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Black Vaudeville
The Minstrel Legacy: African American English and the Historical Construction of “Black” Identities in Entertainment
Archivists & Archives of Color Newsletter
Tributaries on the Name of the Journal: “Alabama’S Waterways Intersect Its Folk- Ways at Every Level
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors
Black Music Research Bulletin, Spring 1989
Chapter Overview
Understanding the Economic and Creative Impetus for the Black Vaudeville Industry Nadine George-Graves
The Development of Tampa's African-American Community, 1891-1916
Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity"
Black Laughter / Black Protest: Civil Rights, Respectability, and The
Representations of the Irish in American Vaudeville and Early Film
Early Jazz in Vaudeville Steven Lewis
African-American Men and a Journey Through Musical Theatre and Opera
Just a Buncha Clowns: Comedic-Anarchy and Racialized Performance in Black Vaudeville, the Chop Suey Circuit, and Las Carpas
Black Musical Traditions and Copyright Law: Historical Tensions
Information to Users
Contrary to Popular Belief, the Blues Were Not Born on the Mississippi Delta by George De Stefano
Dick Waterman
Top View
Shuffle Along’ and the Lost History of Black Performance in America Minstrelsy
Ethel Waters
African American Theaters in Georgia: Preserving an Entertainment
The Development of Tampa's African-American Community, 1891-1916
Black Film Institute) Novelist Toni Cade Bambara Anddocumentary Filmmaker Louis Managing Editor Massiah Discuss the Resilient Legacy Ofoscar Micheaux
Health Care for African Americans in Mississippi, 1877-1946 Dissertation
Why the Blues?