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25Ab3faee28ff8ab2647c74b359f SurbQlartocL Music 599 Fall 1999 BIBLIOGRAPHY Baiky,Ttra~m7%e Proce~ions of Smwn and tk Western Church. Tuont~:Ploatificrrl Institute ofM*val studies, 1971. Borders, James. Emly MdievcJ Cirrrntsfiom Noluultokx. Pt.. 3, ProcCSSiOllQI Ch.Recent Re- seadm ia the Music of the Middle Ages dMy Renaissance, vd. 32 Madi- A-R Editions, Inc., 19%. Brockett, Clyde W. "Farmulaic Cadeati;al Neumes for Deutenrs Mode Finalis Cognition." Paper pmmtd at Cantus Planus meeting, Visegrid, Hungary, August 29-3 1.20. Brydm, John R, and Ihvid G. Hughes. An In& of Gtcgorion Chant. Vd.2.7hmaic I&. Cambridge: Hanard university Ress, 1w. Einsiedeln St Gngory Mass Antiphoner (CH E 121). PuMisbed in facsimile as Pddogruphie mu- sicak: Lcs princijnaux manusm'ts & chgrCgorien, ambmsien, motmrrbc, galliean, publids en fbc-similCs phot~iqws,wf. 4, Le Codcx 121 & la BWtlrLqw d'-h (Xe-WJilck): AntiphonrJc missonun SMCti Gregorii. Bern: Editioas Herbert Lang & Ue. SA, 1414. Gradual of Albi (F Pa 1.776). Paris: BiMiotbbque nationale Foods latin, MS. 776. Microfilm facsi- mile. Gradual of Benevento (I BV V1.40). PuMishcd in facsimile as Bemento, Wblioseca Ca;pitolarc 40, Codices pprhi,no. 1. Nino Albama and Dom Alberta Two, eds. Mur: Linea, 1991. Gradual of Beaevento (I BV V1.34). Published in facsimile as PalCogreplric musicale: Lcs princi- pawr mol~usm~ts& chant grdgorun, ambrosien, mozarabc, gdlican, publils en fac-simifds pho- totypiqucs, wl. 15, Le Coda W34 de kr Biblwthtqrcc Capitrrlaite dc B&vent (He-XIF sitck): Gr&f & BCndwnt ovcc pmsaite et tropain. Dom Joacph Gajard, ad. Bern: Editions Herbat Lang & Cie. SA, 197 1. Gradual of St BCnigne of Dijon (F-MO H 159). PuMishcd in facsimile as Paltogrcrlphic mi- cafe: Les princijnaux m~lluserits& chant grdgorien, ambrosien, mozarabc, gaUican, publids en fm-SMUSphototy ' ucs, vol. 8, Antighonurim tonale &SMU~ (XT sitck), Cadcx H. 159 & kr Bibliotfdgrrc & I' a& mWccine & lCIbsltpcUier. Dom Dom Mocqucreau, ed. Bern: Hwbm Lang & Cie. SA, 1972. Gndual of Klasterneuburg (A Gu 807). Published in facsimile as P&gny,hie rmcsicule: Les pnpn~ipluu:rnanuscrikr & chant gdgoricn, Mlbrosien, mozambe, gallican, publih en&-simifds photogralphiqws, wf.19, Le Ahusdt807, Universit(YtsbiblwtkkGraz (XIF sitck): Gredruf de Klasterneubwg. Bern: Editions Hdmt Lang & Cie. SA, 1974. -&add d St. Y neix (F Pn 1.903). PuMisbed in facsimile as PalCograpiric nusicale: Lcs princi- -12- pnlu mMusctits & chant grtgorim, ambrosien, WwtOrebc, ggallicrm, publils en*-SimiICspiroto- typiques, wl. 13, LC Codex W3 & lo BibliothLque Nationcllc & Paris (XIC sikle), Gmkl& Saint-Yricix. Dom AndrC Mocqucreau, ed. Bern: Herbert Laag & a.SA, 1971. Gradual of St Yrieix (F Pn 1.903). Paris: Biblioth4que nationale Faads latin, MS. 903. Miclo- film facsimile of fds. 133v- 147~. Hamen, Finn Egeland. "Editorial Problems Connected with the TmnscripCion of H 159, oatp pel- lier: Toaary of St BCnigne of Dijon." Erudcs Grtgoricnnes 16 (1 977): 161- 172. Hiley, David Wes&rn Plainchant: A fhndbmk Oxford: Clamdon Pnss, 1993. Moderini, Ave. Lu NotaLjone Nemdi Nommtola. Instituta ct Monumeatll, pubblicati dalla BiMi- govedva e civica di Cnmona e dalla Scuda di