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Soho Action Plan: Your Thoughts in Action
Soho Action Plan: Your thoughts in action One Soho Soho is a unique part of the t it has an international identity as a cros ities and energy of the people who live an Without order we cannot live in, work in, o pleasant experience and we will work with ense of belonging and a wide range of op e of the most exciting and colourful part uraging diversity in retail and protecting up dialogue between businesses and re he foundations for enterprise in Soho. Re e look after the heart of this city. We propo neration, and we will improve the public re Contents 1 Introduction 3 Foreword 7 One Soho 13 Order 21 Opportunity 27 Enterprise 35 Renewal: Our lasting legacy 41 One Soho, One City, One Action Plan 45 List of actions 52 Contact details capital that has grown out of a rich s-cutting and cosmopolitan melting nd work here, which makes this area or visit Soho in enjoyment and peace. h the police and the Soho community pportunities in Soho that make even ts of the capital, if not the world, in Soho’s core businesses, promoting esidents, making the council more enewal: Our lasting legacy We will be ose real consultation with residents, ealm to make Soho accessible to all. Soho Boundary Soho is the area within the boundaries set by Oxford Street, Regent Street, Shaftesbury Avenue, and Charing Cross Road (for the purpose of this Action Plan). Featured Imagery 1 KINGLY COURT 2 SOHO HOTEL 3 SOHO SQUARE TOTTENHAM 4 MEARD STREET COURT ROAD 5 BERWICK STREET MARKET 6 GREAT MARLBOROUGH STREET 19 20 18 GREA OXFORD STREET TCH W CH TON RO Additional Streets -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Carnaby History
A / W 1 1 Contents Introduction C S W T S C A RN A BY IS KNO W N FOR UNIQUE INDEPENDENT BOUTIQUES , C ON C EPT STORES , GLOBA L FA SHION C F & D N Q BR A NDS , awa RD W INNING RESTAUR A NTS , ca FÉS A ND BA RS ; M A KING IT ONE OF L ONDON ' S MOST H POPUL A R A ND DISTIN C TIVE SHOPPING A ND LIFESTYLE DESTIN ATIONS . T K C S TEP UNDER THE IC ONIC C A RN A BY A R C H A ND F IND OUT MORE A BOUT THE L ATEST EXPERIEN C E THE C RE ATIVE A ND UNIQUE VIBE . C OLLE C TIONS , EVENTS , NE W STORES , T HE STREETS TH AT M A KE UP THIS STYLE VILL AGE RESTAUR A NTS A ND POP - UP SHOPS AT I F’ P IN C LUDE C A RN A BY S TREET , N E W BURGH S TREET , ca RN A BY . C O . UK . M A RSH A LL S TREET , G A NTON S TREET , K INGLY S TREET , M F OUBERT ’ S P L ac E , B E A K S TREET , B ROA D W IC K S TREET , M A RLBOROUGH C OURT , L O W NDES C OURT , G RE AT M A RLBOROUGH S TREET , L EXINGTON S TREET A ND THE VIBR A NT OPEN A IR C OURTYA RD , K INGLY C OURT . C A RN A BY IS LO caTED JUST MINUTES awaY FROM O XFORD C IR C US A ND P Icca DILLY C IR C US IN THE C ENTRE OF L ONDON ’ S W EST E ND . -
Kleyser Charles & Co. Watch & Clockma.4 Broadst. Bloowb
. 1852.] COMMERCIAL DiRECTORY~ 831 Kin loch Wm.cheesemong.to her Majesty ,48Jermyn st.St.Jas's Kirkham Arthur Leech,watchmaker&: jeweller, IM,& pawn• Kinnear George, merchant, see Ellice, Kinnear & Co ~broker & silversmith, 318 Strand Kinnebrook Wm. artist, 9 Wyndham place, Bryanstone sq Kirkham John, civil engineer, 3 Tonbridg'e place, Euston sq Kinnell George, hemp & flax merchant, 6 Vine st. Minories Kirkham John, commission merchant, 1 Lime street square Kinner Thomas, carrier's agent, New inn yard, Old Bailey Kirk land Sir John & Co. army agents, 80 Pall mall Kinseley Thomas, truss maker, 17 Wych street, Strand Kirkman & Engleheart, auctioneers, 58 King Wm. st. City Kinsey James H. leather