DOCSLIB.ORG

Living in the End Times Programme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Living in the End Times Programme Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture 13-15 January 2021 A Virtual Conference Hosted by Cappadocia University, Turkey Keynote Speakers: Maggie Gee, Larissa Lai, Elizabeth Outka, Kim Stanley Robinson, Raffaella Baccolini, Laurence Davis, Patricia McManus, Tom Moylan, Darko Suvin, and Phillip E. Wegner Organising Committee: Heather Alberro (Nottingham Trent University, UK) Emrah Atasoy (Cappadocia University, Turkey) Nora Castle (University of Warwick, UK) Rhiannon Firth (University of Essex, UK) Martin Greenwood (University of Manchester, UK) Robert Horsfield (Birmingham, UK) Burcu Kayışcı Akkoyun (Boğaziçi University, Turkey) Pelin Kıvrak (Harvard University, USA) Conrad Scott (University of Alberta, Canada) Bridget Vincent (University of Nottingham, UK) Contents Conference Schedule 01 Time Zone Cheat Sheets 07 Schedule Overview & Teams/Zoom Links 09 Keynote Speaker Bios 13 Musician Bios 18 Organising Committee 19 Panel Abstracts Day 2 - January 14 Session 1 23 Session 2 35 Session 3 47 Session 4 61 Day 3 - January 15 Session 1 75 Session 2 89 Session 3 102 Session 4 118 Presenter Bios 133 Acknowledgements 175 For continuing updates, visit our conference website: https://tinyurl.com/PandemicImaginaries Conference Schedule Turkish Day 1 - January 13 Time Opening Ceremony 16:00- Welcoming Remarks by Cappadocia University and 17:30 Conference Organizing Committee 17:30- Coffee Break (30 min) 18:00 Keynote Address 1 ‘End Times, New Visions: 18:00- The Literary Aftermath of the Influenza Pandemic’ 19:30 Elizabeth Outka Chair: Sinan Akıllı Meal Break (60 min) & Concert (19:45-20:15) 19:30- Natali Boghossian, mezzo-soprano 20:30 Hans van Beelen, piano Keynote Address 2 20:30- 22:00 Kim Stanley Robinson Chair: Tom Moylan Follow us on Twitter @PImaginaries, and don’t forget to use our conference hashtag #PandemicImaginaries. You can also join the conversation on our Discord server! https://discord.gg/ngjz9VkfDG 1 Opening Ceremony Master of Ceremonies: Nora Castle (University of Warwick, UK) Welcoming Remarks by Cappadocia University 16:00-16:20 Alev Alatlı Chairperson of the Board of Trustees 16:20-16:30 Hasan Ali Karasar Rector 16:30-16:40 Serpil Oppermann Director of Environmental Humanities Center 16:40-16:45 Sinan Akıllı Head of English Language and Literature Department Welcoming Remarks by Organizing Committee 16:45-17:30 Emrah Atasoy, Cappadocia University, Turkey Heather Alberro, Nottingham Trent University, UK Nora Castle, University of Warwick, UK Rhiannon Firth, University of Essex, UK Martin Greenwood, University of Manchester, UK Robert Horsfield, Birmingham, UK Burcu Kayışcı Akkoyun, Boğaziçi University, Turkey Pelin Kıvrak, Harvard University, USA Conrad Scott, University of Alberta, Canada Bridget Vincent, University of Nottingham, UK 2 Turkish Time Day 2 - January 14 Dystopias: Theory & Post-apocalyptic Apocalyptic Fiction Posthumanism I Plague & Pandemic Anthropocene, Fiction Imaginings Fiction I Capitalocene Chair: Gregory Claeys Chair: Bryan Radley Chair: Dunja M.Mohr Chair: Heather