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Bad Bitch
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Kendrick Lamar Lyrics
The Influence of Hip Hop on Zimbabwe's Urban Culture INFLUENCE of HIP HOP on ZIMBABWE’S URBAN CULTURE
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Chartbusters
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
How to Be a Bad Bitch Ebook, Epub
Explicit Content: Hip Hop, Feminism, and the Black Woman Brittney Nicole Davis Governors State University
References to Women in R&B and Hip
Bad Bitches, Jezebels, Hoes, Beasts, and Monsters
From Queen Latifah to Lil' Kim: the Evolution of the Feminist MC
Towards Selfishness and ´Materiality´ a Diachronic Study on the Evolution of Pop Music Lyrics in America (From 1970 to 2020)
Hip-Hop's Tanning of a Postmodern America
How to Be a Bad Bitch Free
Black Sexual Politics
“DEADBEAT:” HIP-HOP's REMIX of FATHERHOOD NARRATIVES a Dissertation Presented to the Faculty of The
Journal of Hip Hop Studies
Rhythmic and Lyric Interactions in Kendrick Lamar's Damn
Top View
An Analysis of Kendrick Lamar's Rap Music Andrew Wellington Hollinger
Feminism, Misogyny, & Rap Music
+ Hip Hop Through Gendered Eyes Jia Brittany Ireland University Of
Through Gendered Lenses Marks Its Seventh Year of Highlighting Gender Scholarship at the University of Notre Dame
Re-Diversification of French Hip Hop Through Islam, Gender, and Globalization
“I Love Being a Bad Bitch”: Reappropriation and Indexicalities of Bitch by American Female Singers on Twitter
You Say Bitch Like It's a Bad Thing
The Bad Bitch Barbie Craze and Beyoncé African American Women’S Bodies As Commodities in Hip-Hop Culture, Images, and Media
01-Joyhanna Yoo Garza.Indd
Picasso Baby: Hearing JAY-Z Through the Ears of Gramsci Or How Language Has the Power to Effect Change
Bitch Products 20
Lyrical Representations of the American Political Divide
ASCAP/BMI Comment
2013 Journal
You Know Who Pop the Most Shit?
Hip Hop Matters
A Failure of the Music Industry: the Frustration of Women of Color