dresser & dyer, 83 Bermondsey st Kirk man J oseph & Son, pianoforte m a. to her Majesty,3 Sobo I Kinsey William, solicitor, 20 Bloomsbury square sq. & 9Dean st.Soho; factory,Dufour's pi. Br01id st.Gidn.sq Kintrea Archibald & Co. soap makers & bone & other manure Kirkman & T.backray, who. stationers,5 Old Fish st.Doc.com merchants, 22! Great George street, Bermondsey Kirk man Hyde, surveyor, 29 Somerset street, Portman sq Klnzigthal Mining A1sociation (George Copeland Capper, Kirkman John James, solicitor, 27 Laurence Pountney lane secretary), 1 Adelaide place, London bridge Kirkmann,Brown&Co.e.in.col.&metal brok.2St.Dunstan's hl Kipling Brothers, french importers, 28 Silver st. Wood st Kirkmann Abraham, barrister, 89 Chancery lane Kipling Henry & Co. french importers, 28 Silver st. Wood et Kirkness Jas. tinplate worker,38Gt.Prescot st.Goodman's fi KipJing John & Francis, who.carpet wa.ll Addle st. Wood st Kirkpatrick John, barrister, 2 Mitre court buildingli, Temple Kip ling Wm. -
Your Tuneful Voice Iestyn Davies
VIVAT-105-Booklet.pdf 1 18/11/13 20:22 YOUR TUNEFUL VOICE Handel Oratorio Arias IESTYN DAVIES CAROLYN SAMPSON THE KING’S CONSORT ROBERT KING VIVAT-105-Booklet.pdf 2 18/11/13 20:22 YOUR TUNEFUL VOICE Handel Oratorio Arias 1 O sacred oracles of truth (from Belshazzar) [5’01] Who calls my parting soul from death (from Es ther) [3’13] with Carolyn Sampson soprano 2 Mortals think that Time is sleeping (from The Triumph of Time and Truth) [7’05] On the valleys, dark and cheerless (from The Triumph of Time and Truth) [4’00] 3 Tune your harps to cheerful strains (from Es ther) [4’45] with Rachel Chaplin oboe How can I stay when love invites (from Es ther) [3’06] 4 Mighty love now calls to arm (from Alexander Balus) [2’35] 5 Overture to Jephtha [6’47] 5 [Grave] – Allegro – [Grave] [5’09] 6 Menuet [1’38] 7 Eternal source of light divine (from Birthday Ode for Queen Anne) [3’35] with Crispian Steele-Perkins trumpet 8 Welcome as the dawn of day (from Solomon) [3’32] with Carolyn Sampson soprano 9 Your tuneful voice my tale would tell (from Semele) [5’12] with Kati Debretzeni solo violin 10 Yet can I hear that dulcet lay (from The Choice of Hercules) [3’49] 11 Up the dreadful steep ascending (from Jephtha) [3’36] 12 Overture to Samson [7’43] 12 Andante – Adagio [3’17] 13 Allegro – Adagio [1’37] 14 Menuetto [2’49] 15 Thou shalt bring them in (from Israel in Egypt) [3’15] VIVAT-105-Booklet.pdf 3 18/11/13 20:22 O sacred oracles of truth (from Belshazzar) [5’01] 16 Who calls my parting soul from death (from Es ther) [3’13] with Carolyn Sampson soprano -
Archaeological Excavations in the City of London 1907
1 in 1991, and records of excavations in the City of Archaeological excavations London after 1991 are not covered in this Guide . in the City of London 1907– The third archive of excavations before 1991 in the City concerns the excavations of W F Grimes 91 between 1946 and 1962, which are the subject of a separate guide (Shepherd in prep). Edited by John Schofield with Cath Maloney text of 1998 The Guildhall Museum was set up in 1826, as an Cite as on-line version, 2021 adjunct to Guildhall Library which had been page numbers will be different, and there are no established only two years before. At first it illustrations in this version comprised only a small room attached to the original text © Museum of London 1998 Library, which itself was only a narrow corridor. In 1874 the Museum transferred to new premises in Basinghall Street, which it was to occupy until Contents 1939. After the Second World War the main gallery was subdivided with a mezzanine floor and Introduction .................................................. 