Alberro Chair: Burcu Kayışcı Chair: Fatma Aykanat Annika Gonnermann Ayşe Çelikkol Chun-Yu Lu Sezgi Öztop Haner Akkoyun Öznur Karakaş Session 1 Heike Sieger Mehmet Zeki Giritli Frances di Lauro Seçil Erkoç Andrew Milner Gregory Marks 12:00-13:20 Diego Carretero Sotirios Cenk Tan Züleyha Çetiner Öktem Elzem Nazli Brianna Bullen Román Bampatzimopoulos Khawla Bendjemil Niğmet Çetiner Sümeyye Güllü Aslan Koray Kırmızısakal Lucia Opreanu Hannah A. Barton Debarati Choudhury 13:20-13:40 Coffee Break (20 min) Creating with Polluted Mediations: Language Zombies I Pandemics: Historical Daniel Defoe and Body Politics During Seas: Toxic Wellbeing, & Technology Perspectives Pandemic Fiction End Times Terrible Beauty, and New Water Literacies Session 2 Chair: Clifton Evers Chair: Wladyslaw Chair: Krzysztof M. Chair: Thomas Kelly Chair: Zsolt Czigányik Chair: Simon Spiegel 13:40-15:00 Clifton Evers Witalisz Maj Işıl Şahin Gülter Gönül Bakay Onur Karaköse Luz Mar González- Murtaza Mohiqi Krzysztof M. Maj Anamta Rizvi Seda Arıkan Demet Karabulut Dede Arias Roberto Favalli Ildikó Limpár Mukuta Borah Gökben Güçlü Anna Campbell Shé Mackenzie Hawke Oleksandr Okhrimenko Seda Pekşen Pawel Kaptur Freya Lowden Özlem Gülen 15:00-16:00 Meal Break (60 min) 3 ROUNDTABLE: Plague and Pand. Health & Viral Margaret Adaptation in End Apocalyptic and Ethics & Politics Whither hope? Fict. II Happenings I Atwood I Times Post-apocalyptic Teaching Fiction utopia(nism) through the pandemic crisis Chair: Burçin Erol Chair: Nurten Birlik Chair: Jill Belli Chair: Gülşen Sayın Chair: Özden Chair: Anita Session 3 Kalina Maleska Çağdaş Ö. Duman Kristín María Burcu Kayışcı Sözalan DeMelo 16:00-17:20 Siân Adiseshiah Zsolt Czigányik Heather McKnight Kristinsdóttir Akkoyun Yıldıray Çevik Alice Breemen Dan Byrne-Smith Alyaa Dawood Al- Mirna Radin- Valentina Adami Denise Blunn Gözde Ersoy Anita DeMelo Caroline Edwards Lami Sabadoš Lidia María Thomas Kelly Murat Kabak Olea Morris Adam Stock Ercan Gürova Başak Ergil Cuadrado Payeras Andrea Burgos William Coker Katarzyna Ginszt Darren Webb Ikram Lecheheb Mascarell and Soumaya Bouacida 17:20-17:40 Coffee Break (20 min) Climate Change & The Fantastic Film & Media I Margaret Atwood II Health & Viral Gender & Fiction Happenings II Sexualities I Chair: Meliz Ergin Chair: Peter Sands Chair: Artur Blaim Chair: Thomas Horan Chair: Özlem Öğüt Chair: Işıl Baş Session 4 Claire Curtis Tim Murphy Steven Shaviro Mabiana Camargo Yazıcıoğlu Ariel Kroon 17:40-19:00 Marek Oziewicz Sarah Lohmann Annette Magid Eduardo Marks de Mono Brown Greg Campbell Trevor Jackson Sara González Gregory J. McClure Marques Patrick Mahoney Steven Holmes Sotirios Triantafyllos Bernárdez and Lynda Haas Gillian M. E. Alban Amy LeBlanc Muzaffer Derya Simon Spiegel Dilara Parslow George Sieg Nazlıpınar Subaşı 19:00-20:00 Meal Break (60 min) Keynote Address ‘End Times or Living Presents? Writing in the Face of Pandemic’ 20:00-21:30 Larissa Lai & Maggie Gee Chair: Mine Özyurt Kılıç 4 Turkish Time Day 3 - January 15 Critical Ecologies Shifting Boundaries Theatre During End Philosophy & Theology Posthumanism II Urban Design & and Borders Times Futures Chair: Hülya Yağcıoğlu Chair: Andrew