DOCSLIB.ORG
  • Sign Up
  • Log In
  • Upload
  • Sign Up
  • Log In
  • Upload
  • Home
  • »  Tags
  • »  Demofoonte (Gluck)

Demofoonte (Gluck)

  • Le Cinesi. Revised Libretto by PIETRO METASTASIO, First Set by Nicola Conforto (1751 Aranjuez)

    Le Cinesi. Revised Libretto by PIETRO METASTASIO, First Set by Nicola Conforto (1751 Aranjuez)

  • Iphigénie En Tauride

    Iphigénie En Tauride

  • METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In

    METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In

  • Operatic Reform in Turin

    Operatic Reform in Turin

  • Don Giovanni Opera Box Lesson Plan Title Page with Related Academic Standards

    Don Giovanni Opera Box Lesson Plan Title Page with Related Academic Standards

  • Gluck's London Operas

    Gluck's London Operas

  • The Roles of “Mothers” N Opera As Exemplified by Fides (Meyerbeer’S, Le Prophete); Kostelnika (Janaek’S, Jenufa); Mrs

    The Roles of “Mothers” N Opera As Exemplified by Fides (Meyerbeer’S, Le Prophete); Kostelnika (Janaek’S, Jenufa); Mrs

  • Costumes Within Opera Seria Hierarchies: a Case Study from Dresden

    Costumes Within Opera Seria Hierarchies: a Case Study from Dresden

  • Italian Opera Performances in Bach's Leipzig

    Italian Opera Performances in Bach's Leipzig

  • Mitteilungen Der Internationalen Gluck-Gesellschaft Nr. 10 Juli 2014

    Mitteilungen Der Internationalen Gluck-Gesellschaft Nr. 10 Juli 2014

  • The Evolution of Jommelli's Operatic Style

    The Evolution of Jommelli's Operatic Style

  • Texto Completo

    Texto Completo

  • SWR2 Musikstunde

    SWR2 Musikstunde

  • Transcripts of Dramatic Musical Works in Full Score at the Library of Congress

    Transcripts of Dramatic Musical Works in Full Score at the Library of Congress

  • Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century

    Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century

  • Pdf, 119.59 KB

    Pdf, 119.59 KB

  • Don Mozart in London

    Don Mozart in London

  • Italian Music Manuscripts in the British Library: Section C: Part 2: Add

    Italian Music Manuscripts in the British Library: Section C: Part 2: Add

Top View
  • AYRES, MICHELLE ELIZABETH, D.M.A. Crossover Genres, Syncretic Form: Understanding Mozart's Concert Aria “Ch'io Mi Scordi D
  • A Performer's Guide to the Role of Aspasia
  • Opera Arias by Gluck
  • Luigi Marchesi: Life and Voice
  • 3. Opera Demofoonte
  • Ballet D'action to Ballet-Pantomime
  • Mozart in the Theater
  • Umbra Music in the Eighteenth Century: Context, Style and Signification
  • Casanova's Homecoming
  • Gluck Y La Reforma
  • Pdf Metastasio En España, Entre Traducciones Y Adaptaciones


© 2024 Docslib.org    Feedback