1 furnished with metal racking for the Library, and An outline of the archaeology of the City from this and adjacent rooms coincidentally became the the evidence in the archive ............................. 6 home of the DUA from 1976 to 1981. The character of the archive and the principles behind its formation ..................................... 14 The history of the Guildhall Museum, and of the Editorial method and conventions ................ 18 London Museum with which it was joined in 1975 Acknowledgements ..................................... 20 to form the Museum of London, has been written References .................................................. 20 by Francis Sheppard (1991); an outline of archaeological work in the City of London up to the Guildhall Museum sites before 1973 ........... -
~Lagfblll COMPANIES INC
May 2000 Brooklyn Academy of Music 2000 Spring Season BAMcinematek Brooklyn Philharmonic 651 ARTS Saint Clair Cemin, L'lntuition de L'lnstant, 1995 BAM 2000 Spring Season is sponsored by PHiliP MORR I S ~lAGfBlll COMPANIES INC. Contents • May 2000 Lust in the Woods 10 The Royal Shakespeare Company presents Shakespeare's A Midsummer Night's Dream at BAM in a saucy production by Michael Boyd. By Ian Shuttleworth Schiller's Shocker 22 Friedrich Schiller's riveting Don Carlos , to be performed by the Royal Shakespeare Company at BAM, still has the power to ruffle feathers. By Steven R. Cerf Program 17 Upcoming Events 43 BAMd i rectory 52 Photo by Jonathan Doc kar-Drysdale I3A 1\/1 CO\/Ar Arti,t Saint Clair Cemin Saint Clair Cemin was born in Cruz Alta , Brazil , in 1951. He studied at the Ecole Nationale L'lntuition de L'lnstant Superieure des Beaux Arts in Paris, France. He lives in New York City. 1995 Painted wood Cemin's sculpture has been exhibited worldwide, including at the Hirshhorn Museum and 97" x 91 ' x 36' Sculpture Garden, Smithsonian Institution, Washington, DC; Museo de Arte Contemporary, Monterey, Mexico; California Center for the Arts Museum , Escondido, CA; Centro Cultural For BAMart information Light, Rio de Janiero, Brazil; Birmingham Museum of Art, Birmingham, AL; The Arts Club of Chicago, Chicago, IL; Stadische Kunsthalle, DUsseldorf, Germany; The Fredrik Roos contact Deborah Bowie at Museum, Malmo, Sweden; Stedelijk Museum, Amsterdam, Netherlands; Whitney Museum 718.636.4111 ext. 380 of American Art Biennial, New York, NY; Centro Atlantico de Arte Moderno, Las Palmas, Grand Canary Island; Documenta IX, Kassel, Germany; 22nd Biennial International, Funda,ao de Sao Paolo; Galleria Communale d'Arte Moderna, Bologna , Italy; Fogg Art Museum , Cambridge, MA; and the Kunsthalle, Basel, Switzerland. -
Susan Rutherford: »Bel Canto« and Cultural Exchange
Susan Rutherford: »Bel canto« and cultural exchange. Italian vocal techniques in London 1790–1825 Schriftenreihe Analecta musicologica. Veröffentlichungen der Musikgeschichtlichen Abteilung des Deutschen Historischen Instituts in Rom Band 50 (2013) Herausgegeben vom Deutschen Historischen Institut Rom Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat der Creative- Commons-Lizenz Namensnennung-Keine kommerzielle Nutzung-Keine Bearbeitung (CC BY-NC-ND 4.0) unterliegt. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Den Text der Lizenz erreichen Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode »Bel canto« and cultural exchange Italian vocal techniques in London 1790–1825 Susan Rutherford But let us grant for a moment, that the polite arts are as much upon the decline in Italy as they are getting forward in England; still you cannot deny, gentlemen, that you have not yet a school which you can yet properly call your own. You must still admit, that you are obliged to go to Italy to be taught, as it has been the case with your present best artists. You must still submit yourselves to the direction of Italian masters, whether excellent or middling. Giuseppe -
