Heloise the Composer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Introitus: the Entrance Chant of the Mass in the Roman Rite
Introitus: The Entrance Chant of the mass in the Roman Rite The Introit (introitus in Latin) is the proper chant which begins the Roman rite Mass. There is a unique introit with its own proper text for each Sunday and feast day of the Roman liturgy. The introit is essentially an antiphon or refrain sung by a choir, with psalm verses sung by one or more cantors or by the entire choir. Like all Gregorian chant, the introit is in Latin, sung in unison, and with texts from the Bible, predominantly from the Psalter. The introits are found in the chant book with all the Mass propers, the Graduale Romanum, which was published in 1974 for the liturgy as reformed by the Second Vatican Council. (Nearly all the introit chants are in the same place as before the reform.) Some other chant genres (e.g. the gradual) are formulaic, but the introits are not. Rather, each introit antiphon is a very unique composition with its own character. Tradition has claimed that Pope St. Gregory the Great (d.604) ordered and arranged all the chant propers, and Gregorian chant takes its very name from the great pope. But it seems likely that the proper antiphons including the introit were selected and set a bit later in the seventh century under one of Gregory’s successors. They were sung for papal liturgies by the pope’s choir, which consisted of deacons and choirboys. The melodies then spread from Rome northward throughout Europe by musical missionaries who knew all the melodies for the entire church year by heart. -
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
9 April 2009 Volume: 19 Issue: 06 Greedy Easter Story Andrew Hamilton
9 April 2009 Volume: 19 Issue: 06 Greedy Easter story Andrew Hamilton ........................................1 Asylum seeker love Tim Kroenert ...........................................3 On Roos ‘Chookgate’ and footy’s duty of care Andrew Hamilton ........................................5 Broadband deal better late than never John Wicks .............................................7 Indonesia veering towards extremism Peter Kirkwood ..........................................9 Easter poems Various .............................................. 11 Poor nations could lead recovery Michael Mullins ......................................... 14 Hitchcock’s Easter drama Scott Stephens ......................................... 16 Pakistan is not doomed Kimberley Layton ....................................... 18 Seductive melancholy of a poet’s last works Carolyn Masel .......................................... 20 The popes versus the free market Bruce Duncan .......................................... 22 Affectionate portraits of ‘the outsider’ Tim Kroenert ........................................... 24 Dissecting rebel priest’s heresy Andrew Hamilton ........................................ 26 A farmer’s life Gabrielle Bridges ........................................ 28 My well planned salvation Ian C. Smith .......................................... 31 Rehabilitating Stalin Ben Coleridge .......................................... 34 Conway’s maverick way Paul Collins ............................................ 37 The politicisation of defence -
Easter Resources (Selected Titles – More Will Be Added) Available To
Easter Resources (selected titles – more will be added) available to borrow from the United Media Resource Center http://www.igrc.org/umrc Contact Jill Stone at 217-529-2744 or by e-mail at [email protected] or search for and request items using the online catalog Key to age categories: P = preschool e = lower elementary (K-Grade 3) E = upper elementary (Grade 4-6) M = middle school/ junior high H = high school Y = young adult A = adult (age 30-55) S = adult (age 55+) DVDs: 24 HOURS THAT CHANGED THE WORLD (120032) Author: Hamilton, Adam. This seven-session DVD study will help you better understand the events that occurred during the last 24 hours of Jesus' life; to see more clearly the theological significance of Christ's suffering and death; and to reflect upon the meaning of these events for your life. DVD segments: Introduction (1 min.); 1) The Last Supper (11 min.); 