paleografia musicale dell'Umvetsit8 di Parma, Sene 2: Instituta, N. 311. Cnmona: Athenaeum Cnmonense, 1970. St. Gall St. Gregory Mass Antiphoner (CH SGs 339). Published in fwimile as Paldogrcyllhic ~&:~sprincr'iparcx~&chmrtgrtgoricn,OmbPO~icn,motarebc,gallican,~m &-simiICs plrototypiques, wl. I, LC Cdx339 & la Biblwtlr2que & Saint-Gall (Xc si2ck): An- t@brrcrlc missarm Sancti Gmgorii. Bern: Editions Herbert Lang & Cie. SA, 1974. Schlaget, Karl-Heinz. TIicmatiSclrcr KbEalog rdcr Ukesten AUcIrcia-hodicn aus Handschrij?en cics 10. und 11. Jahrhdkrts. Erianger Arbtiten zur Musikwissenschaft 2. Munich: Walter Ricke, 19s. Tropcr-hr from San Silvestro di Nomutola (I Rn 1343). Rome: Biblioteca Nazionale, MS. 1343 (Sessoriano 62). Microfilm facsimile. Troper-Roser from San Silvestro di Nonanbda (I Rbcasanat. 1741). Rome: Biblioteca Casana- tense, MS. 1741 (C.IV.2). Publishad in facsimile as Tmpcrrirmr Saq- Nomntulruuun= Cod. Casanat. 1741. Mmumenta Lyrica Medii Aevi Italica 1: Latina. Giusepge Vd,ad. Me dens: Acrdemia Seientiarum Li- Artium, 1955. Table 1. Chat Tides by Fonnula at Nommtola hbbrev./Transp. 1 Chant 1 Antiphon Mods (Ambitus) FC;IC~ ~~arp~arpn~stct* i I n (c+~) . Fdcd FG /cd FdCd FdCd FdCd FClCd FGICd FdCd FdCd FdCd Mseme Dominc pkbi tuae I (C-d) FdCd Fdcd FdCd 11 W-dt I or n (A-6); 1.776 toaary: I1 A-d Dominc Rex DcrrP Abreham 11 (A-a; 1.776.1.780 tonaria: I1 I1 (A*); 1.776 tonary: I1 11 (A-6); 1.776 ~MIBI~:I1 I or I1 (Fc);~ 1.776 tonary: I1 (A-GI; 1.776 tonary: I1 1343: n(r~) Wmnt with full alleluia in 1741. tTmsposition in 1741; ambitus for bwpdc4aats interpetad at the mode's true rngistet. -14- Table 1. Chant Titles by Fonnula a No~ullltola Chant - Antiphon Mode (Ambitus) Signum srJIltir 1343: 11 (ru) ....................................................................... I.776tomuy: III Ffinal in 1741 and 1m V1 (m);nI a E final ......................... -............................ - - ............ 1.n6~:IV Ffinal in 1741 and 1343: V1 (C-b);I11 or IV if E finel ,;77G.. ,;,wa&:.. .. .*K-... PopuruS Swn Efinal md in 17411 F final in 1343: Vl (Dd); UI il Efid ..................I.....---------""I...7..?I: ..................... u1 (M 1.776 tonary: III +chant with full alleluia in 1741. TTmnsposition in 1741; ambitus for tmnsposled chants imtctpmtcd at the mode's true ngistet. -15- Table 1. Cbant Tides by Formula at Nonanbola ~bbrev./~rmsgt!~]- - Chant Antiphon Mode (Ambitus) EGG Ambuhntessancti ... III a IV (C4 ingredimini "....................-.............. ....-1 ..................................................................... lEGG ~esanctiDti...locum ....----...-..... 1 ........................... 1 Numquid est --- -- - .--. t i I.776,1.780 tonuies: IV ".... 111 (C-e): iI peccavimus i i I i I 1I ....................................................................... F+ in 1741; G-ccin 1343 wl G final 1 is tonary: V 1 1 1343: Alleluia abbreviation 1.780 .: .............................................. .2 i .....-....-..................-............-..-.-..........Gb dd. .. ......... [ Pcamlhmimpata* i I 1 1, i iI ) Conptcmini Domino* .*is..-............................................................................ .................................. -....... -.- .... - ............ ic-eDominc VI (G-g)t - -- i 1 Trim ~GFF/& 2;-- 1eominc- ....................................................................... VI (G-g)t i;., ................ ,i- ! ;........................................................................ ....................................................................... I :" Trim i GFF/& c i Non nos dmragat VI (C-c) j 1.780 tonary: VI VI (C-c) ip-""" 1.780tomy: VI *Ch&nt with full alleluia in 1741. fTmnsposition in 1741 ;ambitus fatmqmd chants intqmtd at the mode's true register. -16 Table 1. Chant Titles by Formula at Nanaatda Ianeria I~bbrevJ~ransp, Chant --- - ]Antiphon Mode (Ambitus] ,i resardu~ la;- C~mjl~mdita3t? I (F-f) (. ............................................ ..... ; retrardu~ jn GM;~, Lk Jetufah i VII ~r VIII (F-d) ; .... ("." ................. retrardu~ in i;~;o ~omincD~W MS~W .. 7-7 vm (c-c) !I patribus* i Exc:lanurmc~omncr : vn (G-g) kEfnommm..................... ..--....-...... ............................ 1.. ......................................... ..-. WI or Vm (F-e) .j 1 FD F'D VII or VIII (F-d) FD DcurqUit?sbellCdiCtus... VIII(Dc) suscipe ? Gregem tuum \ VII or VIM(F*) ....... i.vn.or. (F-c) Nos peamhdT *Chant with NI alleluia in 1741 tTt11118P09j.ticm in 1741; ambitus fop transposed chants interpreted at the mode's true register. f i -^; :B?pwJ~'~ - - : =W?@WWIW' ...... 1-............................... ................. ....- ---..................... J' .............................................................................................a3d3adT .l.. ;i J(4" -snylxpn#3. 3.d a. -......A P i .................................m3am ....................~ ............-......& ......:::...; ...-.............-. ............ ............-... ........-........ .... ......... .......-.... --.- .................................. .............................-.~........ ...... ..~.. :le: - md3am -i ....... -rrr ------ .*- .... - ""P" ........................................-- ................................... --.-.-.--- ............... .. I ......-.... _-e.---.....- L -..?Y- .............*.-...;-. ,;,,,.,..-..~..... (-PIP ddd3 wW)~ !rrrol~lprr~mI 1 - i I: ? sn2llr,tnuou~:.- = ua3am ............................./' .....-......* ........................................ - -- ~ -- P: ..................................................... ............. ................................... -.... --...-. ..........+.& ,...... *--......-- ..... 1, - iBpIPlplmq&p/Ai iiiiii -L. 1 WW~rlrpvWWr;................................. -............................... C13d3am ............................-........ .... I....-"- ......... ".,"& ..-......... .. ...... - i ..i P: LI ! -mwwz aajr3am ........-........................-. 4...... ............... .. .. ....." ....... ......... ................................ ....... -, pL...- ; (.-) P i ......................................... *,."" ........- .........-.... p- ... ,___..." .....-.....-..... ! -- -- .........+-......a i.-.+-..!....>.>............ +- ............. - :I i .................... .............. .-..---... ........... .......................... .................... '2.. .............--A. ......................................--
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