DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Costanzo Porta
Costanzo Porta
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Musica Strumentale E Committenza in Area Bresciana. Titoli E Dediche Delle Canzoni Strumentali Fra Cinque E Seicento
Graduate-Dissertations-21
30Th Sunday in Ordinary Time
The Science and Art of Renaissance Music-Princeton University Press
Christ the King
And Elbląg of the Renaissance Era
The Parish of St. Vincent Ferrer and St. Catherine of Siena
Ph.D. Dissertations in Musicology University of North Carolina At
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
Josquin Des Prez in Fact and Legend
Cultura Musicale Bresciana Reperti E Testimonianze Di Una Civiltà
Libretto CORI09.Indd
Note D'archivio
Palestrina's Vestiva I Colli As a Model for the Parody
The Parish of St. Vincent Ferrer and St. Catherine of Siena
From Modal to Tonal: the Influence of Monteverdi on Musical Development
Some General Observations on Mass Composition in the Renaissance Charles Lathan Hill
Top View
Amadio Freddi 1
Loft Concert Program
LPM SUMMER SALE CATALOGUE Ends 31
Alessandro Rauerij's Collection of Canzoni Per Sonare (Venice, 1608) Volume I Historical and Analytical Study Leland Earl Bartholomew Fort Hays State University
The Tarasconi Codex in the Library of the Milan Conservatory
95928-Magnificat-2.Pdf
The Rose Ensemble Jordan Sramek, Founder/Artistic Director
Mapping the Presence of Paduan Repertoire in European Anthologies in the First Half of the Seventeenth Century