2) The Garden of Gethsemane (7 min.); 3) Condemned by the Righteous (9 min.); 4) Jesus, Barabbas, and Pilate (9 min.); 5) The Torture and Humiliation of the King (9 min.); 6) The Crucifixion (13 min.); 7) Christ the Victor (11 min.); Bonus: What If Judas Had Lived? (5 min.); Promotional segment (1 min.). Includes leader's guide and hardback book. Age: YA. 77 Minutes. Related book: 24 HOURS THAT CHANGED THE WORLD: 40 DAYS OF REFLECTION (811018) Author: Hamilton, Adam. In this companion volume that can also function on its own, Adam Hamilton offers 40 days of reflection and meditation enabling us to pause, dig deeper, and emerge changed forever. -
Funeral Music Selection Guide
Liturgical Music Department THE CHURCH OF ST. ROCCO Christopher A. Caramello Director of Liturgical Music 927 Atwood Avenue Johnston, RI 02919 Office Phone: (401) 942-5203 Cellular Phone: (401) 692-5270 [email protected] To Whom It May Concern, On behalf of The Church of St. Rocco and its Music Ministry, I extend my condolences to you and your family. Please know our music department is here to serve you to the best of our abilities. Similar to the funeral liturgy itself, music for the Mass of Christian Burial (funeral) can be tailored to appropriately reflect the life of the deceased as well as enrich the liturgy for those in attendance. As you may know, secular music is not allowed before, during, or after the Mass of Christian Burial within the church. Rest assured there are many options which can ensure your musical expectations and requests are met. As a convenience to you, this overview acts as a guide for music planning. The majority of these pieces can be sampled online (using YouTube.com or Google.com) by typing in the title and composer, or through a meeting (if time allows) with the music director. In addition to hymns familiar to you, it may be of interest to sample some of the options listed below for the best selections. The music is listed according to its appropriate placement within the mass. At The Church of St. Rocco the standard music personnel is one cantor and the organist. Other liturgically appropriate instruments (flute, trumpet, violin, etc.) can be hired through the music director but such requests should be made as soon as possible to ensure availability. -
BH Program FINAL
MUSIC BEFORE 1800 Louise Basbas, Director Blue Heron Christmas at the Courts of 15th-Century France & Burgundy Scott Metcalfe, director and harp Jennifer Ashe, Pamela Dellal, Martin Near, Daniela Tosic Michael Barrett, Owen McIntosh, Jason McStoots, Stefan Reed, Mark Sprinkle, Sumner Tompson Cameron Beauchamp, Paul Guttry Laura Jeppesen, vielle and rebec; Charles Weaver, lute and voice Advent O clavis David (O-antiphon for December 20) plainchant Factor orbis Jacob Obrecht (1457/8 - 1505) O virgo virginum (O-antiphon for December 24) plainchant O virgo virginum Josquin Desprez (c. 1455 - 1521) Conditor alme siderum (alternatim hymn for Advent) Guillaume Du Fay (c. 1397 - 1474) Ave Maria gratia dei plena Antoine Brumel (c. 1460 - c. 1512) Christmas O admirabile commercium / Verbum caro factum est Johannes Regis (c. 1425 - 1426) INTERMISSION Christmas Letabundus (Christmas sequence) Guillaume Du Fay Praeter rerum seriem Adrian Willaert (c. 1490 - 1562 New Year’s Day La plus belle et doulce figure Nicolas Grenon (c. 1380 - 1456) Dieu vous doinst bon jour et demy Guillaume Malbecque (c. 1400 - 1465) Dame excellent ou sont bonté, scavoir Baude Cordier (d. 1397/8?) De tous biens playne (instrumental) Johannes Tinctoris (c. 1435 - 1511?) Margarite, fleur de valeur Gilles Binchois (c. 1400 - 1460) Ce jour de l’an voudray joie mener Guillaume Du Fay Christmas Gloria Spiritus et alme Johannes Ciconia (c. 1370 - 1412) Nato canunt omnia Antoine Brumel Tis concert is sponsored, in part, by the Florence Gould Foundation, Music Before 1800’s programs are supported, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and the New York City Department of Cultural Affairs in partnership with the City Council. -
PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
