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Crucifixion (Titian)

  • The Marian Philatelist, Whole No. 46

    The Marian Philatelist, Whole No. 46

  • Mars and Venus Surprised by Vulcan

    Mars and Venus Surprised by Vulcan

  • Rethinking Savoldo's Magdalenes

    Rethinking Savoldo's Magdalenes

  • Historical Painting Techniques, Materials, and Studio Practice

    Historical Painting Techniques, Materials, and Studio Practice

  • Saint John the Evangelist on Patmos C

    Saint John the Evangelist on Patmos C

  • Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images

    Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images

  • The Evolution of Landscape in Venetian Painting, 1475-1525

    The Evolution of Landscape in Venetian Painting, 1475-1525

  • Titian's Later Mythologies Author(S): W

    Titian's Later Mythologies Author(S): W

  • In Cadore at the Time of Tiziano.Pdf

    In Cadore at the Time of Tiziano.Pdf

  • Art History 636: Titian Syllabus Fall 2017 Prof

    Art History 636: Titian Syllabus Fall 2017 Prof

  • Images of Mary Magdalene

    Images of Mary Magdalene

  • How to Read Paintings

    How to Read Paintings

  • News Release

    News Release

  • The Emotions of Love in the Art of Late Medieval and Early Modern Europe

    The Emotions of Love in the Art of Late Medieval and Early Modern Europe

  • 1 Renaissance Artists

    1 Renaissance Artists

  • The Spanish Style and the Art of Devotion

    The Spanish Style and the Art of Devotion

  • A Comparative Study of Suzanne Valadon and William Bouguereau Mary Sheehy Coastal Carolina University

    A Comparative Study of Suzanne Valadon and William Bouguereau Mary Sheehy Coastal Carolina University

  • Mystical and Evangelical Reform in Tintoretto's Sala

    Mystical and Evangelical Reform in Tintoretto's Sala

Top View
  • The Pieta in Art Transcript
  • Italian Art at the Utah Museum of Fine Arts (UMFA) Spans Several Centuries, from the Late 1300S to the 1900S
  • The J. Paul Getty Museum Journal Volume 17 1989
  • Information to Users
  • Ut Pictura Poesis: the Humanistic Theory of Painting
  • The Seventeenth Century 1. Italy
  • Andrea Mantegna Great Hasters in Painting and Sculpture
  • Titian Room • North Wall
  • Paolo Veronese's Annunciations a Thesis Presented to the Faculty of The
  • Titian Tiziano Vecelli Or Vecellio, Known in English As Titian (C.488/1490 – 1576), Is Considered the Most Important Member of the 16Th-Century Venetian School
  • Picturing Mary: Woman, Mother, Idea
  • The Social Lives of Paintings in Sixteenth-Century Venice Kessel, E.J.M
  • 2 a Portrait Defaced
  • Italian Paintings of the Sixteenth Century
  • June 8, 1934 Mr. U. H. Smith, Bursar of Indiana University, Bloomington,Indiana
  • Titian Intro ROB 17/09/2013 15:17 Page 1


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