Milner Chair: Aslı Tekinay Chair: Heather Chair: Cenk Tan Chair: Tim Waterman Berrin Demir Giulia Champion Tuğba Aygan McKnight Shraddha A. Singh Jenna Mikus, Kavita Session 1 Murathan Kaya David Gray Amjad AlShalan Ilaria Biano Nafisa Oliveira Gonsalves, & Hira 12:00-13:20 Kübra Baysal Jari Käkelä Belgin Bağırlar Alastair Lockhart Şebnem Düzgün Sheikh Hülya Yağcıoğlu Hope Caitlyn Roulstone Angela Patricia Heredia Alan Marshall Ken Fallas Louise Jammet 13:20-13:40 Coffee Break (20 min) Entanglements of Utopias & Dystopias Film & Media II Theory & Politics Horror & Body Horror Hope & (Post)Apoc. Contagion Beginnings Chair: Şafak Horzum Chair: Zeynep Atayurt Chair: Gillian M. E. Chair: Rhiannon Firth Chair:Drew Thornton Chair: Emrah Atasoy Zümre Gizem Yılmaz Fenge Alban Laura Denning Drew Thornton Katrin Schmitt Session 2 Karahan Anindita Shome Jana Fedtke Martin Greenwood Srijanee Adhikari Dunja M. Mohr 13:40-15:00 Kerim Can Yazgünoğlu Svjetlana Sumpor Rituparna Das Anton Nikolotov Daniel Kong Mónica Martín Başak Ağın & Şafak Alexander Popov Ujjwal Khobra & Shadia Abdel-Rahman Horzum Rashmi Gaur Téllez Karthika V. K. 15:00-16:00 Meal Break (60 min) 5 Theorizing End Pandemic Film & Media III Poetics of Gender & Film & Media IV Zombies II Times Psychologies & Apocalypse (Poetry, Sexualities II Subjectivities Music, and Mixed Media) Chair: Rita Chair: Bridget Chair: Giulia Chair: Hande Seber Chair: Elizabeth Chair: Matt Hudson Chair: Ildikó Limpár Session 3 Monticelli Vincent Champion Sabina Fazli Russell Ceren Kuşdemir Lars Schmeink 16:00-17:20 Vera Benczik Elham Fatma and Stavroula Anastasia Olusegun Stephen Michael Pitts Özbilek Ewa Drab Rhiannon Firth & Rashmi Gaur Katsorchi Titus Álvaro Arango Fulya Kıncal Olgahan Bakşi Erica Lagalisse Anna Bugajska Eleni Tsatsaroni Dani Shalet Vallejo Bahar Memiş Yalçın Maria Anna Djamila Houamdi Débora Madrid Julia Sattler Almudena Neet Neilson Bertolino Liam Knight Thais Lassali Machado-Jiménez Manuel Santana Chiara Xausa Hernández 17:20-17:40 Coffee Break (20 min) Post-colonial Futures Capitalism & Apocalypse & Post- Plague & Pandemic Anthropocene: In & Dystopias II Biopolitics apocalypse Fiction III Beyond 'End Times' Chair: Tim Murphy Chair: Nicole Pohl Chair: Claire Curtis Chair: Conrad Scott Chair: Nora Castle Chair: Etta Madden Session 4 Margaret Anne Smith Ben DeVries Amanda Pavani Conrad Scott Marina Pereira Benjamin Burt 17:40-19:00 Anita Girvan Jason Livingston Jill Belli Peter Sands Tiff Graham Ata Mohamed Tabriz Leah Van Dyk Jason Goldfarb Wendy Roy Emrah Atasoy & Lydia Nixon Jayde Martin & Allison Mackey and Irena Jurković Roberto Olavarría Thomas Horan Joey Song Benjamin Horn Özlem Öğüt Yazıcıoğlu Choin Cassandra Bausman Tânia Cerqueira 19:00-20:00 Meal Break (60 min) Keynote Address 20:00-21:45 ROUNDTABLE Raffaella Baccolini, Laurence Davis, Patricia McManus, Tom Moylan, Darko Suvin, and Phillip E. Wegner 21:45-22:15 Closing Remarks by Conference Organizing Committee 6 Time Zone Cheat Sheet I DAY 1 – JANUARY 13 Time Zone & Introductory Keynote 1 Concert Keynote 2 Reference Point Remarks HST –
Load more

Recommended publications
  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema.
