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Dennis Cooley
By Word of Mouth the Poetry of Dennis Cooley 01 Mark-Cool Front 5/24/07 8:57 Page Iii
“How Can You Use Two Languages and Mean What You Say in Both?”: on Translating Margaret Atwood's Poetry Into Spanish
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
Ocm08458220-1834.Pdf (12.15Mb)
Place in the Poetry of John Newlove
Cooley Family
THE PRAIRIE: a Lflnd in the MAKING
Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective
Rescaling Robert Kroetsch a Reading Across Communities, Borders, and Practices
Shaping a World Already Made
Group Interventions When Domestic Violence Is Present
April 2006 in This Issue: Dr
Voicing Colourspaces: Colour-Usage and Response As Alternative Narration in Dennis Cooley’S Bloody Jack
European Journal of American Studies, 9-3 | 2014 Constructing a New Regionality: Daphne Marlatt and Writing the West Coast 2
MS Coll 00286
Embracing the Maternal: the Importance of Intergenerational Transmission in Margaret Atwood's Surfacing
THE COLLECTED WORKS of BILLY the KID Scripting the Docudrama
Geneseo's Philosophy Gossip Column Number 9 November 2015 Institutional
Top View
E:\Dissertation Format 1.Wpd
Machine-Age Discourse, Mechanical Ballet, and Popular Song As Alternative Document in Dorothy Livesay’S "Day and Night" Brenda Carr Vellino
Cultural Considerations of Gender-Based Violence in Jordan
Identity Conflicts in Dorothy Livesay's Love Poetry: Liminality, Duality, and Irony, in an Oral Examination Held on April 25, 2011
On Translating Margaret Atwood's Poetry Into Spanish
6.3 Subterfuge
International Protection of Persons Undergoing Medical Experimentation: Protecting the Right of Informed Consent
Turnstone Press
Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective Sabine Milz