[IB52. Ellis John, Shoemaker, 20 Peter Street, Cowcross Street Elmore & Clement, Carpenters, 36 Dnke Street, St
720 POST OFPlCE LONDON [IB52. Ellis John, shoemaker, 20 Peter street, Cowcross street Elmore & Clement, carpenters, 36 Dnke street, St. James'lf Ellis John, tailor, 9 Brodenell place, New North road Elmore John & Co. coal merchants, 6.) Bankside, Southwark Ellis John, tailor & draper, see Wllhelms & Ellis Elmore Alfred, A.R.A. artist, 31 Devonshire st. Portland pi Ellis John E. cheesemon~er, 9 New street, Dorset square Elmore John Richard, M.n. imrgeon, 27 Harley street Ellis John Thomas, Constitution P.H. 26White st. Borou~h Elms Elizh.(Mrs.),Kensngtn.Ar.P.H.29 Newhmd st.Knsgto Ellis Joseph, Bell P.H. 29 Great Bnsh lane, Cannon street Elms Hy. Andrew, baker, 56 Brick lane, & 19 Old Gravel la Ellis Joseph, nightman&: carman, Church st. Newgtn. butts Elms James, fishmonger, 22 Lower street, Islington Ellis Joseph, plumber, &c. 59 Brun&wick street, Stamford st Elmsley Wm. barrister, 8 Old square, Lincoln's inn Ell is Joseph A. manfg. jeweller, 7 Marlboro' pl. Walwrth. rd Elmslie & Simpson (late Foster & Co.), tinfoil & pewter Ellis Josiab, beer shop, 1 Wellngtn. pl. West India Dock. rd manufacturers & importers of quicksilver, 9 Union build.. Ellis Lewis, merchant, 74 Minories ings, Leather lane, & 80 Leather lane, Holborn Ellis Mary (Mrs.), boarding house, 12 America sq. Minories Elmslie John Foster, solicitor, 47A, Moor~ate street Ellis Mary (Mrs.), confectioner, Kensington gravel pits Elmslie Wm. average adjuster, Lloyd's, Royal Exchange Ellis Mary (Miss), milliner, see Morris & Ellis Elmslie Wm. jun. average stater, Lombard st. chambers Ellis Michael, watchmaker, 18 Bevis marks Elnor Ann (Miss), rope&twine ma.20Star corner,Bermondsy Ellis Natbaniel, linendraper, 101 & 102 Praed st. -
14 Meard Street with Royalty Mansions + 8
8 – 14 MEARD STREET WITH ROYALTY MANSIONS + 8 RICHMOND MEWS LONDON 1 The first occupants of the newly created Meard Street in 1732 included a harpsichord maker, a Reverend, a writer, a painter, a composer and a drunk. It seems as though Meard Street has always attracted eclectic and artistic residents 2 Executive Summary > 0.22 acre property with development potential in the heart of Soho in Central London > Benefits from a 25 metre frontage onto the part- pedestrian Meard Street, as well as vehicular access to the rear at Richmond Mews > Provides an excellent opportunity for either refurbishment, extension or redevelopment subject to obtaining the necessary consents > The property comprises three parts totalling 24,567 sq ft NIA and 32,008 sq ft GIA, arranged as follows: 8 – 14 Meard Street - Freehold - Light industrial, office and ancillary B1(c) use totalling 13,275 sq ft NIA and 19,937 sq ft GIA. - Vacant possession in December 2016. Royalty Mansions – Freehold - Residential uppers of 8 - 14 Meard Street, comprising 12 apartments accessed from Meard Street, totalling 8,869 sq ft NSA and 9,224 sq ft GIA (estimated). - Leased to Soho Housing Association expiring December 2026. 8 Richmond Mews – Leasehold - Light industrial, office and ancillary B1(c) use totalling 2,423 sq ft NIA and 2,847 sq ft GIA. - Vacant possession in December 2016 > Seeking offers inexcess of £20 million, subject to contract. 5 4 British Museum Tottenham Court Road THE PROPERTY The City Piccadilly Circus London Bridge Waterloo Oxford Street Soho Square Covent Garden 7 6 The Property Location Meard Street is part-pedestrianised and connects Wardour Street and Dean Street in REGENT STREET bustling Soho. -