    [Show full text]
  • Towards a Fifth Cinema
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Towards a fifth cinema Article (Accepted Version) Kaur, Raminder and Grassilli, Mariagiulia (2019) Towards a fifth cinema. Third Text, 33 (1). pp. 1- 25. ISSN 0952-8822 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/80318/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Towards a Fifth Cinema Raminder Kaur and Mariagiulia Grassilli Third Text article, 2018 INSERT FIGURE 1 at start of article I met a wonderful Nigerian Ph.D.
    [Show full text]
  • The Speed of the VCR
    Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job.
    [Show full text]
  • Cinematic Vitalism Film Theory and the Question of Life
    INGA POLLMANN INGA FILM THEORY FILM THEORY IN MEDIA HISTORY IN MEDIA HISTORY CINEMATIC VITALISM FILM THEORY AND THE QUESTION OF LIFE INGA POLLMANN CINEMATIC VITALISM Cinematic Vitalism: Film Theory and the INGA POLLMANN is Assistant Professor Question of Life argues that there are in Film Studies in the Department of Ger- constitutive links between early twen- manic and Slavic Languages and Litera- tieth-century German and French film tures at the University of North Carolina theory and practice, on the one hand, at Chapel Hill. and vitalist conceptions of life in biology and philosophy, on the other. By consi- dering classical film-theoretical texts and their filmic objects in the light of vitalist ideas percolating in scientific and philosophical texts of the time, Cine- matic Vitalism reveals the formation of a modernist, experimental and cinema- tic strand of vitalism in and around the movie theater. The book focuses on the key concepts rhythm, environment, mood, and development to show how the cinematic vitalism articulated by film theorists and filmmakers maps out connections among human beings, mi- lieus, and technologies that continue to structure our understanding of film. ISBN 978-94-629-8365-6 AUP.nl 9 789462 983656 AUP_FtMh_POLLMANN_(cinematicvitalism)_rug17.7mm_v02.indd 1 21-02-18 13:05 Cinematic Vitalism Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship.
    [Show full text]
  • * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
    * hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
    [Show full text]
  • Analyse Pragmatique Du Found Footage Horror Film
    UNIVERSITÉ DU QUÉBEC À MONTRÉAL ENJEUX ET CARACTÉRISTIQUES DE L'HORREUR DOCUMENTARISÉE : ANALYSE PRAGMATIQUE DU FOUND FOOTAGE HORROR FILM MÉMO[RE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRSE EN COMMUNICATION PAR VANESSA ROLLAND JUILLET 2016 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.0?-2011 ). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l 'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l 'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l 'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire. » REMERCIEMENTS En guise de préliminaire, je tiens à remercier les différentes personnes qui m'ont accompagnée tout au long de mon parcours universitaire en contribuant à l'enrichissement de mes connaissances et à ma volonté de me surpasser.
    [Show full text]
  • ST. NICHOLAS CHURCHES in ANATOLIA and THRACE This Paper Contains a Brief Presentation of Some of the Monasteries and Churches De
    ST. NICHOLAS CHURCHES IN ANATOLIA AND THRACE This paper contains a brief presentation of some of the monasteries and churches dedicated to St. Nicholas In Anatolia and turklsh Thrace. Our work on the subject was based mainly on previous research and a number of travel journals published between the 16 *n and 20 tn centuries. The main areas of Interest In this connection are Blthynla, Mysla, Cappadocla and Thrace In each of which we have carried out surveys 1. As concerns the other regions, we shall contend ourselves with briefly citing some striking examples. This paper, which will constitute the basis of an extensive future study, will hopefully shed some light upon the development of the St.Nicholas cult in Anatolia and Thrace. Central Anatolia (Galatia, Lycaonta and Cappadocla: Fifteen St.Nicholas churches-or monasteries are located in Central Anatolia. The oldest among these is the monastery of Germacoloneia, which is today a ruinous site situated near Slvrihisar2. H.Dernschwamm, who visited Germacoloneia between 1553-55 quotes the contents of the inscription in his journal 3. The inscription states that the monastery was founded in 897 by the Great Strategos and Drungarios Gregoras during the reign of Emperor Leon VI and his son Alexandres and was dedicated to Saints Nicholas of Myra, Basileios of Caesarea and Hypathlos of Gangra. It is of interest to note that eleven out of the fourteen Nicholas churches in Cappadocla are located around Nigde, namely in Giizelyurt, Uluagac, Akyamac, Helvadere, KIclagac, Kucukkoy and Slvrihisar - Aksaray4. The remaining three are to be found at Kayserl, BaskSy and Mustafapasa.
