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Der Tod Jesu
A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
Johann Sebastian Bach's St. John Passion from 1725: a Liturgical Interpretation
The Crucifixion: Stainer's Invention of the Anglican Passion
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Der Tod Jesu the Death of Jesus
Suffering and Social Conscience in the Passion Genre from JS Bach's
Introduction
Introduction
The Musiciansl Choice
Graun's Der Tod Jesu (The Death of Jesus)
Cantors, Schoolmasters, and Directors of Music: New Research on Bach’S Students
Ihr Augen Weint!’ Intersubjective Tears in the Sentimental Concert Hall
Johann Ernst Bach's Passion Oratorio (1764): a Case Study For
Introduction
Western Culture Has Roots in Ancient
Carl Heinrich Graun's Weihnachtsoratorium: a Musical Analysis and Conductor's Guide
1. Title Page
Telemann: Der Tod Jesu
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Libretto Johann Andreas Cramer). a More Extensive Excerpt of This Recitative Appears As a Musical Example in Scheibe’S “Abhandlung Über Das Recitative I” (236–41
The University of Hull Georg Philipp Telemann (1681
Mozart's Orchestral Cantabile Style: Eighteenth-Century Origins Of
MTO 23.2: Boyle, Sulzer's “Recitativ”
Copyright by Joshua Shank 2019
MUSIC and the PASSION [Part II]
ETD Template
MTO 23.2 Examples: Boyle, Sulzer's “Recitativ”
Introduction
Umbra Music in the Eighteenth Century: Context, Style and Signification
Mozart's Orchestral Cantabile Style: Eighteenth-Century Origins Of
The Bible in Music