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Darius Milhaud

  • Focus 2020 Pioneering Women Composers of the 20Th Century

    Focus 2020 Pioneering Women Composers of the 20Th Century

  • Paris, 1918-45

    Paris, 1918-45

  • S. 63–68 Barbara L. Kelly

    S. 63–68 Barbara L. Kelly

  • Heitor Villa-Lobos and the Parisian Art Scene: How to Become a Brazilian Musician*

    Heitor Villa-Lobos and the Parisian Art Scene: How to Become a Brazilian Musician*

  • Nationalism, Primitivism, & Neoclassicism

    Nationalism, Primitivism, & Neoclassicism

  • A Study of Compositional Elements in Ciclo Brasileiro by Heitor Villa- Lobos

    A Study of Compositional Elements in Ciclo Brasileiro by Heitor Villa- Lobos

  • The Darius Milhaud Society Newsletter, Vol. 1, Summer 1986

    The Darius Milhaud Society Newsletter, Vol. 1, Summer 1986

  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966

    Boston Symphony Orchestra Concert Programs, Summer, 1965-1966

  • Music History: 1827 to the Present

    Music History: 1827 to the Present

  • THE SEASONS Berlin Philharmonic Wind Quintet

    THE SEASONS Berlin Philharmonic Wind Quintet

  • UNIT 1-Course Schedule

    UNIT 1-Course Schedule

  • Wind Ensemble 12/4

    Wind Ensemble 12/4

  • How Classical Saxophone Music Influenced by Jazz Alfredo Alexander Maruri University of Arkansas, Fayetteville

    How Classical Saxophone Music Influenced by Jazz Alfredo Alexander Maruri University of Arkansas, Fayetteville

  • A Wind Ensemble Adaptation and Conductor's Analysis of Selected Movements of Darius Milhaud's Saudades Do Brazil, with A

    A Wind Ensemble Adaptation and Conductor's Analysis of Selected Movements of Darius Milhaud's Saudades Do Brazil, with A

  • April 29-30, 2017, Page 1 Notes on the Program by Dr. Richard E

    April 29-30, 2017, Page 1 Notes on the Program by Dr. Richard E

  • The Scope and Limits of Darius Milhaud´S System of “Polytonalité Harmonique”: the Esthesic Level (Part 2)*

    The Scope and Limits of Darius Milhaud´S System of “Polytonalité Harmonique”: the Esthesic Level (Part 2)*

  • UC Berkeley UC Berkeley Electronic Theses and Dissertations

    UC Berkeley UC Berkeley Electronic Theses and Dissertations

  • 7273X 68 ITOW Milhaud.Indd

    7273X 68 ITOW Milhaud.Indd

Top View
  • MTO 18.4: Ewell, Rethinking Octatonicism
  • The Fugues in the Bachianas Brasileiras by Heitor Villa- Lobos: Neoclassicism and the Learned Style
  • Soprano Saxophone and Piano, 2019) 5:32 Holds the Principal Melodic Ideas, Alternating Between Étude No
  • January 10, 2007 I, Reiko-Christine Höhmann, Hereby Submit This Work
  • University of Cincinnati
  • The Darius Milhaud Society Newsletter, Vol. 8, Spring/Summer
  • Guide to the Exam in Music History for Entering Graduate Students (2020-21) University of Louisville School of Music
  • Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity
  • Copyright by Laura Christine Amos 2007
  • Suggestions Pour Un Élargissement Du Répertoire Des Pianistes
  • Western Culture Has Roots in Ancient
  • An Examination of Notation in Selected Repertoire for Multiple Percussion
  • Song in Gold Pavilions Ronald Stevenson on Music
  • Les Six at 100
  • Polytonality"
  • History Study Guide
  • Dissonant Counterpoint, Henry Cowell, and the Network of Ultra-Modern Composers John D
  • The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995


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