    [Show full text]
  • Byzantium and Bulgaria, 775-831
    Byzantium and Bulgaria, 775–831 East Central and Eastern Europe in the Middle Ages, 450–1450 General Editor Florin Curta VOLUME 16 The titles published in this series are listed at brill.nl/ecee Byzantium and Bulgaria, 775–831 By Panos Sophoulis LEIDEN • BOSTON 2012 Cover illustration: Scylitzes Matritensis fol. 11r. With kind permission of the Bulgarian Historical Heritage Foundation, Plovdiv, Bulgaria. Brill has made all reasonable efforts to trace all rights holders to any copyrighted material used in this work. In cases where these efforts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Sophoulis, Pananos, 1974– Byzantium and Bulgaria, 775–831 / by Panos Sophoulis. p. cm. — (East Central and Eastern Europe in the Middle Ages, 450–1450, ISSN 1872-8103 ; v. 16.) Includes bibliographical references and index. ISBN 978-90-04-20695-3 (hardback : alk. paper) 1. Byzantine Empire—Relations—Bulgaria. 2. Bulgaria—Relations—Byzantine Empire. 3. Byzantine Empire—Foreign relations—527–1081. 4. Bulgaria—History—To 1393. I. Title. DF547.B9S67 2011 327.495049909’021—dc23 2011029157 ISSN 1872-8103 ISBN 978 90 04 20695 3 Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher.
    [Show full text]
  • Biblical World
    MAPS of the PAUL’SBIBLICAL MISSIONARY JOURNEYS WORLD MILAN VENICE ZAGREB ROMANIA BOSNA & BELGRADE BUCHAREST HERZEGOVINA CROATIA SAARAJEVO PISA SERBIA ANCONA ITALY Adriatic SeaMONTENEGRO PRISTINA Black Sea PODGORICA BULGARIA PESCARA KOSOVA SOFIA ROME SINOP SKOPJE Sinope EDIRNE Amastris Three Taverns FOGGIA MACEDONIA PONTUS SAMSUN Forum of Appius TIRANA Philippi ISTANBUL Amisos Neapolis TEKIRDAG AMASYA NAPLES Amphipolis Byzantium Hattusa Tyrrhenian Sea Thessalonica Amaseia ORDU Puteoli TARANTO Nicomedia SORRENTO Pella Apollonia Marmara Sea ALBANIA Nicaea Tavium BRINDISI Beroea Kyzikos SAPRI CANAKKALE BITHYNIA ANKARA Troy BURSA Troas MYSIA Dorylaion Gordion Larissa Aegean Sea Hadrianuthera Assos Pessinous T U R K E Y Adramytteum Cotiaeum GALATIA GREECE Mytilene Pergamon Aizanoi CATANZARO Thyatira CAPPADOCIA IZMIR ASIA PHRYGIA Prymnessus Delphi Chios Smyrna Philadelphia Mazaka Sardis PALERMO Ionian Sea Athens Antioch Pisidia MESSINA Nysa Hierapolis Rhegium Corinth Ephesus Apamea KONYA COMMOGENE Laodicea TRAPANI Olympia Mycenae Samos Tralles Iconium Aphrodisias Arsameia Epidaurus Sounion Colossae CATANIA Miletus Lystra Patmos CARIA SICILY Derbe ADANA GAZIANTEP Siracuse Sparta Halicarnassus ANTALYA Perge Tarsus Cnidus Cos LYCIA Attalia Side CILICIA Soli Korakesion Korykos Antioch Patara Mira Seleucia Rhodes Seleucia Malta Anemurion Pieria CRETE MALTA Knosos CYPRUS Salamis TUNISIA Fair Haven Paphos Kition Amathous SYRIA Kourion BEIRUT LEBANON PAUL’S MISSIONARY JOURNEYS DAMASCUS Prepared by Mediterranean Sea Sidon FIRST JOURNEY : Nazareth SECOND
    [Show full text]
  • PDF) 978-3-11-066078-4 E-ISBN (EPUB) 978-3-11-065796-8
    The Crisis of the 14th Century Das Mittelalter Perspektiven mediävistischer Forschung Beihefte Herausgegeben von Ingrid Baumgärtner, Stephan Conermann und Thomas Honegger Band 13 The Crisis of the 14th Century Teleconnections between Environmental and Societal Change? Edited by Martin Bauch and Gerrit Jasper Schenk Gefördert von der VolkswagenStiftung aus den Mitteln der Freigeist Fellowship „The Dantean Anomaly (1309–1321)“ / Printing costs of this volume were covered from the Freigeist Fellowship „The Dantean Anomaly 1309-1321“, funded by the Volkswagen Foundation. Die frei zugängliche digitale Publikation wurde vom Open-Access-Publikationsfonds für Monografien der Leibniz-Gemeinschaft gefördert. / Free access to the digital publication of this volume was made possible by the Open Access Publishing Fund for monographs of the Leibniz Association. Der Peer Review wird in Zusammenarbeit mit themenspezifisch ausgewählten externen Gutachterin- nen und Gutachtern sowie den Beiratsmitgliedern des Mediävistenverbands e. V. im Double-Blind-Ver- fahren durchgeführt. / The peer review is carried out in collaboration with external reviewers who have been chosen on the basis of their specialization as well as members of the advisory board of the Mediävistenverband e.V. in a double-blind review process. ISBN 978-3-11-065763-0 e-ISBN (PDF) 978-3-11-066078-4 e-ISBN (EPUB) 978-3-11-065796-8 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019947596 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de.