Handel's Last Prima Donna
SUPER AUDIO CD HANDEL’s LAST PRIMA DONNA GIULIA FRASI IN LONDON RUBY HUGHES Orchestra of the Age of Enlightenment LAURENCE CUMMINGS CHANDOS early music John Christopher Smith, c.1763 Smith, Christopher John Etching, published 1799, by Edward Harding (1755 – 1840), after portrait by Johan Joseph Zoffany (1733 – 1810) © Lebrecht Music & Arts Photo Library Handel’s last prima donna: Giulia Frasi in London George Frideric Handel (1685 – 1759) 1 Susanna: Crystal streams in murmurs flowing 8:14 Air from Act II, Scene 2 of the three-act oratorio Susanna, HWV 66 (1749) Andante larghetto e mezzo piano Vincenzo Ciampi (?1719 – 1762) premiere recording 2 Emirena: O Dio! Mancar mi sento 8:35 Aria from Act III, Scene 7 of the three-act ‘dramma per musica’ Adriano in Siria (1750) Edited by David Vickers Cantabile – Allegretto premiere recording 3 Camilla: Là per l’ombrosa sponda 4:39 Aria from Act II, Scene 1 of the ‘dramma per musica’ Il trionfo di Camilla (1750) Edited by David Vickers [ ] 3 Thomas Augustine Arne (1710 – 1778) 4 Arbaces: Why is death for ever late 2:21 Air from Act III, Scene 1 of the three-act serious opera Artaxerxes (1762) Sung by Giulia Frasi in the 1769 revival Edited by David Vickers [Larghetto] John Christopher Smith (1712 – 1795) 5 Eve: Oh! do not, Adam, exercise on me thy hatred – 1:02 6 It comes! it comes! it must be death! 5:45 Accompanied recitative and song from Act III of the three-act oratorio Paradise Lost (1760) Edited by David Vickers Largo – Largo premiere recording 7 Rebecca: But see, the night with silent pace -
TRADES Diredtory, 1915. STA 1S97 Edoattional8upply .Asl!Ociation (The) Ltd
STA TRADES DIREdTORY, 1915. STA 1S97 EdOattional8upply .Asl!ociation (The) Ltd. •o King (J" onathan) Ltd. 302 & SO! Essex road N" tOwens B. E. & Oo. 6 BJuverie s' reet E C tStflit John, 10 Woorlstock t!treet W toU Holborn vi!lduct E C; 61 Shoe lane E C; Kirklsnd, Cope & Co. 4 Northumberland stWC Page Charles, 515 Kingsland road NE & 85A, &1pleford Goorge Downer, 18, 19, 20 & 21 U Oharterhouse st E C & 22 Hatton wall E C tKnight Charles & Co. Ltd. 227 to 239 Tooley De Beauvoir road N M:arshall street, London road S E Edward!! & Williams Ltd. 79 Chiswell st E C streetS E t Palmer .A.. & Co. 45 Eastcheap E C Star Stationery Co. Ltd. 147 Holborn E C Bdwards W.D.&SonsLtd. 75 Knightrider stE C KJnig (J. 0.) & Ebhardt, 18 to 23 Graven Paper Gutting &c. Co.Ltd.26 Grove park, Cam Starkey Brother.1, 1 Wanirobe place E C tBYane, Hallewell & Co. 5 Ave Maria lane E C street, City road N . berwell SE ; "the " specialists for reels Stokes A.dolphu.s Frederick, 5 Birchin lane E C Evans W. S. & Co. li2 Fore street E C · Konig Otto & Oo. 27 Cross street, Finsbury of all kinds-TA "Toilet,London"; TN 206 & 1 & 3 Old Swan lane E C Fairhead Thomas (Jlaude (agent), 34 Pater- E C & 27 Wilson street, Finsbury E C Brixton Straker Brothers Ltd. 194 to 200 Bishopsgate noster row E C , Krause Max, 7 & 8 Old Bailey E C Park R. & J. Ltd. 97 Olerkenwell road E C E C & 61 Old Broad street E C fFarm!ll' & Son11, 295 Edgware road W Lake James Caldecott & Co.