CORO hilliard live CORO hilliard live 1 The Hilliard Ensemble For more than three decades now The Hilliard Ensemble has been active in the realms of both early and contemporary music. As well as recording and performing music by composers such as Pérotin, Dufay, Josquin and Bach the ensemble has been involved in the creation of a large number of new works. James PÉROTIN MacMillan, Heinz Holliger, Arvo Pärt, Steven Hartke and many other composers have written both large and the and small-scale pieces for them. The ensemble’s performances ARS frequently include collaborations with other musicians such as the saxophonist Jan Garbarek, violinist ANTIQUA Christoph Poppen, violist Kim Kashkashian and orchestras including the New York Philharmonic, the BBC Symphony Orchestra and the Philadelphia Orchestra. John Potter’s contribution was crucial to getting the Hilliard Live project under way. John has since left to take up a post in the Music Department of York University. His place in the group has been filled by Steven Harrold. www.hilliardensemble.demon.co.uk the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16046 The hilliard live series of recordings came about for various reasons. 1 Vetus abit littera Anon. (C13th) 3:47 At the time self-published recordings were a fairly new and increasingly David James Rogers Covey-Crump John Potter Gordon Jones common phenomenon in popular music and we were keen to see if 2 Deus misertus hominis Anon. (C13th) 5:00 we could make the process work for us in the context of a series of David James Rogers Covey-Crump John Potter Gordon Jones public concerts. -
NPC Worship Bulletin PDF®
April 13, 2014 The National Presbyterian Church A MINISTRY OF GRACE, PASSIONATE ABOUT CHRIST’S MISSION IN THE WORLD PALM SUNDAY Lo, your king comes to you; triumphant and victorious is he, humble and riding on a donkey Zechariah 9:9 Dr. David Renwick, Senior Pastor . Dr. Quinn Fox, Associate Pastor Rev. Donna Marsh, Associate Pastor . Rev. Evangeline Taylor, Associate Pastor Parish Associates: Rev. Nancy T. Fox and Dr. Donald R. Wilson Rev. Michael Denham, Director of Music Ministries William Neil, Organist . Hilda Gore, Contemporary Music Leader Order of Worship 9:15 & 11 a.m. Kindly turn off your cell phone and other electronic devices. Entering God’s Presence Prelude Prelude in E flat Major BWV 552 J.S. Bach Erik Suter, guest organist Call to Worship Rev. Donna Marsh One Rejoice greatly, O daughter of Zion! Isaiah 9:6 All Shout aloud, O daughter of Jerusalem! One Lo, your king comes to you; All Triumphant and victorious is he; humble and riding on a donkey, on a colt, the foal of a donkey. Hymn Hosanna, Loud Hosanna Ellacombe Children and Chancel Choir in procession: Hosanna to the King of Kings! Hosanna, let the praises ring! Hosanna to the King of Kings! Hosanna, let them ring! Blessed is he who comes in the name of the Lord. Hosanna! Hosanna to the King of Kings! Hosanna to the King! p Congregation standing, singing as directed Hosanna, loud hosanna the little children sang. Through pillared court and temple the lovely anthem rang. To Jesus, who had blessed them close folded to his breast, The children sang their praises, the simplest and the best. -
Textbook of Gregorian Chant
TEXT BOOK OF GREGORIAN CHANT ACCORDING TO THE SOLESMES METHOD BY Dom Gregory SUNOL, 0. S. B., Monk of Montserrat TRANSLATED FROM THE SIXTH FRENCH EDITION WITH AN INTRODUCTION BY G. M. DURNFORD OBLATE OF SOLESHES. SOCIETY OF ST JOHN EVANGELIST D£SCLEE & Co Printers to the Holy See and the Sacred Coogr. of Rites TOURNAI (Belgium) PREFACE. Few words are necessary to introduce the present work to English speaking students of plainsong. Such a handbook has long been needed and is sure of its welcome. Neither the well- known Stanbrook Grammar of Plainsong nor Madame Ward's valuable school courses cover so much ground as Dom Gregory Suflol in his Spanish " Metodo ". The book first appeared in 1905, prefaced by a commendatory letter from Dom Andre Mocquereau, the famous director of the Solesmes School. Its author has many years of teaching experience behind him, as well as sound theoret- ical knowledge of his subject. His work has proved its popu- larity and practical usefulness by going through a number of editions in the original Spanish, besides being translated into French and German. Indeed by compressing the Solesmes teach- ing within the narrow limits of a general text book Dom Sufiol has rendered good service to the Gregorian cause. Not everyone has access to the monumental publications of Solesmes, the Mono- graphies gregoriennes or the Paleographie Musicale> and countless students will be glad to find the subject matter of this latter Work, especially the important seventh volume on Gregorian Rhythm, here summed up and analysed, while the extensive quotations from Dom Mocquereau's Nombre Musical gregorien, with which the Spanish author has enriched his later editions, will make them desirous of seeing this fascinating synthesis of the whole subject brought out in English. -