    [Show full text]
  • Senators Sample Letter
    May 6, 2019 The Honorable Richard Blumenthal U.S. Senate 706 Hart Senate Office Building Washington, DC 20510 The Honorable Edward Markey U.S. Senate 255 Dirksen Senate Office Building Washington, DC 20510 The Honorable Chris Van Hollen U.S. Senate 110 Hart Senate Office Building Washington, DC 20510 Senator Blumenthal, Senator Markey, and Senator Van Hollen, Thank you for your April 1, 2019 letter regarding tobacco imagery in Amazon’s video content. Amazon is a customer-obsessed company and we appreciate your interest in the important topic of underage tobacco use. Below we have highlighted the tools that we provide customers to select appropriate content for their households. We are available to discuss these issues further with your offices if you have any questions. Today, the Amazon Prime Video catalog available to customers in the United States contains tens of thousands of titles, including Amazon Originals as well as third-party licensed movies and television series from content providers around the world. Our content selection is always changing; due to the size and dynamic nature of our catalog and the lack of an industry standard mechanism for identifying tobacco-specific data within content, we are unable to provide a title by title assessment on the presence of tobacco imagery or dialogue. However, individual maturity ratings are displayed on the detail page for the title within the catalog. Amazon Prime Video’s goal is to deliver the broadest selection of premium content to our customers to stream, purchase, or rent while also ensuring that we provide the information necessary to allow customers to make informed decisions about what content is appropriate for them and their households.
    [Show full text]
  • CHAPTER Introduction the Siege of Adrianople Ended in a Asco. After
    CHAPTER 16 Introduction The siege of Adrianople ended in a asco. After two days of heavy ghting at the cost of many lives, the Goths decided to raise the siege and to use Perinthus as a base for their predatory raids. Defectors, acting as guides, showed them the way to the riches of the region, which they plundered to their hearts’ content (§1). The inhabitants of Adrianople left the city by night and took the imperial treasure with them, in the hope to nd Valens, not knowing that the emperor had fallen during the battle against the Goths (§2). Fritigern persuaded Huns and Alans with promises of huge booty to join forces with the Goths. Together they ravaged the fertile country around Perinthus without meeting any resistance (§3). Since the fabulous wealth of Constantinople was close at hand, the barbarians made this city their next target. Taking all necessary precautions they advanced in force to the metropolis (§4). At that critical moment, however, the godhead intervened by means of a band of Saracen auxiliaries, who had recently arrived in Constantinople. These erce warriors joined battle with the Goths and their allies. Although the actual battle remained undecided, the fanaticism of one Saracen warrior made a stunning impression on the Goths. He plunged into the enemy lines, slit a man’s throat and sucked the blood out of the wound. That frightened the Goths to such a degree that from then on they lost much of their former audacity (§5–6). Moreover, the sight of the huge walls, the enormous dimensions and the density of the population of Constantinople made the barbarians lose heart.
    [Show full text]