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Raza Criolla Anuario 201 1 Vol
1 UNIVERSIDAD PEDAGÓGICA NACIOAL Danzón Y Pachanga A
Identity in Cinco Canciones Negras (1945) by Xavier Montsalvatge Alice Henderson
Siento Una Flauta: Improvisational Idiom, Style, and Performance Practice of Charanga Flutists in New York from 1960 to 2000
The Immense Legacy of Africa in the Latin American Literature and Music
Redalyc."Somos Cubanos!"
Estudio Musical Referente A
The Origin and Development of Cuban Popular Music Genres And
CCCNY 2021 Ragtime Program
Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez
Academia Nacional Del Folklore Página 1
Havana and Trinidad
Misa Criolla
Music of Cuba 1 Music of Cuba
Historia De La Salsa, Desde Las Raíces Hasta El 1975
Music and Nation Race and Cubanness Forum: Cuba-Past, Present and Future Jorge Olivera Castillo Writer and Journalist Havana, Cuba
The Afro-Cuban and the Avant-Garde: Unification of Style And
University of Florida Thesis Or Dissertation Formatting
Top View
Mark Chowaniec World Music Collection
MÚSICA CRIOLLA: Cultural Practices and National Issues in Modern Peru the Case of Lima (1920-1960)
Musicians in Trust: Argentina and the Globalization of Popular Music
An Annotated Catalogue of Selected Cuban Piano Works from the 18Th
INSULA CRIOLLA (Novela Sanluiseña)
Coro Polifónico “El Perpetuo Socorro” Coro Femenino Voces Unidas Coro Universidad Autónoma De Bucaramanga
Misa Criolla
A Conductor's Guide to Ariel Ramirez's Misa Por La Paz Y La
Colombian Folk Music in an International Context
Nationalism and Its Expression in Cuba's Art Music: the Use of Folklore in Mario Abril's “Fantasia (Introduction and Pacha
Seccion 05 No
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
IV. El Danzón 14. Análisis Al Momento De Comenzar El Auge Del Disco De
Nuestra Música Y Danzas Tradicionales / Giselle Chang Vargas… [Et
Full Screen View
Bulletin of the ICTM Vol. 140 — April 2019 — Page 1! SECRETARIAT and EXECUTIVE BOARD
From Contradanza to Son: New Perspectives on the Prehistory of Cuban Popular Music
UC San Diego UC San Diego Electronic Theses and Dissertations
Latino Music 1 Chapter 11 Tito Puente Biographical Notes 2 Early Life Born in the Barrio of Spanish Harlem in 1923 to Puerto Rican Immigrants