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2012 "Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge Jordan Timothy Ray Baker [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Epistemology Commons, Medieval Studies Commons, and the Musicology Commons Recommended Citation Baker, Jordan Timothy Ray, ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1360 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jordan Timothy Ray Baker entitled ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: -
Cantilena and Antiphon: Music for Marian Services in Late Medieval England
Cantilena and Antiphon: Music for Marian Services in Late Medieval England By Peter M. Lefferts One of the most important contributions to studies of medieval music in recent years was made by Ernest Sanders as editor of volume two of English Music for Mass and Offices (volume XVII in the series Polyphonic Music of the Fourteenth Century).1 Sanders was particularly responsible for the editions of a large proportion of the surviving repertoire of poly phonic cantilenas, a major genre in terms of numbers of pieces and inherent musical value that heretofore has received little attention in the musicological literature, aside from Sanders's own contributions.2 The cantilena holds a place in the fourteeth-century English polyphonic repertoire roughly equivalent to that of the votive antiphon in the fifteenth century, though it is a much less familiar and less widely traveled genre. Stylistically, cantilenas form a complex category of works, but one that has nonetheless a clearly defined core. The archetypal cantilena is a three-voice piece freely composed in three or four large sections, setting regularly versified, double-versicle texts of uniform stanzaic structure in a 1 Editions de L'Oiseau-Lyre has published four volumes of English music in its series Polyphonic Music of the Fourteenth Century (hereinafter "PMFC"). They are as follows: English Music of the Thirteenth and Early Fourteenth Centuries, ed. Ernest H. Sanders, PMFC XIV (Paris and Monaco: Editions de L'Oiseau-Lyre, 1979); Motets of English Provenance, ed. Frank Ll. Harrison, PMFC XV (Paris and Monaco: Editions de L'Oiseau-Lyre, 1980); English Music for Mass and Offices, 2 vols., ed. -
Vocal Ensemble Composer Title Pub
Anchorage School District Music Department Approved List, Solo & Ensemble (2005/06) Vocal Ensemble Composer Title Pub. Level Event Comments Brahms, J. Klosterfreulein, Op. 61, No.2 / * CF/HL-AMP 2 Soprano, Alto Duet Brahms, J. Klosterfreulein, Op. 61, No.2 / * CF/HL-AMP 2 Soprano, Alto Duet Dvorak, A. Greeting from Afar, No. 2 (SA) / Vier Duette, Op.38 TP-SIM 2 Soprano, Alto Duet either Dvorak, A. Never Say Die! No. 1 (SA) / Vier Duette, Op.38 TP-SIM 2 Soprano, Alto Duet either Humperdink, E. Abends will ich schlafen gehn / Hansel & Gretel HL-GS 2 Soprano, Alto Duet Humperdink, E. Abends will ich schlafen gehn / Hansel & Gretel HL-GS 2 Soprano, Alto Duet German Mendelssohn, F. Abendlied CFP/NMP 2 Soprano, Alto Duet Mendelssohn, F. Abendlied CFP/NMP 2 Soprano, Alto Duet Mendelssohn, F. Lied, Ruy Glas, Op. 77, No. 3 CFP 2 Soprano, Alto Duet Mendelssohn, F. Lied, Ruy Glas, Op. 77, No. 3 CFP 2 Soprano, Alto Duet Schumann, R. An den Abendstern, Op. 103, No. 4 CRP/TP-DUR 2 Soprano, Alto Duet Schumann, R. An den Abendstern, Op. 103, No. 4 CRP/TP-DUR 2 Soprano, Alto Duet Schumann, R. Schon Blumelein, Op, 43, No. 3 CFP/NMP 2 Soprano, Alto Duet Schumann, R. Schon Blumelein, Op, 43, No. 3 CFP/NMP 2 Soprano, Alto Duet Brahms, J. Die Meere, Op. 20, No. 3 CFP/NMP 3 Soprano, Alto Duet Brahms, J. Die Meere, Op. 20, No. 3 CFP/NMP 3 Soprano, Alto Duet Carissimi, G. Rimanti in Pace CFP 3 Soprano, Alto Duet Carissimi, G.