-425. The Journal Rights article is available online at: http://www.tandfonline.com/doi/abs/10.1080/03007766.2011.5679 16 1 The Cultural Politics of Introducing Popular Music into China’s Music Education The Cultural Politics of Introducing Popular Music into China’s Music Education Wai-Chung Ho and Wing-Wah Law Since embarking on its course of economic reform and opening up to the world in the late 1970s, China has moved from a planned economy to a socialist-market economy; the resultant social and cultural changes have been many, and are reflected in the country’s school music curriculum. This paper first introduces the historical background of popular music in the community and in school music in China in the twentieth century. Second, it explores the reform of music education that has, from the turn of the millennium, included popular music in school music education. This is followed by a discussion of the integration of popular music into the school curriculum in terms of how music education and cultural politics are shaped by the social and political relationships between: (i) contemporary cultural and social values and traditional Chinese ideologies; (ii) collectivism and individualism; and (iii) nationalism and globalism. -
Le Nouveau Lycée De Claude Allègre
LeMonde Job: WMQ0503--0001-0 WAS LMQ0503-1 Op.: XX Rev.: 04-03-99 T.: 11:05 S.: 111,06-Cmp.:04,11, Base : LMQPAG 12Fap:100 No:0347 Lcp: 700 CMYK LE MONDE DES LIVRES ET DES POCHES a Au sommaire : Don DeLillo, Emmanuel Bove, Martin Amis... 55e ANNÉE – No 16829 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE VENDREDI 5 MARS 1999 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Le nouveau lycée de Claude Allègre Affaire Elf : me b Le ministre soumet au Conseil supérieur de l’éducation son projet de « lycée pour le XXIe siècle » M Deviers-Joncour b Ce document, dont « Le Monde » publie l’essentiel, prévoit un allègement des heures de cours se défend et un soutien individualisé des élèves b La réforme divise le monde enseignant CLAUDE ALLÈGRE, ministre de langues, l’accent sera mis sur la en accusant l’éducation nationale, devait pré- pratique de l’oral, en classes dé- D.R. senter, jeudi 4 mars, au Conseil su- doublées. Les modifications des a Elle l’aime encore périeur de l’éducation, la version fi- horaires pour la classe de seconde Roland Dumas nale de sa réforme des lycées. Ce doivent entrer en vigueur dès la L’ANCIENNE compagne de Ro- Durant deux heures, la chaîne de télé- document, intitulé « Un lycée pour prochaine rentrée scolaire. Les land Dumas a changé son système vision ABC a diffusé, mercredi, le té- le XXIe siècle » et dont nous pu- changements en première n’inter- de défense. Pour la première fois, moignage de Monica Lewinsky sur ses blions les principaux extraits, est viendront qu’en 2000-2001 et, pour Christine Deviers-Joncour a fait, relations avec Bill Clinton. -
Le Parc Zoologique De Paris Remercie Les Marraines Et Les Parrains Des Animaux Pour Leur Générosité
LE PARC ZOOLOGIQUE DE PARIS REMERCIE LES MARRAINES ET LES PARRAINS DES ANIMAUX POUR LEUR GÉNÉROSITÉ ELIE A JOSEPH ANSTETT ONDINE BAILLEUL YVES BEAUVOIS CLAUDE BERTRAND NILS BONIFAY LINA BOUTEILLER MARTINE BURLOT ANNA A ELISABETH ANSTETT GUILLEMETTE BAILLEUL TESSA BECHARD CAMILLE BERTRAND ISABELLE BONINGRE CHRISTINE BOUTEILLER EDITH BURNAY ADELINE ABAD ANGEL ANTA FANNY BAILLEUL EMMA BECHARD NATALIE BERTRAND COLIN PABLO BONN MYRIAM BOUTEMEN CORINNE BURNEL DONALD ABAD LUCA ANTOGNOLI EVAN BAILLON NATHALIE BECHEUX ENVEL BERTRAND RISSELIN LOLA BONNAFOUS CARINE BOUTHEVILLAIN BEATRICE BURNEL ALEXANDRA ABADIE ANNE SOPHIE ANTOGNOLI JACQUES BAILLON DAVID BECK CLAUDE BES MAIWENN BONNAL BALDARA LILI BOUTIN THOMAS BURON ANNE ABALAIN BEAUMONT SUZANNE BAILLY MINA BECK NOUZEILLES MAURICETTE BES SEBASTIEN BONNARD PAULJULESMAX BOUTON POPPER ZOE BUSNEL CHERIN JACQUES ABAN GARCIA YVES GREGOIRE ANTOINE GABIN BAILLY HECTOR BECKER PASCALE BES FABRICE BONNARDEAU VINCENT BOUTRY INES BUSQUE JEANJEAN KAIS ABDALLAH BERTIN ANTOINE PIERRE BAILLY PERRINE BECKER THIERRY BES PASCAL BONNAVES MATIXA BOUTRY ERDOCIO ANNETTE BUSQUET NABILA ABDAT LEA ANTONINI EDITH BAILLY DOMINIK BECKER MARIE BESEGAI CAMILLE BONNEAU ERIC BOUTTIER ANNETTE BUSSE CLAIRE ABDELLALI ORNELLA ANTONINI LOUNA BAILLY DOMINIQUE BECKER ADELE BESNARD THOMAS BONNEAU PAUL BOUVET ADRIEN BUSSILLET JULES ABECASSIS KIM ANTONY HA CHRISTELLE BAILLY MARTINEZ MARTINE BECLIER ZOE BESNARD LOLA BONNEFIS ROSE BOUVET ELIS BUSWELL NOA ABECASSIS NATALIA ANTSIFEROVA MARGOT BAILLY REALE CAMILLE BEDEAU CATHERINE BESNARD CLEMENT -
Distinction in China— the Rise of Taste in Cultural Consumption
The London School of Economics and Political Science Distinction in China— the rise of taste in cultural consumption Gordon C. Li A thesis submitted to the Department of Sociology of the London School of Economics and Political Science for the degree of Doctor of Philosophy, London, May 2020 Distinction in China—the rise of taste in cultural consumption 2 Declaration I certify that the thesis I have presented for examination for the Ph.D. degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgment is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 90,363 words. Distinction in China—the rise of taste in cultural consumption 3 Abstract This research studies how cultural consumption draws cultural distinctions in the most developed megacities in China. This research examines the pattern of music consumption to examine distinction—which types of music are used, how they are used, who are using them, and what are the sources of those tastes. Although some theories, such as the cultural omnivore account, contend that the rise of contemporary pop culture implies a more open-minded pursuit of taste, this research argues that popular culture draws distinction in new ways.