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Caterina Galli
Handel's Oratorios and the Culture of Sentiment By
Your Tuneful Voice Iestyn Davies
Handel's Last Prima Donna
Catherine Harbor
Con Certgebouw Cahier
It Must Be So: Reconsidering the Dramatic Agencies in George Frideric Handel’S Jephtha
HANDEL SINGING COMPETITION Final
What Did Women Sing? a Chronology Concerning Female Choristers Laura Stanfield Prichard Northeastern University, Massachusetts, USA
Judas Maccabaeus HWV 63
Music and Musicians in the Equity and Common-Law Courts of England, 1690–1760
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Catherine Harbor Phd Dissertation Volume 1
Livret Handel
DOCTOR of PHILOSOPHY Handel and His Accompanied Recitatives
Philharmonia Baroque Orchestra and Chorale
Jephtha Palestrina Cycle [Recordings] As May Just Be a Classic Unassuming and in the Making.” Natural As This
George Frideric HANDEL (1685-1759) THEODORA Oratorio in Three Parts
Donald Burrows: What We Know – and What We Don’T Know – About Handel’S Career in Rome Schriftenreihe Analecta Musicologica
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The Historical Context of Handel's Semele
HANDEL Solomon
Laisse Couler Mes Larmes” from Werther, Lori Laitman’S
Your Tuneful Voice Iestyn Davies
Judas Maccabaeus, Handel's Victory Oratorio of 1747, and Its