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Art horror

  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs

    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs

  • Towards a Fifth Cinema

    Towards a Fifth Cinema

  • The Speed of the VCR

    The Speed of the VCR

  • Cinematic Vitalism Film Theory and the Question of Life

    Cinematic Vitalism Film Theory and the Question of Life

  • * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1

    * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1

  • Analyse Pragmatique Du Found Footage Horror Film

    Analyse Pragmatique Du Found Footage Horror Film

  • Bodies of Desire and Bodies in Distress

    Bodies of Desire and Bodies in Distress

  • FHT MÉMOIRE Principal- FINAL-Dépôt-3

    FHT MÉMOIRE Principal- FINAL-Dépôt-3

  • Women Make Horror

    Women Make Horror

  • Horror Movie Aesthetics

    Horror Movie Aesthetics

  • Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St

    Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St

  • Cinematic Vitalism Film Theory and the Question of Life

    Cinematic Vitalism Film Theory and the Question of Life

  • The Critical-Industrial Practices of Contemporary Horror Cinema

    The Critical-Industrial Practices of Contemporary Horror Cinema

  • Spring Film Season at National Gallery Includes Major Restorations

    Spring Film Season at National Gallery Includes Major Restorations

  • Existentialism and Art-Horror

    Existentialism and Art-Horror

  • Sincerely Celebrating Failure: Tommy Wiseau’S the Room and the Search for Sincerity

    Sincerely Celebrating Failure: Tommy Wiseau’S the Room and the Search for Sincerity

  • Selling the Splat Pack: the Dvd Revolution and the American Horror Film

    Selling the Splat Pack: the Dvd Revolution and the American Horror Film

  • Cinema Is a Haunted House

    Cinema Is a Haunted House

Top View
  • DISSERTAÇÃO Rafael Dantas Freire.Pdf
  • An Accident of Resistance in Nazi Germany: Oskar Kalbus's Three-Volume History of German Film (1935–37) Joel Westerdale Smith College, [email protected]
  • World Horror Cinema and the US: Bringing It All Back Home
  • The New Extremisms Rethinking Extreme Cinema
  • Kaiki Eiga and the Dawn of Japanese Horror Cinema
  • Violent Exchanges: Genre, National Cinemas, and the Politics of Popular Films'
  • Remaking Controversy? Three Case Studies of the Changing Reception of Controversial Films and Their Remakes
  • Ethnographic Film and Its Others 27-30 March 2019
  • The Suspense of Horror and the Horror of Suspense
  • Shoot the Dead: Horror Cinema, Documentary and Gothic Realism and Submitted in Partial Fulfillment of the Requirements for the Degree Of
  • 478348700008.Pdf
  • Contextualizing Transgression in French Cinema at the Dawn of the Twenty-First Century
  • Cinema, Trance and Cybernetics Discusses the Cinematic Apparatus As an Interface Between Mind and Machine
  • Melted Reality. New Proposals from the Fantastic Aesthetics
  • Ritgerð Til Extreme Horror and the Extremely Horrifying
  • Living in the End Times Programme
  • Affectivity and Corporeal Transgression on Stage and Screen
  • A Neuropsychological Account of the Horror Film


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