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Chant

  • Introitus: the Entrance Chant of the Mass in the Roman Rite

    Introitus: the Entrance Chant of the Mass in the Roman Rite

  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort Olson25@Marshall.Edu

    Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]

  • PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble

    PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble

  • Textbook of Gregorian Chant

    Textbook of Gregorian Chant

  • Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge

    Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge

  • Vocal Ensemble Composer Title Pub

    Vocal Ensemble Composer Title Pub

  • Of Paul Robeson 53

    Of Paul Robeson 53

  • Renaissance Terms

    Renaissance Terms

  • A Conductor's Guide to the Music of Hildegard Von

    A Conductor's Guide to the Music of Hildegard Von

  • The Renaissance Period (1400 – 1600) a Cappella: the Golden Age

    The Renaissance Period (1400 – 1600) a Cappella: the Golden Age

  • Hildegard Von Bingen Two Responsories

    Hildegard Von Bingen Two Responsories

  • Heloise the Composer

    Heloise the Composer

  • The Propers of the Mass: the Offertory Chant and the Communion Chant

    The Propers of the Mass: the Offertory Chant and the Communion Chant

  • The Question of Compositional Process in the Music of Hildegard Von Bingen

    The Question of Compositional Process in the Music of Hildegard Von Bingen

  • THE ACCOMPANIMENT of GREGORIAN CHANT by Patricia Burgstahler A.B., Nazareth College, 1956

    THE ACCOMPANIMENT of GREGORIAN CHANT by Patricia Burgstahler A.B., Nazareth College, 1956

  • André Jolivet's Chant De Linos (1944): a Sentential Analysis

    André Jolivet's Chant De Linos (1944): a Sentential Analysis

  • Basic Gregorian Chant Sight Reading

    Basic Gregorian Chant Sight Reading

  • Sacred Song Chanting the Bible in the Middle Ages and Renaissance

    Sacred Song Chanting the Bible in the Middle Ages and Renaissance

Top View
  • Viderunt Omnes
  • Medieval Music
  • Some Theories on Order
  • AQA GCSE Music
  • Medieval Terms
  • Lessons on Practicing Music As Ecological Philosophy from Hildegard of Bingen
  • Death at First Sight: the Duality of Love in Thibaut De Champagne and Ibn Quzman
  • The Spirit of Cistercian Liturgical Reform and the 1147 Hymnal
  • Glossary of Musical Terms
  • St. Hildegard of Bingen by Katie Marquette
  • Music History Lecture Notes the Middle Ages 64 AD – 1400 AD
  • Chicago Musical College the Benedictines and Gregorian
  • C 21M011 (Spring, 2006) Ellen T. Harris Lecture I Introduction (With In
  • Salisbury Symphony Orchesra Musical Terms Glossary
  • Polyphony at Notre Dame and in the 13Th Century
  • COMMUNION. Sung at Communion, This Proper Chant Is an Antiphon
  • English Proper Chants
  • 25Ab3faee28ff8ab2647c74b359f


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